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Encyclopedia > Emo (music)

Emo is a genre of rock music. Since its inception, emo has come to describe several independent variations of music, linked loosely but with common ancestry. As such, use of the term has been the subject of much debate. For other uses, see Rock music (disambiguation). ...


In its original incarnation, the term emo was used to describe a subgenre of hardcore punk which originated in the Washington, DC music scene of the mid-1980s. In later years, the term emocore, short for "emotional hardcore", was also used to describe the DC scene and some of the regional scenes that spawned from it. The term emo was derived from the fact that, on occasion, members of a band would become spontaneously and strongly emotional during performances. The most recognizable names of the period included Rites of Spring, Embrace, One Last Wish, Beefeater, Gray Matter, Fire Party, and, slightly later, Moss Icon. The first wave of emo began to fade after the breakups of most of the involved bands in the early 1990s. Hardcore punk is a subgenre of punk rock which originated in the United States in the late 1970s. ... The music of Washington D.C. is known for two primary scenes, hardcore and associated derivatives and a hip hop-dance music hybrid called go go. ... Rites of Spring was an punk band from Washington, D.C. in the mid-1980s known for their energetic, cathartic live performances. ... Embrace was a short-lived post-hardcore band from Washington, D.C., which lasted from the summer of 1985 to the spring of 1986. ... Michael Hampton - guitars, backing vocals Brendan Canty - drums Guy Picciotto - guitars, lead vocals Edward Janney - bass, backing vocals, lead vocals May 1986 - Jan 1987 Amidst the breakup of Rites of Spring in 1986, three of its four members - Picciotto, Janney and Canty - went on to form a new band after... Beefeater were a D.C. punk band (Autumn 1984 - Autumn 1986) Formed by Tomas Squip, Fred Smith, Dug E. Bird, Bruce Taylor and Kenny Craun. ... Gray Matter was a hardcore punk band from Washington, D.C., who played in the 1980s and 90s. ... Fire Party were a hardcore band from Washington D.C.. They were together from the autumn of 1986 to the spring of 1990. ... Moss Icon was an Annapolis, Maryland punk rock band from 1986 to 1991. ...


Starting in the mid-1990s, the term emo began to reflect the indie scene that followed the influences of Fugazi, which itself was an offshoot of the first wave of emo. Bands including Sunny Day Real Estate and Texas Is the Reason put forth a more indie rock style of emo, more melodic and less chaotic in nature than its predecessor. The so-called "indie emo" scene survived until the late 1990s, as many of the bands either disbanded or shifted to mainstream styles. Fugazi are a rock band from Washington, D.C., formed in 1987. ... Sunny Day Real Estate or SDRE was an alternative rock band formed in Seattle, Washington. ... Texas Is the Reason was a musical group founded by former Shelter guitarist Norm Arenas and 108 drummer Chris Daly. ... Indie rock is a subgenre of rock music often used to refer to bands that are on small independent record labels or that arent on labels at all. ...


As the remaining indie emo bands entered the mainstream, newer bands began to emulate the more mainstream style, creating a style of music that has now earned the moniker emo within popular culture. Whereas, even in the past, the term emo was used to identify a wide variety of bands, the breadth of bands listed under today's emo is even more vast, leaving the term "emo" as more of a loose identifier than as a specific genre of music.

Contents

History

The first wave (1985-1994)

In 1985 in Washington, D.C., Ian MacKaye and Guy Picciotto, veterans of the DC hardcore music scene, decided to shift away from what they saw as the constraints of the basic style of hardcore and the escalating violence within the scene. They took their music in a more personal direction with a far greater sense of experimentation, bringing forth MacKaye's Embrace and Picciotto's Rites of Spring. The style of music developed by Embrace and Rites of Spring soon became its own sound. (Hüsker Dü's 1984 album Zen Arcade is often cited as a major influence for the new sound.) As a result of the renewed spirit of experimentation and musical innovation that developed the new scene, the summer of 1985 soon came to be known in the scene as "Revolution Summer".[1][2] Nickname: Motto: Justitia Omnibus (Justice for All) Location of Washington, D.C., in relation to the states Maryland and Virginia Coordinates: Country United States Federal District District of Columbia Government  - Mayor Adrian M. Fenty (D)  - City Council Chairperson: Vincent C. Gray (D) Ward 1: Jim Graham (D) Ward 2: Jack... Ian Thomas Garner MacKaye (pronounced ), born April 16, 1962, is an American musician, probably best known as the singer for the highly influential bands Minor Threat, Embrace and Fugazi, and as one of the founders and owners (with drummer and artist Jeff Nelson) of Dischord Records, a Washington, D.C... Guy Picciotto (born September 17, 1965) is an American musician from Washington, DC. He is most widely known for his role in the band Fugazi (1987 - Present). ... Embrace was a short-lived post-hardcore band from Washington, D.C., which lasted from the summer of 1985 to the spring of 1986. ... Rites of Spring was an punk band from Washington, D.C. in the mid-1980s known for their energetic, cathartic live performances. ... Hüsker Dü were a rock band formed in Minneapolis-St. ... Zen Arcade is Hüsker Düs third full-length album, released in 1984 by SST Records, originally released as a double album on two vinyl LPs. ...


Where the term emo actually originated is uncertain, but members of Rites of Spring mentioned in a 1985 interview in Flipside Magazine that some of their fans had started using the term to describe their music. By the early 90s, it was not uncommon for the early DC scene to be referred to as emo-core, though it's unclear when the term shifted. Rites of Spring was an punk band from Washington, D.C. in the mid-1980s known for their energetic, cathartic live performances. ...


