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Encyclopedia > Dock Boggs
Dock Boggs
Dock Boggs

Moran Lee "Dock" Boggs (February 7, 1898February 7, 1971) was an influential old-time singer, songwriter and banjo player. His style of play, as well as his singing, is considered a unique combination of old-time Appalachian mountain music and the blues. Boggs is deemed by contemporary old-time musicians and performers as a seminal figure in old-time music, at least in part because of the appearance of two of his recordings from the 1920s, "Sugar Baby" and "Country Blues", on the influential Anthology of American Folk Music collection. file obtained from http://www. ... February 7 is the 38th day of the year in the Gregorian Calendar. ... 1898 (MDCCCXCVIII) was a common year starting on Saturday (see link for calendar) of the Gregorian calendar (or a common year starting on Monday of the 12-day-slower Julian calendar). ... February 7 is the 38th day of the year in the Gregorian Calendar. ... 1971 (MCMLXXI) was a common year starting on Friday (the link is to a full 1971 calendar). ... Old-time music is a form of North American folk music, with roots in the folk music of many countries, most notably: England, Scotland, Ireland, and Africa. ... Old 6-string zither banjo For other uses, see Banjo (disambiguation) The banjo is a stringed instrument of African American origin, early or original examples sometimes being called the gourd banjo. Its name is commonly thought to be derived from the Kimbundu term mbanza. ... Old-time music is a form of North American folk music, with roots in the folk music of many countries, most notably: England, Scotland, Ireland, and Africa. ... Appalachian Region of the U.S., as defined by the Appalachian Regional Commission Appalachia is a term used to include a region stretching from Maine to Alabama that surrounds the Appalachian mountains. ... The blues is a vocal and instrumental form of music based on a pentatonic scale and a characteristic twelve-bar chord progression. ... Old-time music is a form of North American folk music, with roots in the folk music of many countries, most notably: England, Scotland, Ireland, and Africa. ... Old-time music is a form of North American folk music, with roots in the folk music of many countries, most notably: England, Scotland, Ireland, and Africa. ... The Anthology of American Folk Music is a recording that collects several dozen folk and country songs which were initially recorded from the 1920s and 1930s, and were first released on 78 rpm records. ...


Boggs was born in Norton, Virginia and began working in the coal mines of Appalachia at the age of twelve. At around this time, Boggs became interested in the banjo. As was the case of many musicians and performers of his era, Boggs learned to play the banjo watching and listening to family members and other performers, drawing additional influence from local African American musicians. Norton is an independent city within the confines of Wise County in the state of Virginia. ... Wyoming coal mine Coal mining is the mining of coal. ... Appalachian Region of the U.S., as defined by the Appalachian Regional Commission Appalachia is a term used to include a region stretching from Maine to Alabama that surrounds the Appalachian mountains. ... Old 6-string zither banjo For other uses, see Banjo (disambiguation) The banjo is a stringed instrument of African American origin, early or original examples sometimes being called the gourd banjo. Its name is commonly thought to be derived from the Kimbundu term mbanza. ... Old 6-string zither banjo For other uses, see Banjo (disambiguation) The banjo is a stringed instrument of African American origin, early or original examples sometimes being called the gourd banjo. Its name is commonly thought to be derived from the Kimbundu term mbanza. ...


Boggs, while playing a traditional-style of play, did not play in the knock-down, sometimes called clawhammer or frailing style, instead employing a three-finger method that involved picking upwards on the strings of the banjo and permitted him to execute crisp single-note runs in a manner similar to that of a fingerstyle guitarist. Nevertheless, Boggs' style should not be confused with the bluegrass style of playing otherwise known as Scruggs style, made famous by Earl Scruggs, which also involves up-picking the banjo strings. Clawhammer and frailing describe a class of fingerpicking techniques used by banjo and, rarely, guitar players. ... Frailing is a way of playing the banjo also known as clawhammer. ... Old 6-string zither banjo For other uses, see Banjo (disambiguation) The banjo is a stringed instrument of African American origin, early or original examples sometimes being called the gourd banjo. Its name is commonly thought to be derived from the Kimbundu term mbanza. ... Bluegrass music is considered a form of American roots music with its own roots in the English, Irish and Scottish traditional music of immigrants from the British Isles (particularly the Scots-Irish immigrants of Appalachia), as well as the music of rural African-Americans, jazz, and blues. ... Scruggs style is a fingerpicking method of playing the banjo, typically using picks on the thumb and first two fingers of the right hand, with the ring and little fingers braced solidly on the head of the instrument. ... Earl Scruggs Earl Eugene Scruggs (born January 6, 1924 in Shelby, North Carolina) created a banjo style (now called Scruggs style) that is one of the defining characteristics of bluegrass. ... Old 6-string zither banjo For other uses, see Banjo (disambiguation) The banjo is a stringed instrument of African American origin, early or original examples sometimes being called the gourd banjo. Its name is commonly thought to be derived from the Kimbundu term mbanza. ...


