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The Labrys is a doubleheaded axe. Representations of the Labrys are found in the art of many cultures. It is depicted on Neolithic finds of "Old Europe", and is continued in Minoan Thracian, Greek (and Byzantine) art and mythology. It also appears in African mythology (see Shango). Today, it is sometimes used as a symbol associated with female and matristic power.
Etymology The word first appears in Plutarch as the Lydian word for axe (Greek Questions, xlv): - Herakles, having slain Hippolyte and taken her axe with the rest of her arms, gave it to Omphale. The kings of Lydia who succeeded her carried this as one of their sacred insignia of office, and passed it down from father to son until Candaules. Candaules, however, disdained it and gave it to one of his companions to carry. When Gyges rebelled and was making war upon Candaules, Arselis came with a force from Mylasa to the assistance of Gyges, slew Candaules and his companion, and took the axe to Caria with the other spoils of war. And having set up a statue of Zeus, he put the axe in his hand and called the god, "Labrandeus," labrys being the Lydian word for 'axe'. (Λυδοὶ γάρ ‘λάβρυν’ τὸν πέλεκυν ὀνομάζουσι 2.302a.)
Archeology suggests that the veneration of Zeus Labraundeos at Labraunda was far older than Plutarch imagined. Like its apparent cognate "labyrinth", the word entered the Greek language as a loanword, so that its etymology, and even its original language, is not positively known. The loanword labyrinth was used in Greek, but the designation "The house of the Double Axe" for the palace at Knossos is an imaginative modern innovation.
Minoan civilization The term, and the symbol, is most closely associated with the Minoan civilization, which reached its peak in the 2nd millennium BC. Some Minoan labrys have been found which are taller than a man and which might have been used during sacrifices. The sacrifices would likely have been of bulls. In feminist interpretations (particularly by Marija Gimbutas), it is also interpreted as a symbol of the Mother Goddess and compared to the shape of a butterfly rather than an axe.
Ancient Greece The word labyrinthos (Mycenaean daburintos) is probably connected with the word labrys. In the context of the myth of Theseus, the labyrinth of Greek mythology is frequently associated with the Minoan palace of Knossos. On Greek vase paintings, a labrys sometimes appears in scenes of animal sacrifice, particularly as a weapon for the slaying of bulls. On the "Perseus Vase" in Berlin (F1704; ca 570–560 BC), Hephaestus ritually flees his act of slicing open the head of Zeus to free Athena: over his shoulder is the instrument he has used, the double-headed axe. (The more usual double-headed instrument of Hephaestus is the double-headed smith's hammer.) On Greek coins of the classical period (e.g. Pixodauros, etc.) a type of Zeus venerated at Labraunda in Caria that numismatists call Zeus Labraundeus stands with a tall lotus-tipped sceptre upright in his left hand and the double-headed axe over his right shoulder. The double-axe also appears in Thracian art. On the Aleksandrovo kurgan fresco, it is probably wielded by Zalmoxis.
Popular culture Today, probably following the theories of Gimbutas, the labrys is sometimes used as a symbol of female empowerment, signifying lesbianism in particular, and appearing in Wiccan ritual.
See also
External links - Pagan Protection Center (http://www.witchvox.com/whs/kerr_sy4_gn.html) list of symbols, includes an article on Labrys.
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