Within a short time, the D.C. emo sound began to influence other bands such as Moss Icon, Nation of Ulysses,[3] Dag Nasty, Soulside, Shudder To Think, Fire Party, Marginal Man, and Gray Matter, many of which were released on MacKaye's Dischord Records. The original wave of DC emo finally ended in late 1994 with the collapse of Hoover. Moss Icon was an Annapolis, Maryland punk rock band from 1986 to 1991. ... Nation of Ulysses was a post-hardcore band from Washington, D.C.. The band formed in spring 1988, with four members and known as simply Ulysses, drawing inspiration from MC5s mix of revolutionary rhetoric and rock music. ... Dag Nasty was a punk/hardcore band formed in 1985 by Brian Baker (guitar) of Minor Threat, Colin Sears (drums) and Roger Marbury (bass), both of Bloody Mannequin Orchestra, and Shawn Brown (vocals). ... Soulside (or Soul Side) were a hardcore punk outfit from the greater Washington, D.C. area, formed in spring 1986 and disbanded in summer 1989. ... Shudder to Think was an American rock group. ... Fire Party were a hardcore band from Washington D.C.. They were together from the autumn of 1986 to the spring of 1990. ... Gray Matter was a hardcore punk band from Washington, D.C., who played in the 1980s and 90s. ... Dischord Records is a Washington, D.C.-based independent record label specializing in D.C.-area independent punk, hardcore, and post-hardcore music. ... Hoover was an American punk rock (or post-hardcore) band. ...


As the D.C. scene expanded, other scenes began to develop with a similar sound and DIY ethic. In San Diego in the early 1990s, Gravity Records released a number of records in the hardcore emo style. Bands of the period included Heroin, Indian Summer, Drive Like Jehu, Angel Hair, Antioch Arrow, Universal Order of Armageddon, Swing Kids, and Mohinder. Also in California, Ebullition Records released records by bands of the same vein, such as Still Life and Portraits of Past, as well as more traditional hardcore punk bands, all having various social and political themes in common. See also: DIY Network, a cable TV network. ... Flag Seal Nickname: Americas Finest City Location Location of San Diego within San Diego County Coordinates , Government County San Diego Mayor City Attorney         City Council District One District Two District Three District Four District Five District Six District Seven District Eight Jerry Sanders (R) Michael Aguirre Scott Peters Kevin... Gravity Records is an influential underground independent record label from San Diego. ... Heroin is considered the first true hardcore emo band, coming out of San Diego around 1991. ... Indian Summer was an early and influential emo band originally from Michigan. ... Drive Like Jehu were an American post-punk/post-hardcore band led by Rick Froberg and John Reis, formed in 1990 in San Diego, California and disbanded in 1995. ... Antioch Arrow, from California, was on the seminal hardcore/emo label Gravity Records, responsible for putting San Diego on the map in the mid-90s as one of the epicenters of the movement. ... Universal Order of Armageddon put out a few releases in the 1990s. ... WHAT THE HECK IS THIS THING?? GOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOGLY! ... Ebullition Records is an independent record label and distro based out of Goleta, California. ... // Still Life is a 3- piece rock band out of Los Angeles, California. ... Portraits of Past was a emo hardcore band from the San Francisco Bay Area. ... Hardcore punk is a subgenre of punk rock which originated in the United States in the late 1970s. ...


At the same time, in the New York/New Jersey area, bands such as Native Nod, Merel, 1.6 Band, Policy of 3, Rye Coalition, Iconoclast,[4] and Quicksand[5] were feeling the same impulse. Many of these bands were involved with the ABC No Rio club scene in New York, itself a response to the violence and stagnation in the scene and with the bands that played at CBGBs, the only other small venue for hardcore in New York at the time. Much of this wave of emo, particularly the San Diego scene, began to shift towards a more chaotic and aggressive form of emo, nicknamed screamo. NY redirects here. ... It has been suggested that this article be split into multiple articles. ... This article or section does not cite its references or sources. ... Rye Coalition is a hard rock band from New Jersey, USA. The band has released four full length albums, two EPs, and one split 7 with Karp. ... Quicksand were one of the most influential New York post-hardcore bands of the early to mid-90s, led by Gorilla Biscuits mastermind/guitarist Walter Schreifels. ... Interior of ABC No Rio ABC No Rio is a social center located at 156 Rivington street in New York Citys Lower East Side that was founded in 1980. ... The outside front facade of CBGB CBGB (Country, Blue Grass, and Blues) was a legendary music club located at 315 Bowery at Bleecker Street in the borough of Manhattan in New York City, New York, United States. ... This article does not cite its references or sources. ...


By and large, the more hardcore style of emo began to fade as many of the early era groups disbanded. However, aspects of the sound remained in bands such as Four Hundred Years and Yaphet Kotto. Also, a handful of modern bands continue to reflect emo's hardcore origins, including Circle Takes the Square, Hot Cross, City of Caterpillar, Funeral Diner, and A Day in Black and White. Circle Takes the Square (often abbreviated CTTS) is a screamo band from Savannah, Georgia, USA. The band formed in 2000 as a five piece, however, before recording they lost their vocalist and after their first two releases they lost a guitarist which they replaced in late 2004. ... Hot Cross is a screamo band from New York City currently on Level Plane Records. ... City of Caterpillar were an American screamo rock band. ... Funeral Diner is a screamo/hardcore punk band from Half Moon Bay, California. ... A Day in Black and White are a band based in Washington, DC who formed in 2001. ...


Following the disbanding of Embrace in 1986, MacKaye established the influential group Fugazi, and was soon joined by Picciotto. While Fugazi itself is not typically categorized as emo, the band's music is cited as an influence by popular second-wave bands such as Sunny Day Real Estate,[6] Braid,[7] and Jimmy Eat World.[8] Fugazi are a rock band from Washington, D.C., formed in 1987. ... Sunny Day Real Estate or SDRE was an alternative rock band formed in Seattle, Washington. ... Braid was an emo/post-hardcore band from Illinois that formed in 1993. ... This article or section does not cite any references or sources. ...


Early emo's influence

In California - particularly in the Bay Area - bands such as Jawbreaker and Samiam began to incorporate influences from the "D.C. sound" into a poppier framework; The former's music was described by Andy Greenwald as "a sonic shot-gun marriage between the bristly heft of hardcore, the song-writing sensibility of Cali pop-punk, and the tortured artistry of D.C. emo".[9] Other bands soon reflected the same sense of rough melody, including Still Life and Long Island's Garden Variety. Bay Area is a common term to refer to a metropolitan area situated around a bay. ... Jawbreaker was a San Francisco punk rock band. ... Samiam is a band from El Sobrante, CA formed in 1988 after the breakup of the Gilman club mainstay Isocracy. ... GARDEN VARIETY A band made up of three guys from Long Island who created two LPS and a bunch of 7 singles from 1991-1996. ...


