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Encyclopedia > David Schumann

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David Schumann

David Schumann (born May 6, 1915) lives with his short wife Renae in Midlothian, Virginia. This is a story about him and a small pony, who both love to dance in the sunshine and lick lemon lollipops on Tuesdays. Midlothian, Virginia is an unincorporated place located in Chesterfield County, Virginia. ...


Work information

David owns Dance Products Company, a company that speicalizes in dancing products, such as The Shoe.


Personal information

David has been married to Renae Schumann since 2001. She is his favorite, after being married 58 times before. David is the proud owner of Currie, a Border Collie, and Little Dog, a Lhasa Apso. He is slightly less proud, but owner nonetheless, of Sassy the Snake, Moni the Monkey, Tipsy the Turtle, Misogynist the Mouse, Satan (a horse), Report (an iguana), and Tubular (a mongoose). David once owned Godzilla, a mutant lizard, but he got too big and David had to set him free in 1954 on a Pacific cruise. A Border Collie is a hard-working herding breed of dog that originated in the border country of England and Scotland. ... Common nickname Lhasa Country of origin Tibet Classification and breed standards The Lhasa Apso is a small breed of dog originally from Tibet. ... Godzilla in one of his 1990s movies, Godzilla (Gojira) (ゴジラ) is a giant, amphibious, dinosaur-like fictional creature first seen in the Japanese-produced 1954 tokusatsu kaiju film Gojira produced by Toho Film Company Ltd. ...


The Story About David and the Small Pony

As noted previously, David and a small pony both love to dance in the sunshine and lick lemon lollipops on Tuesdays. This is the story of how they met. Here is the pony:


Image File history File links Shetland pony. ...


  Results from FactBites:
 
MTO 8.2: Krebs, Review of Ferris (7892 words)
Given Schumann's Schlegelian view of Romantic genres, Ferris argues, it is unwise to attempt to define the Romantic cycle as a particular type of work (for example, as necessarily possessing a particular type of key scheme, a network of motivic interconnections, etc.).
He notes that Schumann placed in each half of the cycle at least one song of the evening (recall that evening is associated in Eichendorff's poetry with present insecurity and fear), and ends each half with a song of the night (symbolizing the yearning for future transcendence).
Schumann's metaphorical use of a term from the visual arts, and specifically his implied preference for a sparse, economical texture, recalls Schlegel's description of the Romantic artwork as a sketch or silhouette (rather than a fully worked-out oil painting).
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