Doofus is an alternative comic by Rick Altergott about two foolish creeps, Doofus and his pal Henry Hotchkiss, and their adventures in Flowertown U.S.A. Admirers of Doofus praise it as one of the 20th century's last great humor strips. The term alternative comics is one of several labels applied to a range of comics that have appeared since about 1980, in the wake of the underground comix movement of the late 1960s and early 70s. ... Screenshot of Rick Altergotts website. ... (19th century - 20th century - 21st century - more centuries) Decades: 1900s 1910s 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s As a means of recording the passage of time, the 20th century was that century which lasted from 1901–2000 in the sense of the Gregorian calendar (1900–1999 in the...
Doofus has appeared in various publications, including the Seattle Stranger, Heavy Metal, and comic books published by Fantagraphics Books such as Doofus, Doofus Omnibus, Raisin Pie and later issues of Hate. The Stranger is a weekly newspaper in Seattle, Washington, noted for its social commentary, political opinion, arts, comics and music coverage, and local news items. ... Jean-Michel Nicollets cover for the first issue. ... A comic book is a magazine or book containing the art form of comics. ... Fantagraphics Books is an American publisher of alternative comics, classic comic strip anthologies, magazines, graphic novels, and the adult-oriented Eros Comix imprint. ... Hate is a humorous, cynical, semi-autobiographical comic book by Peter Bagge, published by Fantagraphics Books. ...
Doofus' dad dies soon afterwards of a heart attack or something, and Doofus grows up living with his mother, and a lot of insurance money, presumably, which is the current situation.
Doofus is supposed to be well-meaning, but he often acts inappropriately out of ignorance and lack of social grace.
I tend to think that they have been co-opted by the politically-correct liberal media which force rules and quotas onto everything, and simply censor anything that doesn't fit their set agenda, a practice that is institutionalized to a much worse degree in the rest of the average newspaper.
This leads inevitably to the prospect of "a la carte" service for particular comics; this is one area where that old hobgoblin "micropayments" still gets a respectful hearing, and many observers point to the success The New York Times has had in getting people to pay for its crossword puzzle as a model.
The three-panel comic strip is not an art form native to the web, and the greatest challenge in adapting it may be that readers bring different expectations and habits to online readership.
If there is one aspect in which newspapers largely have managed to reproduce their comic strip experience online, it may be this: Newspaper editors have famously tended to view comics as being, at best an annoying afterthought.
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