Also in the early 90s, bands like Lifetime reacted in their own way to the demise of youth crew styled straight-edge hardcore and desired to seek out a new direction. While their music was often classified as emo, it was also considered to be melodic hardcore. In response to the more metal direction their hardcore peers were taking, Lifetime initially decided to slow down and soften their music, adding more personal lyrics. The band later added a blend of speed, aggression, and melody that defined their sound. Lifetime's sound, lyrics, and style were a virtual blueprint for later bands, including Saves the Day, Taking Back Sunday, and The Movielife. For the jazz-rock fusion band led by Tony Williams, see The Tony Williams Lifetime Lifetime is an influential melodic hardcore band from New Jersey. ... Youth crew is a sub-genre of hardcore punk that was most popular from approximately 1986 to 1990, primarily in New York City and, to a lesser degree, Los Angeles. ... This article or section does not cite any references or sources. ... Saves the Day is a pop-punk indie rock band that was formed in 1997 in Princeton, New Jersey. ... Taking Back Sunday is an alternative rock band which draws influence from emocore from Amityville, Long Island, New York. ... The Movielife was a melodic hardcore band, which was together from 1997 to 2003 and comprised of vocalist Vinnie Caruana, bassist Phil Navetta, guitarist Brandon Reilly, drummer Evan Baken, and guitarist Alex Amiruddin, until 2001 when Alex Amiruddin left and was replaced by Dan Navetta. ...


Similarly, bands such as Converge, heavily influential on modern metalcore, drew inspiration from East Coast emo bands and added a sense of catharsis and atypically introspective lyrics. This article or section does not cite any references or sources. ... Metalcore (also known as hardcore metal) is a fusion genre, mixing elements of extreme metal and hardcore punk. ...


The second wave (1994–2000)

As Fugazi and the Dischord Records scene became more and more popular in the indie underground of the early 1990s, new bands began to spring up. Combining Fugazi with the post-punk influences of Mission of Burma and Hüsker Dü, a new genre of emo emerged. Post punk generally refers to the particularly fertile and creative period following the initial punk rock explosion. During the first wave of punk, roughly spanning 1976-1983, bands such as The Sex Pistols, The Clash, The Ramones and The Damned began to challenge the current styles and conventions of rock... Mission of Burma is a post-punk band from Boston, Massachusetts, USA comprising guitarist Roger Miller, bassist Clint Conley and drummer Peter Prescott, with Bob Weston (originally Martin Swope) as tape manipulator and sound engineer. ... Hüsker Dü were a rock band formed in Minneapolis-St. ...


Perhaps the key moment was the release of the album Diary by Sunny Day Real Estate in 1994. Given Sub Pop's then-recent success with Nirvana and Soundgarden, the label was able to bring much wider attention to the release than the typical indie release, including major advertisements in Rolling Stone. The heavier label support allowed the band to secure performances on TV shows, including The Jon Stewart Show. As a result, the album received widespread national attention. Diary is the first studio album from the emo band Sunny Day Real Estate. ... Sunny Day Real Estate or SDRE was an alternative rock band formed in Seattle, Washington. ... Sub Pop is a record label in Seattle, Washington that achieved fame in the 1990s for first signing Nirvana, Soundgarden, Mudhoney and many other bands from the local Seattle music scene. ... Nirvana was an American rock band originating from Aberdeen, Washington. ... Soundgarden was an influential Seattle rock band who helped to define the sound that came to be called grunge. ... This article is about the magazine. ... The Jon Stewart Show was a short-lived talk show hosted by comedian Jon Stewart on MTV. It premiered in 1993 and became the second highest-rated program on the network behind Beavis and Butt-Head. ...


As more and more people learned about the band, particularly via the fledgling World Wide Web, the band was given the tag emo. Even where Fugazi had not been considered emo, the new generation of fans shifted the tag from the earlier hardcore style to this more indie rock style of emo. It was not uncommon for Sunny Day and its peers to be labeled with the full "emo-core". However, when pressed to explain "emo", many fans split the genre into two brands: the "hardcore emo" practiced in the early days and the newer "indie emo". WWWs historical logo designed by Robert Cailliau The World Wide Web (or the Web) is a system of interlinked, hypertext documents that runs over the Internet. ... Indie rock is a subgenre of rock music often used to refer to bands that are on small independent record labels or that arent on labels at all. ...


In the years that followed, several major regions of "indie emo" emerged. The most significant appeared in the Midwest in the mid-90s. Many of the bands were influenced by the same sources, but with an even more tempered sound. This brand of emo was often referred to as "Midwestern emo" given the geographic location of the bands, with several of the best-known bands hailing from the areas around Chicago, Kansas City, Omaha and Milwaukee. The initial bands in this category included Boy's Life and Cap'n Jazz. In ensuing years, bands such as The Promise Ring, Braid, Elliott, Bright Eyes, Cursive and The Get Up Kids emerged from the same scene and gained national attention. Nickname: Motto: Urbs In Horto (Latin: City in a Garden), I Will Location in the Chicago metro area and Illinois Coordinates: Country United States State Illinois County Cook & DuPage Incorporated March 4, 1837 Government  - Mayor Richard M. Daley (D) Area  - City  234. ... Nickname: Location in Jackson, Clay, Platte, and Cass Counties in the state of Missouri. ... Nickname: Location in Nebraska Coordinates: Country United States State Nebraska County Douglas Founded 1854 Incorporated 1857 Government  - Mayor Michael Fahey (D) Area  - City  118. ... Nickname: Location of Milwaukee in Milwaukee County, Wisconsin Coordinates: County Milwaukee Government  - Mayor Tom Barrett Area  - City  97 sq mi (251. ... Boys Life was an indie rock band from Kansas City, Missouri formed in 1993 They released their self-titled debut in 1995 followed by a split EP with Denver, Colorados Christie front drive, and their final album, Departures and Landfalls. ... Compilations Achtung Chicago! Zwei! – compilation LP (Underdog Records, 1993). ... The Promise Ring was an American emo band from Milwaukee, Wisconsin started as a side project by Davey von Bohlen during his time as a guitarist/vocalist for Capn Jazz in the year 1995. ... Braid was an emo/post-hardcore band from Illinois that formed in 1993. ... Elliott the band is not a good band. ... Bright Eyes is the band of American singer-songwriter and musician Conor Oberst, whose knack for social commentary and philosophy have garnered him countless comparisons to Bob Dylan, although his darker themes of depression, anxiety, and alcoholism are much more reminiscent of Leonard Cohen and Simon Joyner. ... Cursive is an indie rock band from Omaha, Nebraska, on Saddle Creek records. ... This article or section cites very few or no references or sources. ...


