Eleonora Duse (October 3, 1858–April 21, 1924), was an Italian actress, often known simply as Duse. October 3 is the 276th day of the year (277th in leap years) in the Gregorian Calendar. ... 1858 (MDCCCLVIII) is a common year starting on Friday of the Gregorian calendar (or a common year starting on Sunday of the 12-day-slower Julian calendar). ... April 21 is the 111th day of the year in the Gregorian calendar (112th in leap years). ... 1924 (MCMXXIV) was a leap year starting on Tuesday (link will take you to calendar). ...
She was born in Vigevano and entered acting (her family's profession) as a child. She came to fame in Italian versions of rôles made famous by Sarah Bernhardt. As an adult she toured Europe and America, and was particularly associated with the plays of Gabriele d'Annunzio. Vigevano is an ancient town in the province of Pavia, Lombardy, northern Italy, which possesses many artistic treasures and runs a huge industrial business. ... Sarah Bernhardt (portrait by Nadar) Sarah Bernhardt (October 23, 1844 – March 26, 1923) was a French stage actress. ... dAnnunzio. ...
On July 30, 1923, she became the first woman ever to be featured on the cover of Time magazine.
Her naturalistic and individual style was in contrast to Bernhardt's high emotionalism, and the two were rivals for many years.
She died at the age of 65 in Pittsburgh, Pennsylvania while on tour in the United States. Pittsburgh skyline as viewed from Mount Washington Pittsburgh is a city in Western Pennsylvania, United States, and the county seat of Allegheny County. ...
External link
Eleonora Duse at The Internet Movie Database The Internet Movie Database (IMDb) [1] is an online database of information about actors, movies, television shows, television stars and video games. ...
Duse (doo-ZAY) had learned the fundamentals of acting as a member of her family's troupe, a struggling, itinerant theater company that depended on each day's small income to pay for the day's bread and a bed for the night.
Duse harbored a profound mistrust of language and probed deeply beneath the lines of her characters to discover - and to portray - what she called the invisible side of life.
Though Sheehy, unlike Duse, is necessarily limited to words, she has produced a biography that enables readers to come as close as one could reasonably expect to both the visible and the invisible worlds of an actress who may have been simply the best.
Of course Duse also was a real woman, and in addition to her artistry, Sheehy (who has also penned biographies of the American actress and innovator Eva Le Gallienne, and theater director-producer Margo Jones) deftly captures the profound contradictions and emotional storms that drove her art and her personal life.
Precisely how Duse (who was born in the Veneto region of Italy in 1859 and died on tour in the U.S. in 1924), evolved into an actress of such depth and modernity is central to Sheehy's book, which traces the combination of instinct, emotional tuning and life experience that shaped the actress' art.
Duse's spirit comes to life on the book's very first page, as Sheehy zestfully reconstructs her triumph, at the age of 14, in the role of Juliet.
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