Dharani

Kūkai advanced a general theory of language based on his analysis of two forms of Buddhist ritual language: dharani (dhāra.nī) and mantra. Mantra is restricted to esoteric Buddhist practice whereas dharani is found in both esoteric and exoteric ritual. Dharanis for instance are found in the Pali Canon see below. Kūkai coined the word "shingon" (lit true word) as a Japanese translation of mantra. Kūkai (空海) or Kōbō-Daishi (弘法大師) , 774—835 CE: Japanese monk, scholar, and artist, founder of the Shingon or “True Word” school of Buddhism. ... A ritual is a formalised, predetermined set of symbolic actions generally performed in a particular environment at a regular, recurring interval. ... Standard edition of the Thai Pali Canon The Pali Canon is one the earliest existing scripture collections of the Buddhist tradition. ... Shingon (真言宗) is a major school of Japanese Buddhism, and the most important school of Vajrayana Buddhism outside of the Himalayan region. ...

The word dharani derives from a Sanskrit root dh.r which means to hold, or maintain. Ryuichi Abe suggests that it is generally understood as a mnemonic device which encapsulates the meaning of a section or chapter of a sutra. This is perhaps related to the use of verse summaries at the end of texts as in the Udana which is generally acknowledged as being in the oldest strata of the Pali Canon. Dharanis are also considered to protect the one who chants them from malign influences and calamities. Ryuichi Abé. ...

Mantra is traditionally said to be derived from two roots: "man", to think; and the action oriented (k.rt) suffix "tra". Thus a mantra can be considered to be a linguistic device for deepening ones thought, or in the Buddhist context for developing the enlightened mind. However it is also true that mantras have been used as magic spells for very mundane purposes such as attaining wealth and long life, and eliminating enemies.

The distinction between dharani and mantra is a difficult one to make. We can say that all mantras are dharanis but that not all dharanis are mantras. Mantras do tend to be shorter. Both tend to contain a number of unintelligible phonic fragments such as Om, or Hu.m which is perhaps why some people consider them to be essentially meaningless. Kukai made mantra a special class of dharani which showed that every syllable of a dharani was a manifestation of the true nature of reality -- in Buddhist terms that all sound is a manifestation of shunyata or emptiness of self-nature. Thus rather than being devoid of meaning, Kukai suggests that dharanis are in fact saturated with meaning -- every syllable is symbolic on multiple levels. Śūnyatā, शून्यता (Sanskrit, Pali: suññatā), or Emptiness, is a term for a concept or set of concepts playing an important role in some versions of the Buddhist metaphysical critique, but also having important implications for Buddhist epistemology and phenomenology. ...