The area around Phoenix, Arizona became another major scene for emo. Inspired by Fugazi and Sunny Day Real Estate, former punk rockers Jimmy Eat World began stirring emo influences into their music, eventually releasing the album Static Prevails in 1996. The album was arguably the first emo record released by a major label, as the band had signed with Capitol Records in 1995. Nickname: Location in Maricopa County and the state of Arizona Coordinates: Country United States State Arizona Counties Maricopa Incorporated February 25, 1881 Government  - Type Council-Manager  - Mayor Phil Gordon (D) Area  - City  515. ... This article or section does not cite any references or sources. ... Static Prevails is the second album by Jimmy Eat World. ... Capitol Records is a major United States-based record label, owned by EMI. // The Capitol Records company was founded by the songwriter Johnny Mercer in 1942, with the financial help of movie producer Buddy DeSylva and the business acumen of Glenn Wallichs, (1910-1971) (owner of Music City, at the...


Other bands that followed the "indie emo" model included Colorado's Christie Front Drive, New York's Texas Is the Reason and Rainer Maria, California's Knapsack and Sense Field, Baltimore's Cross My Heart, Austin's Mineral, and Boston's Piebald and Jejune. Christie Front Drive was an indie rock/emo outfit formed in Denver in 1993, part of a Colorado post-hardcore scene that also included Savalas, Angel Hair, Junkdrawer, Juhl, Pilot Car, Small Dog Frenzy, etc. ... Texas Is the Reason was a musical group founded by former Shelter guitarist Norm Arenas and 108 drummer Chris Daly. ... Rainer Maria were an indie rock band originally from Madison, Wisconsin, later residing in Brooklyn, New York. ... Knapsack was an emo band that was formed in 1993 by Blair Shehan (vocals/guitar) and Colby Mancasola (drums). ... Sense Field was a pop-rock/post-hardcore band from California that formed in 1991 out of the ashes of hardcore band, Reason to Believe. ... Cross My Heart may refer to: Cross My Heart: An Introduction to Phil Ochs, a compilation album of songs by Phil Ochs Cross My Heart, a song by Diana Ross from her 1987 album Red Hot Rhythm & Blues Cross My Heart, a song by George Strait from the 1992 soundtrack... Mineral is an Austin, Texas emo band. ... Piebald is an American alternative rock band. ... Jejune is the name of a band which formed in the mid-90s at Berklee College of Music, Boston, Massachusetts. ...


Strangely, as "indie emo" became more widespread, a number of acts who otherwise would not have been considered part of the "indie emo" scene began to be referred to as emo because of their similarity to the sound. The hallmark example was Weezer's 1996 album Pinkerton, which, years later, was considered one of the defining "emo" records of the 90s.[10] Weezer is a Grammy-nominated rock band from Los Angeles, California. ... Pinkerton is the second album by the American rock band Weezer, released September 24, 1996. ...


As the wide range of emo bands began to attract notoriety on a national scale, a number of indie labels attempted to document the scene. Many emo bands of the late 90s signed to indie labels including Jade Tree Records, Saddle Creek, and Big Wheel Recreation. In 1997, California's Crank! Records released a compilation titled (Don't Forget to) Breathe, which featured tracks by notable indie emo bands such as The Promise Ring, Christie Front Drive, Mineral, Knapsack, and Arizona's Seven Storey Mountain. In 1998, Deep Elm Records released the first installment in a series of compilations called Emo Diaries, featuring tracks from Jimmy Eat World, Samiam, and Jejune. In 1999, famed 70s compilation label K-tel released an emo compilation titled Nowcore: The Punk Rock Evolution, which included tracks by Texas Is the Reason, Mineral, The Promise Ring, Knapsack, Braid, At the Drive-In, and Jawbox, among others. Jade Tree is an independent record label formed by Darren Walters and Tim Owen in August 1991, out of Wilmington, Delaware. ... Saddle Creek Records is an Omaha, Nebraska-based label established in 1993 whose roster includes Bright Eyes, Cursive, The Faint, Son, Ambulance, Desaparecidos, Now Its Overhead, Commander Venus, The Good Life, Mayday, Azure Ray and Sorry About Dresden. ... Boston Based Record Label started by Rama Mayo in the early 90s. ... Crank! Records is a record label Contents // Categories: Record labels | Stub ... The Promise Ring was an American emo band from Milwaukee, Wisconsin started as a side project by Davey von Bohlen during his time as a guitarist/vocalist for Capn Jazz in the year 1995. ... Deep Elm Records is an independent record label putting out albums by bands such as The Appleseed Cast, Brandtson, The White Octave, and Planes Mistaken for Stars. ... Samiam is a band from El Sobrante, CA formed in 1988 after the breakup of the Gilman club mainstay Isocracy. ... K-tel International is an As-Seen-On-TV company, which is most noted for their compilation music albums such as The Super Hits series, The Dynamic Hits series and The Number One Hits series. ... Braid was an emo/post-hardcore band from Illinois that formed in 1993. ... At the Drive-In was an American band from El Paso, Texas that existed from 1993 to 2001. ... Jawbox was a punk rock/indie rock/post-hardcore band from Washington, D.C.. Its members were J. Robbins (vocals/guitar), Bill Barbot (guitar), Kim Coletta (bass guitar), and Adam Wade & Zach Barocas (drums). ...


With the late-90s emo scene being more national than regional, major labels began to turn their attention toward signing emo bands with the hopes of capitalizing on the genre's popularity. Many bands resisted the lure, citing their loyalty to the independent mentality of the scene. Several bands cited what they saw as mistreatment of bands such as Jawbox and Jawbreaker while they were signed to majors as a reason to stay away. The conflict felt within many of the courted emo bands resulted in their break-ups, including Texas Is the Reason and Mineral.


