NationMaster - Encyclopedia: Eavan Boland

Boland was born in Dublin on September 24 1944. Her father, Frederick Boland was a career diplomat and her mother was the Postexpressionist painter, Frances Kelly. She was educated in London and New York as well as in her native Dublin; graduating from Trinity College. Dublin (Irish: Baile Ãtha Cliath) is the capital and largest city of the Republic of Ireland, located near the midpoint of Irelands east coast, at the mouth of the River Liffey and at the centre of the Dublin Region. ... Frederick Henry Boland (b. ... Frances J. Kelly also known as Frances Boland (b. ... The Houses of Parliament and the clock tower containing Big Ben Part of the London skyline viewed from the South Bank London is the capital city of England and the United Kingdom. ... Official language(s) None, English de facto Capital Albany Largest city New York City Area - Total - Width - Length - % water - Latitude - Longitude Ranked 27th 141,205 kmÂ² 455 km 530 km 13. ... The College of the Holy and Undivided Trinity of Queen Elizabeth near Dublin or more commonly Trinity College, Dublin was founded in 1592 by Queen Elizabeth I, and is the only constituent college of the University of Dublin, Irelands oldest university. ...

Eavan Boland's first book of poetry was "New Territory" published in 1967 with the Dublin publisher, Allen Figgis.This was followed by "The War Horse" (1975),In Her Own Image (1980) and Night Feed (1982), which established her reputation as a writer on the ordinary lives of women and on the difficulties faced by women poets in a male-dominated literary world. 1980 (MCMLXXX) was a leap year starting on Tuesday. ... 1982 (MCMLXXXII) is a common year starting on Friday of the Gregorian calendar. ...

Boland's publications also include: An Origin Like Water: Collected Poems 1967-1987 (1996), Outside History: Selected Poems 1980-1990 (1990) and a prose memoir Object Lessons: The Life of the Woman and the Poet in Our Time (1995). Her collection In a Time of Violence (1994) received a Lannan Award and was shortlisted for the T.S. Eliot Poetry Prize. All of her volumes of poetry have been Poetry Book Society Choices in the UK.In the United States her publisher is W.W.Norton. Her volume of poems "Against Love Poetry" (W.W.Norton 2001) was a New York Times Notable Books of the Year. 1996 (MCMXCVI) is a leap year starting on Monday of the Gregorian calendar, and was designated the International Year for the Eradication of Poverty. ... This article is about the year. ... 1995 (MCMXCV in Roman) was a common year starting on Sunday of the Gregorian calendar. ... 1994 (MCMXCIV in Roman) was a common year starting on Saturday of the Gregorian calendar, and was designated the International year of the Family. ...

She is co-editor of The Making of a Poem: A Norton Anthology of Poetic Forms (with Mark Strand; W. W. Norton & Co., 2000. She also published a volume of translations in 2004 called "After Every War". (Princeton University Press). The translations are of German-speaking women poets.

Boland has taught at a number of universities, including Trinity College, Dublin. She was also writer in residence at Trinity College, Dublin, and at the National Maternity Hospital. She is currently a professor of English at Stanford University in Palo Alto, California, and is married to author Kevin Casey with two daughters. The College of the Holy and Undivided Trinity of Queen Elizabeth near Dublin or more commonly Trinity College, Dublin was founded in 1592 by Queen Elizabeth I, and is the only constituent college of the University of Dublin, Irelands oldest university. ... The College of the Holy and Undivided Trinity of Queen Elizabeth near Dublin or more commonly Trinity College, Dublin was founded in 1592 by Queen Elizabeth I, and is the only constituent college of the University of Dublin, Irelands oldest university. ... The Leland Stanford Junior University, commonly known as Stanford University (or simply Stanford), is a privately-funded American university in Stanford, California. ... Nickname: Motto: Official website: http://www. ...

Publications

New Territory The War Horse (Gollancz 1975) In Her Own Image (Arlen House: Dublin 1980) Night Feed (Arlen House: Dublin 1982) The Journey and other poems (Carcanet Press 1986) Poetry Book Society Choice Selected Poems: (Carcanet Press 1989) Outside History: Selected Poems 1980-1990 (W.W.Norton:1990) (Carcanet Press) Poetry Book Society Choice In a Time of Violence (W.W.Norton: 1994) (Carcanet Press) Poetry Book Society Choice Object Lessons: The Life of the Woman and the Poet in Our Time (W. W. Norton, 1995)(Carcanet Press) Collected Poems (Carcanet Press: 1995) An Origin Like Water: Collected Poems 1967-1987 (W.W.Norton 1996)(Carcanet Press) The Lost Land ((W.W. Norton & Co: 1998)(Carcanet Press) Poetry Book Society Recommendation The Making of a Poem: A Norton Anthology of Poetic Forms (with Mark Strand; W. W. Norton & Co., 2000). After Every War Twentieth-Century Women Poets (Translations: Princeton University Press 2004) New Collected Poems: (Carcanet Press UK 2006)

Forthcoming Domestic Violence(W.W.Norton 2007) (Carcanet Press).

Categories: 1944 births | Living people | Irish poets

Results from FactBites:

Shouting across the Distance: Liminal States in Eavan Boland's Outside History (5336 words)
	Boland is acutely aware of this socio-poetic bind and struggles with it in her poems and essays, searching for a hospitable territory-by definition, a liminal domain-in which woman and poet may overlap.
	Boland realized that in terms of her politics and her poetics, she was living in a space between two realities, between what she terms the two "kingdoms" of experience and expression, the former inhabited by the word woman and the latter, by the word poet.
	Boland undermines the trope by her choice of subject (a mother, a nappy, a child with a sticky mouth), her speaker's gender, and the suggestion that the "mother tongue" is one that speaks of women's concerns, with a lexicon of women's familiar objects.

boland essay (2429 words)
	It is clear that Boland is assigning large amounts of power to storytellers within the context of the speaker-listener relationship; in the eyes of the listener, they have the God-like power to begin the world again, and to remake and purify elements of the storyworld as they see fit.
	It is now Bolands duty to combat this abuse by retelling stories through her poetry; to begin the world again as she attempted to do as a child, and to allow her listeners and storytellers of the future to hear the truth of Irish history.
	As Boland enters into the story of these women, she pictures herself bent over / in a bad light and reveals the eventual fate of these womens stories by stating that it is For historys abandonment / we are doing this (Boland, 12, 13).

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