 The Doryphoros of Polykleitos The Doryphoros (Greek δορυφόρος, lit. "Spear-Bearer"; Latinized as Doryphorus) is one of the best known sculptures of the ancient classical era in Western Art and an early example of Greek classical contrapposto. This Manual of Style has the simple purpose of making things easy to read by following a consistent format — it is a style guide. ...
Image File history File links Copied from German language version of Wikipedia. ...
Image File history File links Copied from German language version of Wikipedia. ...
Latin is an ancient Indo-European language originally spoken in Latium, the region immediately surrounding Rome. ...
Contrapposto is an Italian word for counterpoise referring to an analytical sculptural technique in which the artist illustrates the natural counterbalance of the body through the bending of the hips in one direction and the legs in another direction. ...
Polykleitos
The Greek sculptor Polykleitos designed this work as an example of the "canon" or "rule", showing the perfectly harmonious and balanced proportions of the human body in the sculpted form. A solid-built athlete with muscular features is leaning on a spear. The original bronze statue is lost. In the surviving marble copies, dating back to the ancient Roman era, a marble tree stump is added to support the weight of the marble. A characteristic of Polykleitos' Doryphoros is the classical contrapposto in the pelvis; the figure's stance is such that one leg seems to be in movement while he is standing on the other. Polykleitos (or Polycletus, Polyklitos, Polycleitus, Polyclitus) the Elder was a Greek sculptor of the 5th century BC and the early 4th century BC. Next to famous Phidias, Myron and Kresilas he is the most important sculptor of the Classical antiquity. ...
Contrapposto is an Italian word for counterpoise referring to an analytical sculptural technique in which the artist illustrates the natural counterbalance of the body through the bending of the hips in one direction and the legs in another direction. ...
Some time in the second century AD, Galen wrote about the Doryphoros as the perfect visual expression of the Greeks' search for harmony and beauty, which is rendered in the perfectly proportioned sculpted male nude: Greek: Γαληνός, Latin: Claudius Galenus of Pergamum (129 – 200 AD), better known in English as Galen, was an ancient Greek physician. ...
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- Beauty consists in the proportions, not of the elements, but of the parts, that is to say, of finger to finger, and of all the fingers to the palm and the wrists, and of these to the forearm, and of the forearm to the upper arm, and of all the other parts to each other, as they are set forth in the Canon of Polykleitos.
POLYCLITUS, DORYPHOROS (SPEARBEARER) Source: Greek Ideas & Values: (adapted fr The Art of Greece, translated by J.J. Pollitt)
THE CANON OF POLYCLITUS (DOCUMENTED BY GALEN) Claudius Galenus (c 130-200 AD), better known as Galen, was a Roman physician and doctor to Emperor Marcus Aurelius. He wrote several works on medicine and philosophy, and in one of them he mentions the writings of Polyclitus, the Greek sculptor who wrote about his "Canon" and the theories of proper proportion.(The document is now lost). The figurative sculpture, Doryphorus (a Roman copy of a Greek sculpture), is believed to be the best illustration of Polyclitus' principles of proportion. Galen refers to the classical Greek ideal of beauty as follows:
"It [beauty] arises not in the commensurability or symmetria [symmetria means proportions] of the constituent elements [of the body], but in the commensurability of the parts, such as that of finger to finger, and of all the fingers to the palm and wrist, and of those to the forearm, and of the forearm to the upper arm, and in fact, of everything to everything else, just as it is written in the Canon of Polyclitus. For having taught us in that work all the proportions of the body, Polyclitus supported his treatise with a work: he made a statue according to the tenets of his treatise, and called the statue, like the work, the 'Canon.' "
In another work Galen further observes: "Modellers and sculptors and painters, and in fact image-makers in general, paint or model beautiful figures by observing the ideal form in each case, that is, whatever form is most beautiful in man or in the horse or in the cow or in the lion, always looking for the mean within each genus. And a certain statue might perhaps also be commended, the one called the 'Canon' of Polyclitus; it got such a name from having precise commensurability of all the parts to one another."
The sculpture which Galen referred to as the Canon, is the Doryphorus (Spear Bearer).
Other uses Doryphoros or doryphorus can be used for the original work by Polykleitos, or to describe any sculpture imitating this pose, whether the figure actually bears a spear or not; e.g., the Augustus of Prima Porta which is ostensibly modelled on the Doryphoros. Prima Porta now a distant suburb 14. ...
In Modern Greek, the term means "satellite"; the term φυσική δορυφόρος (physike doryphoros) is used for natural satellites, while artificial satellite is a τεχνητός δορυφόρος (tekhnetos doryphoros). See el:Τεχνητός Δορυφόρος. Main article: Greek language Modern Greek (ÎÎα Ελληνικά or Îεοελληνική, lit. ...
MILSTAR:A communication satellite A satellite is any object that orbits another object (which is known as its primary). ...
Moons of the Solar System scaled to Earths Moon A natural satellite is an object that orbits a planet or other body larger than itself and which is not man-made. ...
For other uses, please see Satellite (disambiguation) A satellite is an object that orbits another object (known as its primary). ...
References - Herbert Beck, Peter C. Bol, Maraike Bückling (Hrsg.): Polyklet. Der Bildhauer der griechischen Klassik. Ausstellung im Liebieghaus-Museum Alter Plastik Frankfurt am Main. Von Zabern, Mainz 1990 ISBN 3-8053-1175-3
- Detlev Kreikenbom: Bildwerke nach Polyklet. Kopienkritische Untersuchungen zu den männlichen statuarischen Typen nach polykletischen Vorbildern. "Diskophoros", Hermes, Doryphoros, Herakles, Diadumenos. Mann, Berlin 1990, ISBN 3-7861-1623-7
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