By the end of the decade, the word emo cropped up in mainstream circles. In the summer of 1998, Teen People magazine ran an article declaring "emo" the newest "hip" style of music, with The Promise Ring a band worth watching. The independent nature of the emo scene recoiled at mainstream attention, and many emo bands shifted their sound in an attempt to isolate themselves from the genre. In the years that followed, Sunny Day Real Estate opted to shift to a more prog-rock direction, Jejune aimed for happy pop-rock, and The Get Up Kids and The Promise Ring released lite-rock albums. People, a weekly magazine of celebrity and popular culture news, debuted in 1974. ...


The third wave (2000-present)

At the end of the 1990s, the underground emo scene had almost entirely disappeared. However, the term emo was still being bandied about in mainstream media, almost always attached to the few remaining 90s emo acts, including Jimmy Eat World. This article or section does not cite any references or sources. ...


However, towards the end of the 1990s, Jimmy Eat World had begun to shift in a more mainstream direction. Where Jimmy Eat World had played emocore-style music early in their career, by the time of the release of their 2001 album Bleed American, the band had almost completely removed its emo influences. As the public had become aware of the word emo and knew that Jimmy Eat World was associated with it, the band continued to be referred to as an "emo" band, despite their objections. Newer bands that sounded like Jimmy Eat World (and, in some cases, like the more melodic emo bands of the late 90s) were soon included in the genre.[11] This article or section does not cite any references or sources. ... Bleed American is the fourth album by Jimmy Eat World. ...


2003 saw the success of Chris Carrabba, the former singer of Further Seems Forever, and his project Dashboard Confessional. Carrabba's music featured lyrics founded in deep diary-like outpourings of emotion. Where earlier emo had featured lyrics of a more dark and painful direction, Carrabba's featured a greater focus on love won and lost and the inability to cope. While certainly emotional, the new "emo" had a far greater appeal amongst adolescents than its earlier incarnations.[12] Christopher Ender Carrabba (born April 10, 1975) is the lead singer and guitarist of the acoustic-alternative band Dashboard Confessional. ... Further Seems Forever (often abbreviated FSF) was a band based out of Pompano Beach, Florida, United States. ... Dashboard Confessional is an American band, led by singer-songwriter and guitarist Chris Carrabba from Boca Raton, Florida. ...


With Dashboard Confessional and Jimmy Eat World's success, major labels began seeking out similar sounding bands. Just as many bands of the early-to-mid 1990s were unwillingly lumped under the umbrella of "grunge", some record labels wanted to be able to market a new sound under the word emo. Grunge (sometimes referred to as the Seattle Sound) is a genre of alternative rock inspired by hardcore punk, heavy metal, and indie rock. ...


At the same time, use of the term "emo" expanded beyond the musical genre, which added to the confusion surrounding the term. The word "emo" became associated with open displays of strong emotion. Common fashion styles and attitudes that were becoming idiomatic of fans of similar "emo" bands also began to be referred to as "emo". (For further discussion, see Emo (slang).) As a result, bands that were loosely associated with "emo" trends or simply demonstrated emotion began to be referred to as emo.[13] This article is being considered for deletion in accordance with Wikipedias deletion policy. ...


In an even more expanded way than in the 90s, emo has come to encompass an extremely wide variety of bands, many of whom have very little in common. The term has become so broad that it has become nearly impossible to describe what exactly qualifies as "emo".


Correctly or not, emo has often been used to describe such bands as AFI, Alexisonfire, Brand New, Bright Eyes, Coheed and Cambria, Death Cab for Cutie, Fall Out Boy, From First to Last, Funeral for a Friend, Hawthorne Heights, My Chemical Romance, Panic! at the Disco, Senses Fail, Something Corporate, The Starting Line, Story of the Year, Taking Back Sunday, Thursday, The Used, and Underoath.[14] The classification of bands as "emo" is often controversial. Fans of several of the listed bands have recoiled at the use of the "emo" tag, and have gone to great lengths to explain why they don't qualify as "emo". In many cases, the term has simply been attached to them because of musical similarities, a common fashion sense, or because of the band's popularity within the "emo" scene, not because the band adheres to emo as a music genre. AFI, in recent years short for A Fire Inside, is an American band from Ukiah, California. ... Alexisonfire is a Juno award-nominated five-piece post-hardcore band from St. ... Brand New is a rock band from Merrick, New York[1] on Long Island that formed in the early 2000s. ... Bright Eyes is a band consisting of singer-songwriter/guitarist Conor Oberst, multi-instrumentalist/producer Mike Mogis, Nate Walcott, and a rotating lineup of collaborators drawn primarily from Omahas indie music scene. ... This article or section does not cite any references or sources. ... This article contains a trivia section. ... Fall Out Boy (commonly abbreviated as FOB) is an American alternative rock band from Wilmette, Illinois (a suburb of Chicago, Illinois) that formed in 2001. ... From First to Last (shortened into FFTL) is an American Post-Hardcore band. ... For the Elton John song, see Funeral for a Friend/Love Lies Bleeding. ... Hawthorne Heights is a band formed in Dayton, Ohio in June of 2001. ... My Chemical Romance are an American rock band formed in 2001. ... Panic! at the Disco is an alternative rock band from Las Vegas, Nevada. ... Senses Fail is a Ridgewood, New Jersey based band that draws heavily from the punk, emo, screamo,[1] and hardcore genres. ... Something Corporate is a rock band hailing from Orange County, California. ... The Starting Line is a four-piece pop punk band from the Philadelphia, Pennsylvania area. ... Story of the Year is a band that was originally formed in St. ... Taking Back Sunday is an alternative rock band which draws influence from emocore from Amityville, Long Island, New York. ... Thursday is an unsigned post-hardcore band from New Brunswick, New Jersey that has released four full-length albums: Waiting (2000 Eyeball Records), Full Collapse (2001 Victory Records), War All the Time (2003 Island Records), and A City by the Light Divided (2006 Island Records). ... The Used are an alternative/punk American band // The Useds demo album, Demos from the Basement. ... Underoath (sometimes stylized as underøath, underOATH, or UnderOath) is an American rock band. ... This article is being considered for deletion in accordance with Wikipedias deletion policy. ...


As a result of the continuing shift of "emo" over the years, a serious schism has emerged between those who relate to particular eras of "emo". Those who were closely attached to the hardcore origins recoil when another type of music is called "emo". Many involved in the independent nature of both 80s and 90s emo are upset at the perceived hijacking of the word emo to sell a new generation of major label music. Regardless, popular culture appears to have embraced the terms of "emo" far beyond its original intentions.


