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DaveBerg's continual invocation of surveillance, combined with his self-placement as a subject of surveillance, is in fact a movement away from Modernist models of critique in which the critic presumes a peripheral "bird's eye view" outside of the cultural workings under critique.
Berg's representations of himself as surveyor, both on his book covers and as the character Roger Kaputnik (a name Berg jokingly gave to himself as a child growing up in a family with too many children for his mother to always readily remember all of their names), always includes his trademark thick, fl, outdated glasses.
Berg's internalization of self-surveillance is coupled with a neurotic subjugation to the influential powers of the gazes put upon him by both government and the neighbor next door (Fig.