In 1920 Dock Boggs became influenced by blues tunes. He heard music played and sung by African-Americans while working in the coal mines and around the railroads of Appalachia. In 1927 he attended an audition in Bristol, Tennessee with the Brunswick record company. He was offered a contract to record with Brunswick and as a result travelled to New York where he recorded eight sides: "Sugar Baby," "Down Home Blues," "Country Blues," "Sammie Where Have You Been So Long," "Danville Girl," "Pretty Polly," "New Prisoner's Song" and "Hard Luck Blues." After these sessions, Boggs never recorded for Brunswick again. The blues is a vocal and instrumental form of music based on a pentatonic scale and a characteristic twelve-bar chord progression. ... African Americans, also known as Afro-Americans or black Americans, are an ethnic group in the United States of America whose ancestors, usually in predominant part, were indigenous to Sub-Saharan and West Africa. ... Wyoming coal mine Coal mining is the mining of coal. ... This is the top-level page of WikiProject trains Rail tracks Rail transport refers to the land transport of passengers and goods along railways or railroads. ... Appalachian Region of the U.S., as defined by the Appalachian Regional Commission Appalachia is a term used to include a region stretching from Maine to Alabama that surrounds the Appalachian mountains. ... Bristol is a city located in Sullivan County, Tennessee. ... Brunswick Records is a United States based record label. ... Official language(s) None, English de facto Capital Albany Largest city New York City Area  Ranked 27th  - Total 141,205 km²  (54,520 sq. ...


By 1933, Boggs had given up hope of making a living as a musician. He hocked his banjo and did not play again until the early 1960s when he was re-discovered by Mike Seeger of the New Lost City Ramblers. As a result of his relationship with Seeger, Boggs enjoyed a renaissance of sorts during the Folk Revival, and recorded again. Old 6-string zither banjo For other uses, see Banjo (disambiguation) The banjo is a stringed instrument of African American origin, early or original examples sometimes being called the gourd banjo. Its name is commonly thought to be derived from the Kimbundu term mbanza. ... Mike Seeger Mike Seeger (b. ... New Lost City Ramblers The New Lost City Ramblers is a contemporary old-time string band that formed in New York City in 1958 during the Folk Revival. ...


Related Links

  • Longtime Coming

  Results from FactBites:
 
Dock Boggs - Wikipedia, the free encyclopedia (373 words)
Boggs is deemed by contemporary old-time musicians and performers as a seminal figure in old-time music, at least in part because of the appearance of two of his recordings from the 1920s, "Sugar Baby" and "Country Blues", on the influential Anthology of American Folk Music collection.
Boggs was born in Norton, Virginia and began working in the coal mines of Appalachia at the age of twelve.
Boggs, while playing a traditional-style of play, did not play in the knock-down, sometimes called clawhammer or frailing style, instead employing a three-finger method that involved picking upwards on the strings of the banjo and permitted him to execute crisp single-note runs in a manner similar to that of a fingerstyle guitarist.
Only Remembered For What He Has Done - Dock Boggs (3781 words)
Dock Boggs' 1927 recordings of raw, powerful singing and distinctive banjo-playing have moved and influenced musicians, fans and scholars ever since their release.
Dock was a coal miner in southwestern Virginia and played music informally there except for a brief period when he had a band after his 1927 recordings.
Dock answered, "I'd be honored to do anything I could around here to help promote old-time music." It was to be the first time he'd played for the local public in many years and the first time a music festival featuring local talent had been held at Clinch Valley College.
  More results at FactBites »


 
 

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