FACTOID # 57: In 2002, every 1000 Swedes made a bus.
 
 Home   Encyclopedia   Statistics   Countries A-Z   Flags   Maps   Education   Forum   FAQ   About 
 
WHAT'S NEW
RECENT ARTICLES
More Recent Articles »
 

SEARCH ALL

FACTS & STATISTICS    Advanced view

Search encyclopedia, statistics and forums:

 

 

(* = Graphable)

 

 


Encyclopedia > Diminished triad


Generally speaking, a diminished chord is a chord which has a diminished fifth in it. More specifically, it is a three-note chord consisting of a minor third and diminished fifth above the root - if built on C, a diminished chord would have a C, an E flat and a G flat. The interval between the upper two notes is also a minor third - thus, the chord consists of two minor thirds stacked on top of one another. It resembles a minor triad with a lowered (or diminished) fifth.


In the common practice period, the diminshed chord is considered dissonant, or unstable. It lacks tonal center or drive because the diminished fifth symmetrically divides the octave. Adding a further minor third on top of the chord (if built on C, this results in a chord consisting of C, E flat, G flat and B double-flat, the last of which may be enharmonically respelled as A) makes a diminished seventh chord (so called because C to B double-flat is the interval of a diminished seventh). This equivocal chord is ambiguous as to root because a diminished seventh chord built from any note of it produces that same chord. This, combined with the fact that any of its notes may be eharmonically changed, makes it a useful pivot chord for modulation.


A diminished chord occurs in a major scale only on the seventh scale degree; in the key of C, this is BDF. This also occurs in the seventh chord built on the fifth note (that is, the dominant seventh); in C, this is GBDF. The diminished chord on the leading tone can thus function as a dominant seventh and resolve to the tonic chord. The diminished fifth is part of the strong sense of resolution possible in the progression from the dominant seventh to the tonic.


The diminished seventh chord comprises frequencies that are equally spaced when considered on a logarithmic axis, and thus divides the octave into four logarithmically equal portions.


In a twelve tone equal tempered tuning, a diminished chord has 3 semitones between the third and fifth, 3 between the root and third, and 6 between the root and fifth. It is represented by the integer notation 0,3,6.


See also:


  Results from FactBites:
 
Triads (598 words)
A triad is a group of three notes which are related by thirds.
The first group is a triad built on the note C. The triad contains the three notes C, E, and G (C to E is a third and E to G is a third-a stack of two thirds).
Of the seven triads which are spelled on natural notes (no sharps or flats) three are major, three are minor, and one is diminished.
Diminished chord - Wikipedia, the free encyclopedia (396 words)
In the common practice period, the diminished chord is considered dissonant, or unstable.
The diminished fifth is part of the strong sense of resolution possible in the progression from the dominant seventh to the tonic.
In a twelve tone equal tempered tuning, a diminished chord has 3 semitones between the third and fifth, 3 between the root and third, and 6 between the root and fifth.
  More results at FactBites »


 

COMMENTARY     


Share your thoughts, questions and commentary here
Your name
Your comments
Please enter the 5-letter protection code

Want to know more?
Search encyclopedia, statistics and forums:

 


Lesson Plans | Student Area | Student FAQ | Reviews | Press Releases |  Feeds | Contact
The Wikipedia article included on this page is licensed under the GFDL.
Images may be subject to relevant owners' copyright.
All other elements are (c) copyright NationMaster.com 2003-5. All Rights Reserved.
Usage implies agreement with terms.