Shepherd and Sheep by Elisabeth Frink in Paternoster Square, London

Dame Elisabeth Jean Frink, DBE (b. 14 November 1930, Thurlow, Suffolk - d. 18 April 1993, Blandford Forum, Dorset) was an English sculptor and printmaker (many sources spell her name Elizabeth, but Elisabeth Frink is correct)^[1]. Shepherd and Sheep (1975), Bronze and fibre-glass by Dame Elisabeth Frink. ... Shepherd and Sheep (1975), Bronze and fibre-glass by Dame Elisabeth Frink. ... Paternoster Square, redeveloped in 2003, is an area of London next to St Pauls Cathedral. ... The Most Excellent Order of the British Empire is a British order of chivalry established on 4 June 1917 by King George V. The Order includes five classes in civil and military divisions; in decreasing order of seniority, these are Knight Grand Cross or Dame Grand Cross (GBE) Knight Commander... is the 318th day of the year (319th in leap years) in the Gregorian calendar. ... Year 1930 (MCMXXX) was a common year starting on Wednesday (link will display 1930 calendar) of the Gregorian calendar. ... Suffolk (pronounced ) is a large historic and modern non-metropolitan county in East Anglia, England. ... is the 108th day of the year (109th in leap years) in the Gregorian calendar. ... Year 1993 (MCMXCIII) was a common year starting on Friday (link will display full 1993 Gregorian calendar). ... Blandford Forum, or Blandford is a market town on the River Stour in Dorset, England. ... Dorset (pronounced DOR-sit or [dɔ.sət], and sometimes in the past called Dorsetshire) is a county in the south-west of England, on the English Channel coast. ... A sculpture is a three-dimensional object, which for the purposes of this article is man-made and selected for special recognition as art. ... Printmaking is the process of making artworks by printing, normally on paper. ...

She studied at the Guildford School of Art (1946–1949) and, with Bernard Meadows, at the Chelsea School of Art (1949–1953). She was linked with the post-war school of British sculptors, including Reg Butler, Bernard Meadows and Eduardo Paolozzi, though her work is distinguished by her commitment to naturalistic forms and themes. Frink’s range of subjects included men, birds, dogs, horses and religious motifs. Bird (1952; London, Tate), with its alert, menacing stance, characterizes her early work. She concentrated on bronze outdoor sculpture with a scarred surface created by repeatedly coating an armature with wet plaster; each coating is distressed and broken, eliminating detail and generalizing form. The Surrey Institute of Art & Design, University College was an art college in the United Kingdom. ... Year 1946 (MCMXLVI) was a common year starting on Tuesday (link will display full 1946 calendar) of the Gregorian calendar. ... 1949 (MCMXLIX) was a common year starting on Saturday (the link is to a full 1949 calendar). ... The Chelsea College of Art and Design, previously called the Chelsea School of Art (1928-2001), is part of the University of the Arts London. ... Year 1953 (MCMLIII) was a common year starting on Thursday (link will display full calendar) of the Gregorian calendar. ... Reg Butler sculpture at Kenwood House, London Reginald Cotterell Butler (28th April 1913 - 23rd October 1981) was an English sculptor. ... Paolozzis Newton, bronze (1995) in the courtyard of the British Library. ... 1952 (MCMLII) was a Leap year starting on Tuesday (link will take you to calendar). ... This article is about the capital of England and the United Kingdom. ... The logo of Tate, used in different colours for the 4 galleries. ...

In the 1960s Frink’s continuing fascination with the human shape was evident in a series of falling figures and winged men. While living in France from 1967 to 1970, she began a series of threatening, monumental, goggled male heads. On returning to England, she focused on the male nude, barrel-chested, with mask-like features, attenuated limbs and a pitted surface, for example Running Man (1976; Pittsburgh, PA, Carnegie Mus. A.). Frink’s sculpture, and her lithographs and etchings created as book illustrations, drew on archetypes expressing masculine strength, struggle and aggression. The 1960s decade refers to the years from January 1, 1960 to December 31, 1969, inclusive. ... 1967 (MCMLXVII) was a common year starting on Sunday of the Gregorian calendar (the link is to a full 1967 calendar). ... 1970 (MCMLXX) was a common year starting on Thursday. ... Year 1976 (MCMLXXVI) was a leap year starting on Thursday (link will display full calendar) of the Gregorian calendar. ...

The 1980s held capstones for Frink's career. In 1982, a new publishing firm proposed to produce a Catalogue Raisonné of all of her works to date; and the Royal Academy planned a retrospective of her life's work, a great honor. The date of the retrospective, originally to be held in 1986, was moved forward a year due to space demands at the gallery, causing Frink some headaches due to her busy commissioned work schedule. In 1985 alone, she was committed to two major projects: a set of three figures for a corporate headquarters, one of which was a nearly seven-foot tall male nude; and the other, a grouping entitled Dorset Martyrs to be placed in Dorchester, England. However, despite the potential for conflict, the retrospective was a success and spurred the art world to hold more exhibitions of Frink's worth, with four solo exhibitions and several group ones coming in the following year. Tirelessly, Frink continued to accept commissions and sculpt, as well as serve on advisory committees, meet with art students who had expressed an interest in her work, and pursue other public commitments.

Frink kept up this hectic pace of sculpting and exhibiting until early 1991, when an operation for cancer of the esophagus caused an enforced break. However, short weeks later Frink was again creating sculptures and preparing for solo exhibitions. In September, she underwent a second surgery. Again, Frink did not let this hold her back, proceeding with a planned trip for exhibitions to New Orleans, Louisiana, and New York City. The exhibitions were a success, but Frink's health was clearly deteriorating. Despite this, she was working on a colossal statue, Risen Christ, for the Liverpool cathedral. This sculpture would prove to be her last; just one week after its installation, Frink died as a result of her cancer on April 18, 1993, at the age of 62. Her husband had predeceased her by only a few months. In Frink, Stephen Gardiner, Frink's official biographer, argued that this final sculpture was appropriate: "This awesome work, beautiful, clear and commanding, a vivid mirror-image of the artist's mind and spirit, created against fearful odds, was a perfect memorial for a remarkable great individual."

Warhorse and Walking Madonna may be seen in the garden at Chatsworth House. Other work is at the Jerwood Sculpture Park at Ragley Hall. Desert Quartet may be seen opposite Liverpool Gardens in Worthing. A view of Chatsworth from the south-west circa 1880. ... Panorama of Ragley Hall Ragley Hall (grid reference SP073555) is located south of Alcester, Warwickshire, eight miles west of Stratford-upon-Avon. ... Worthing is a large town and a local government district in West Sussex, England. ...

Walking Madonna by Elisabeth Frink in Chatsworth House, Derbyshire

Professor Frink This work is copyrighted. ... Professor Frink This work is copyrighted. ... A view of Chatsworth from the south-west circa 1880. ...

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