In a strange twist, screamo, a sub-genre of the new emo, has found greater popularity in recent years through bands such as Thrice and Glassjaw.[15] The term screamo, however, was used to describe an entirely different genre in the early 1990s, and the new screamo bands more resemble the emo of the early 1990s. Complicating matters further is that several small scenes devoted to original screamo still exist in the underground. However, the new use of "screamo" demonstrates how the shift in terms connected to "emo" has made the varying genres difficult to categorize. This article is about the band Thrice. For the definition of the word, see Wiktionary:thrice. ... Glassjaw (usually written glassJAw) is a seminal four-piece Post-Hardcore band (formerly a five-piece) from Long Island, New York. ... This article does not cite its references or sources. ...


The difficulty in defining "emo" as a genre may have started at the very beginning. In a 2003 interview by Mark Prindle,[16] Guy Picciotto of Fugazi and Rites of Spring was asked how he felt about "being the creator of the emo genre". He responded: "I don't recognize that attribution. I've never recognized 'emo' as a genre of music. I always thought it was the most retarded term ever. I know there is this generic commonplace that every band that gets labeled with that term hates it. They feel scandalized by it. But honestly, I just thought that all the bands I played in were punk rock bands. The reason I think it's so stupid is that - what, like the Bad Brains weren't emotional? What - they were robots or something? It just doesn't make any sense to me." Mark Prindle (b. ... Guy Picciotto (born September 17, 1965) is an American musician from Washington, DC. He is most widely known for his role in the band Fugazi (1987 - Present). ... Fugazi are a rock band from Washington, D.C., formed in 1987. ... Rites of Spring was an punk band from Washington, D.C. in the mid-1980s known for their energetic, cathartic live performances. ... Bad Brains are an American all-black hardcore punk band, originally formed in Washington, D.C. in 1979. ...


Backlash

Main article: Emo (slang)

As the music increased in popularity, emo became more and more a target of derision. As certain fashion trends and attitudes began to be associated with "emo", stereotypes emerged that created a specific target for criticism. This article is being considered for deletion in accordance with Wikipedias deletion policy. ...


In the early years of the "third wave", the criticism was relatively light-hearted and self-effacing. In September of 2002, web developer Jason Oda put forth Emogame. The game poked fun at numerous emo stereotypes and musicians, but in a manner that could be appreciated by fans and detractors alike.


In ensuing years, the derision increased dramatically. Male fans of emo found themselves hit with homosexual slurs, largely a reflection of the style of dress popular within the "emo scene" and the displays of emotion common in the scene. Complaints pointed to the histrionic manner in which the emotions were often expressed, not necessarily to the emotions themselves. In psychiatry, histrionic personality disorder (HPD) is a personality disorder which involves a pattern of excessive emotional expression and attention-seeking, including an excessive need for approval and inappropriate seductiveness, that usually begins in early adulthood. ...


In October of 2003, Punk Planet contributor Jessica Hopper leveled the charge that the "third wave" era of emo was sexist. Hopper argued that where bands such as Jawbox, Jawbreaker and Sunny Day Real Estate had characterized women in such a way that they were not "exclusively defined by their absence or lensed through romantic-specter",[17] contemporary bands approached relationship issues by "damning the girl on the other side ... its woman-induced misery has gone from being descriptive to being prescriptive". Regarding the position of women listening to emo, Hopper went on to note that the music had become "just another forum where women were locked in a stasis of outside observation, observing ourselves through the eyes of others". Punk Planet is a 16,000 print run punk fanzine, based in Chicago, USA, that focuses most of its energy on looking at punk as a sub-culture rather than as simply some music that teenagers listen to. ...


Collective reaction to Hopper's article was mixed, and many dismissed the charge outright, noting that rock music as a genre had a long history of issues with sexism; the problem wasn't unique to emo music or directly related. By comparison to a genre like 1980s glam metal, in which popular songs (such as Warrant's "Cherry Pie") often objectified women, the perceived sexism in emo was more of an intellectual argument than something that could be specifically cited in the music. For other uses, see Rock music (disambiguation). ... Glam metal is a sub-genre of heavy metal music that arose in the late 1970s in the United States. ... A band with the 1991 hit single Cherry Pie Categories: Musical group stubs ...


Critics of modern emo have argued that there is a tendency toward increasingly generic and homogenized style.[18] Many popular bands have attempted to disassociate themselves with the "emo" tag; some have adopted the genre designation post-hardcore. Despite the criticism, the modern version of emo has maintained mainstream popularity. However, given the disfavor of the term "emo", the question of whether new bands will openly associate with "emo" leaves the future unclear. Post-hardcore; this specific genre was created by others as a sourse to relaese the emotion that builds inside, making the music intimate and touching to listeners. ...


See also

This article is being considered for deletion in accordance with Wikipedias deletion policy. ... This article does not cite its references or sources. ... For the drawing or cutting tool, see Straightedge. ... This article is being considered for deletion in accordance with Wikipedias deletion policy. ...

References

  1. ^ Embrace, Official Biography, Southern Records.
  2. ^ "History" by Andy Radin, What the heck *is* emo, anyway?
  3. ^ Fourfa: Emo Top Ten
  4. ^ Fourfa: Hardcore Emo
  5. ^ AllMusic.com: Manic Compression
  6. ^ "Shine On: Jeremy Enigk's Sunny days may be over, but his music is as bright as ever", by Dave Herrera, Denver Westword, July 27 2006
  7. ^ "Braid singer speaks on roots of emo" by Emily Zemler, The Eagle Online, June 21 2004
  8. ^ "Jimmy Eat World Message Board - FAQ: The Band"
  9. ^ Greenwald, Andy (2003). Nothing Feels Good, pp 20. New York: St. Martin's Griffin.
  10. ^ Edwards, Gavin. "Weezer: Pinkerton" RollingStone.com. December 9, 2004.
  11. ^ DeRogatis, Jim. "Emo (The Genre That Dare Not Speak Its Name)".
  12. ^ DeRogatis, Jim. "True Confessional?". October 3, 2003.
  13. ^ Popkin, Helen A.S. "What exactly is 'emo', anyway?" MSNBC.com. March 26, 2006
  14. ^ Community site last.fm tags all bands listed as emo [1] or screamo [2]. Silverstein [3] categorizes themselves as emo on their MySpace page. Many of the other bands listed such as Taking Back Sunday [4] and My Chemical Romance [5] reject the emo label.
  15. ^ "Screamo", by Jim DeRogatis, Guitar World Magazine, November 2002
  16. ^ "Interview with Guy Picciotto" by Mark Prindle, MarkPrindle.com, 2003.
  17. ^ Hopper, Jessica (2003), "Emo: Where The Girls Aren't", Punk Planet, Issue 56.
  18. ^ Jacobs, Justin. "Emo Not Fatally Wounded". Pitt News. April 19, 2006.

