Encyclopedia > Discorsi sopra la prima deca di Tito Livio
Niccolò Machiavelli is primarily known as the author of The Prince. His Discorsi sopra la prima deca di Tito Livio (Discourses on Livy, written in 1513-1517 and published posthumously in 1531) is in many ways a different work, although how different it actually is has been a matter of dispute. In the second chapter of The Prince Machiavelli himself makes a distinction between the books in terms of subject matter: while The Prince is about principalities, the Discourses is about republics. Detail of the portrait of Machiavelli, ca 1500, in the robes of a Florentine public official Niccolò Machiavelli ( May 3, 1469 – June 21, 1527) was a Florentine statesman and political philosopher. ... This article is about the book. ... Events January 20 - Denmark and Norway. ... Events January 22 - Battle of Ridanieh. ... Events January 26 - Lisbon, Portugal is hit by an earthquake-- thousands die October 1 - Battle of Kappel - The forces of Zürich are defeated by the Catholic cantons. ... Prince Albert of Monaco on the left represents a principality where he wields adminisitrative authority. ... In a broad definition a republic is a state or country that is led by people that dont found their power status on any principle beyond the control of the people living in that state or country. ...
Summary
If The Prince resembles a guidebook based primarily on empirical observations, Machiavelli wrote the Discourses as a commentary on Livy's work on Roman history. However, both books include empirical observations and historical generalizations. Machiavelli himself does not make a sharp distinction between the two methods of inquiry, as he thinks that all ages are fundamentally similar. He thinks we can use both methods to teach ourselves the unchanging laws of the political universe. When we have understood these laws, we can use our understanding in political life to achieve our goals. Empirical is an adjective often used in conjunction with science, both the natural and social sciences, which means an observation or experiment based upon experience that is capable of being verified or disproved. ... Titus Livius (around 59 BC - 17 AD), known as Livy in English, wrote a monumental history of Rome, Ab Urbe Condita, from its founding (traditionally dated to 753 BC). ... The Roman Empire is not the Holy Roman Empire (843-1806). ...
The book is strictly speaking three books in one. In Book I Machiavelli focuses on the internal structure of the republic. Book II is about matters of warfare. Book III is perhaps most similar to the teachings of The Prince, as it concerns individual leadership. The three books combined provide guidance to those trying to establish or reform a republic.
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Francesco Guicciardini, Machiavelli's friend, read the book and wrote critical notes (Considerazioni) on many of the chapters. Francesco Guicciardini (1483-1540), Florentine historian and statesman. ...
Da questo, ei vollono la Censura, il Pretore, e tutti gli altri gradi dell'imperio della città: né bastò loro questo, ché, menati dal medesimo furore, cominciorono poi, col tempo, a adorare quelli uomini che vedevano atti a battere la Nobilità; donde nacque la potenza di Mario, e la rovina di Roma.
Perché, dopo la rotta che Annibale aveva dato ai Romani a Canne, molti cittadini si erano adunati insieme, e, sbigottiti della patria, si erano convenuti abbandonare la Italia, e girsene in Sicilia; il che sentendo Scipione, gli andò a trovare, e col ferro ignudo in mano li costrinse a giurare di non abbandonare la patria.
In seguito all'indebolimento di papa Clemente VII dopo il sacco di Roma (1527), a Firenze venne restaurata la Repubblica, ma Machiavelli non fu chiamato a ricoprirvi incarichi.
Favola di Belfagor arcidiavolo _ Questa novella, conosciuta anche col titolo Il demonio che prese moglie, fu scritta dal Machiavelli in data non certa, ma molto probabilmente compresa - secondo gli studiosi - tra gli anni 1518 e 1527.
Nonostante la ricchezza di topoi di ascendenza classica, provenzale ed in generale appartenenti alla commedia tradizionale, la Mandragola deve la sua originalità alla strabiliante fisionomia dei personaggi.