Edward Clement Bethel (1938-1987) was a Bahamian composer, pianist and choral director who became the first Director of Culture in the Bahams.
Bethel was trained as a classical pianist in London, but chose to dedicate his life to the development of culture in the Bahamas. Under his direction, the new nation of the Bahamas learned an appreciation of its indigenous music. He co-wrote and directed the Independence Pagaent, a survey of Bahamian history from pre-Columbian days to Bahamian Independence from Britain, which was performed on the evening leading up to the morning of July 10, 1973. He was the composer of the folk opera Sammie Swain, which he adapted from a Bahamian folktale, and he wrote and arranged countless Bahamian songs. His MA thesis in ethnomusicology, Music in The Bahamas: its Roots, Rhyme and Personality, studied the development of Bahamian music from the slave era to the 20th century, and one chapter of that thesis was expanded into the book Junkanoo: Festival of The Bahamas (Macmillan Caribbean1992, ISBN 0333554698).
He died at the age of 49 from a hereditary kidney illness. His daugther, Nicolette Bethel, has continued his work and expanded Junkanoo: Festival of The Bahamas.
ClementBethel have studied the issue extensively, and likely conclusions include that African slaves were allowed celebrations only around Christmas-time, and chose to celebrate John Connu, a headman from 18th century Africa.
Christian rhyming spirituals and the ant'ems of sponge fisherman are now mostly dead traditions, decimated by the arrival of pop music, a 1930s sponge blight and other causes.
ClementBethel's master's thesis on traditional Bahamian music was adapted for the stage by his daughter, Nicolette Bethel and Philip A. Burrows.