Jim DeRogatis (born 1964 in Jersey City, New Jersey) is a U.S. music critic. ... Mark Prindle (b. ... Punk Planet is a 16,000 print run punk fanzine, based in Chicago, USA, that focuses most of its energy on looking at punk as a sub-culture rather than as simply some music that teenagers listen to. ...

Bibliography

  • Radin, Andy. What the heck *is* emo, anyway?. Retrieved on July 17, 2005.
  • Andersen, Mark (2001). Dance Of Days, Two Decades of Punk In The Nations Capitol. Soft Skull Press. ISBN 1-887128-49-2. 
  • Greenwald, Andy (2003). Nothing Feels Good. St. Martin's Griffin. ISBN 0-312-30863-9. 

July 17 is the 198th day of the year (199th in leap years) in the Gregorian calendar. ... 2005 (MMV) was a common year starting on Saturday of the Gregorian calendar. ...

External links

  • Fourfa.com – a site about (mostly older) diy/underground emo.
Hardcore punk
Anarcho-punk - Christian hardcore - Crust punk - D-beat - - Emo - Funkcore - Grindcore - Hatecore - Melodic hardcore - Metalcore - Nazi punk - Oi! - Post-hardcore - Powerviolence - Punk rock - Queercore - Rock Against Communism - Ska-core - Skate punk - Streetpunk - Taqwacore- Thrash metal - Thrashcore - UK82 -Youth crew
Regional Scenes
Australia - Brazil - Canada - Italy - Greece - Japan - Scandinavia - South Wales - Umeå - Yugoslavia

United States: Boston - California - Chicago - Detroit - Minneapolis - New Jersey - New York - North Carolina - Phoenix - DC Hardcore punk is a subgenre of punk rock which originated in the United States in the late 1970s. ... The anarchy symbol commonly used by anarcho-punks Anarcho-punk (sometimes known as peace-punk) is a subgenre of the punk rock movement consisting of groups and bands promoting specifically anarchist ideas. ... Christian hardcore is a form of hardcore and metalcore music and a subgenre of punk rock played by bands where the musicians promote Christian beliefs. ... This article does not cite any references or sources. ... D-beat is a drum beat, specifically a fast rock beat unique to hardcore punk, especially in its UK and European variants. ... Funkcore is a musical genre, or perhaps movement, derived from a fusion of American-styled hardcore punk and funk. ... Grindcore, often shortened to grind, is an evolution of crust punk, most commonly associated with death metal. ... HateCore historically refers to hardcore punk bands in the New York City scene in the late 1980s who wanted to point out that their sound was different from the original hardcore bands a few years earlier. ... This article or section does not cite any references or sources. ... Metalcore (also known as hardcore metal) is a fusion genre, mixing elements of extreme metal and hardcore punk. ... Two Punk Front members (1978). ... It has been suggested that this article or section be merged with Streetpunk. ... Post-hardcore; this specific genre was created by others as a sourse to relaese the emotion that builds inside, making the music intimate and touching to listeners. ... Power violence or powerviolence is a sub-genre of grindcore that tends to refocus its musical energies on the original crust punk and hardcore punk, that had created the genre (grindcore) in the first place, as contrasted to the modern grindcore variants that have become increasingly associated with death... Punk rock is an anti-establishment music movement beginning around 1976 (although precursors can be found several years earlier), exemplified and popularised by The Ramones, the Sex Pistols, The Clash and The Damned. ... Queercore is a cultural and social movement that began in the mid 1980s as an offshoot of punk. ... RAC logo with a skull superimposed over a hammer and sickle. ... Ska punk is a fusion music genre that combines ska and punk rock. ... Skate punk (also known as skatepunk, skate-punk, skate-thrash, or skate-core) was originally a derivative of hardcore punk, so named because of its popularity among skateboarders, and the fact that many members of skate punk bands were themselves skaters. ... This does not cite its references or sources. ... Taqwacore is a genre of punk music dealing with Islam and its culture, originally conceived in Michael Muhammad Knights novel, The Taqwacores. ... Thrash metal is a subgenre of heavy metal music, one of the extreme metal subgenres that is characterised by its high speed and aggression. ... Thrashcore is an extremely fast subgenre of hardcore punk and saw its beginnings after the decline of punk rock in the early 1980s, when hardcore punk began to take off in Washington, D.C. and California. ... Youth crew is a sub-genre of hardcore punk that was most popular from approximately 1986 to 1990, primarily in New York City and, to a lesser degree, Los Angeles. ... This is a list of Scandinavian (Denmark, Finland, Norway and Sweden) hardcore punk bands. ... South Wales is home to a scene containing a number of influential bands within the Hardcore, Post Hardcore, Alternative Metal and Emo musical genres. ... Umeå is a city in northern Sweden. ... This article does not adequately cite its references or sources. ... Boston Hardcore is the influential hardcore punk scene of Boston, Massachusetts. ... The California punk scene is a regional punk music scene that started in the late 1970’s and still exists today. ... Chicago developed a hardcore punk scene in the early 1980s that was more experimental than its counterparts in Washington, DC, L.A., and New York City. ... Detroit Suburbs waslocation of one of the first important hardcore punk scenes that swept underground America in the early 1980s. ... // The Minneapolis area has been a fertile ground for the hardcore punk scene for many years. ... New Jersey hardcore (NJHC) refers to hardcore punk and metalcore music created in New Jersey and to the subculture associated with that music. ... New York Hardcore (NYHC) refers to hardcore punk and metalcore music created in New York City and to the subculture associated with that music. ... The North Carolina hardcore scene is one of the fastest growing hardcore scenes in the United States of America, [] and the site of the original Raleigh/Durham/Chapel Hill scene. ... Phoenix had a sizable hardcore punk scene in the 1980s that focused mainly around two bands from the citys east side, Meat Puppets and JFA. Meat Puppets, led by the Kirkwood brothers, signed to Greg Ginns SST Records and released several albums that proved to be highly... Washington, D.C. had one of the first and one of the most influential hardcore punk scenes in the United States during the 1980s. ...

