A duration is an amount of time or a particular time interval. For example, an event in the common sense has a duration greater than zero (but not very long), but in certain specialised senses, a duration of zero. It is often cited as one of the fundamental aspects of music, see also rhythm.

Durations, and their beginnings and endings, may be described as long, short, or taking a specific amount of time. Often duration is described according to terms borrowed from descriptions of pitch. As such, the duration complement is the amount of different durations used, the duration scale is an ordering of those durations from shortest to longest, the duration range is the difference in length between the shortest and longest, and the duration hierarchy is an ordering of those durations based on frequency of use (DeLone et. al. (Eds.), 1975, chap. 3).

Durational patterns are the foreground details projected against a background metric structure, which includes meter, tempo, and all rhythmic aspects which produce temporal regularity or structure. Duration patterns may be divided into rhythmic units and rhythmic gestures. (DeLone et. al. (Eds.), 1975, chap. 3) However, they may also be described using terms borrowed from the metrical feet of poetry: iamb (weak-strong), anapest (weak-weak-strong), trochee (strong-weak), dactyl (strong-weak-weak), and amphibrach (weak-strong-weak), which may overlap to explain ambigouity (Cooper and Meyer, 1960).

Source

• DeLone et. al. (Eds.) (1975). Aspects of Twentieth-Century Music. Englewood Cliffs, New Jersey: Prentice-Hall. ISBN 0130493465.
• Cooper and Meyer (1960). The Rhythmic Structure of Music. University of Chicago Press. ISBN 0226115224.

See also

• Bond duration