Other topics
DIY ethic - Hardcore bands - Hardcore dancing - Hardline - Punk ideologies - Second wave punk musicians - Straight edge
Punk rock
2 Tone - Anarcho-punk - Anti-folk - Art punk - Celtic punk - Christian punk - Cowpunk - Crust punk - Dance-punk - Deathcountry - Death pop - Deathrock - Electro rock - Emo - Folk punk - Gaelic punk - Garage punk - Glam punk - Gothabilly - Hardcore punk - Post-hardcore - Horror punk - Jazz punk - Mod revival - Nazi punk - New Wave - Nintendo-Punk - No Wave - Noise rock - Oi! - Pop punk - Post-punk - Psychobilly - Punk blues - Punk Pathetique - Queercore - Reggae rock - Riot Grrrl - Scum punk - Ska punk - Skate punk - Streetpunk - Synthpunk - Taqwacore
Other topics
Protopunk - DIY ethic - First wave punk musicians - Second wave punk musicians - List of punk bands - Punk subculture - Punk movies - Punk fashion - Punk ideologies - Punk visual art - Punk dance - Punk literature - Punk zine - Rock Against Communism - Straight edge

Sucks quite large balls... bouncy balls. What? The DIY ethic (do it yourself ethic) refers to the ethic of being self-reliance as opposed relying on professional to do it. ... This is a list of bands considered to be hardcore punk by some. ... This article or section does not cite any references or sources. ... Hardline was a radical deep ecology movement that had its roots in the straight edge hardcore scene. ... Punk ideologies are a group of varied social and political beliefs associated with the punk subculture. ... This is a list of bands that are considered part of the second wave of punk rock, beginning in the 1980s. ... For the drawing or cutting tool, see Straightedge. ... Punk rock is an anti-establishment music movement beginning around 1976 (although precursors can be found several years earlier), exemplified and popularised by The Ramones, the Sex Pistols, The Clash and The Damned. ... This page meets Wikipedias criteria for speedy deletion. ... The anarchy symbol commonly used by anarcho-punks Anarcho-punk (sometimes known as peace-punk) is a subgenre of the punk rock movement consisting of groups and bands promoting specifically anarchist ideas. ... Anti-folk (or antifolk) is a genre of music related to punk rock and American folk music that originated in the mid-1980s in New York City. ... Art punk is a term given to artistic, experimental, or avant garde punk bands. ... Seattles Mill a h-Uile Rud play tuneful hardcore punk sung entirely in Scots Gaelic Celtic punk, also known as Paddybeat and Celtcore, is a genre of music typically associated with Irish punks or punks from the Irish diaspora, though other Celtic nationalities, such as Scottish, Manx and Welsh... Christian punk is a form of Christian alternative music and a subgenre of punk rock with some degree of Christian lyrical content. ... Cowpunk or Country Punk is a subgenre of punk rock that began in southern California in the 1980s, especially Los Angeles. ... This article does not cite any references or sources. ... It has been suggested that Electro rock be merged into this article or section. ... Deathcountry is a country music genre, best described as traditional country music with a morbid anarchist Punk rock and Psychobilly attitude. ... Death Pop is a loosely defined sub-genre of gothic rock, characterized by an emphasis on melody over spookiness and shock value. ... Deathrock (also spelled death rock) is a term used to identify a subgenre of punk rock or goth, which incorporated elements of horror and first emerged most prominently in the West Coast of the United States during the late 1970s and early 1980s. ... Electro rock is a sub-genre of punk. ... The Anarchy Heart, a symbol popular in the young radical community, particularly with Folk Punks and Anarchists. ... Ceòl Gàidhlig Mar Sgian Nad Amhaich compilation 7 single with Oi Polloi, Mill a h-Uile Rud, Atomgevitter and Nad Aislingean Gaelic Punk is a subgenre of punk rock consisting of groups and bands singing in Scottish Gaelic as an effort to preserve and spread knowledge of the... Garage punk is a subgenre of punk rock that is closely related to garage rock. ... Glam punk is glam rock and punk rock music. ... Gothabilly is a portmanteau expression which refers to the fusion of rockabilly music and the Goth culture. ... Hardcore punk is a subgenre of punk rock which originated in the United States in the late 1970s. ... Post-hardcore; this specific genre was created by others as a sourse to relaese the emotion that builds inside, making the music intimate and touching to listeners. ... Horror punk is a music genre that was defined by the band The Misfits, blending horror movie lyrical themes and imagery with musical influences from early punk rock, doo-wop, and, to a lesser degree, rockabilly. ... Jazz punk is an odd genre of punk where lyrics are the most essential part of the musics punk image. ... This article or section does not cite any references or sources. ... Two Punk Front members (1978). ... New Wave is a term that has been used to describe many developments in music, but is most commonly associated with a movement in Western popular music, in the late 1970s and early 1980s inspired by the punk rock movement. ... Nintendo-Punk is a new punk sub-genre inspired by the music which accompanies 8-bit video games, most notably those on the Nintendo Entertainment System (NES). ... No Wave was a short-lived but influential offshoot of punk rock centered in New York City during the late 1970s and early 1980s. ... This article or section does not cite its references or sources. ... It has been suggested that this article or section be merged with Streetpunk. ... Pop punk is used for two separate subgenres of punk rock music: the kind typically found on Lookout! Records, which stray very little from the three-chord formula that The Ramones pioneered, as well as a newer subgenre of melodic, more emotional punk, which includes by bands like NOFX and... Post punk generally refers to the particularly fertile and creative period following the initial punk rock explosion. During the first wave of punk, roughly spanning 1976-1983, bands such as The Sex Pistols, The Clash, The Ramones and The Damned began to challenge the current styles and conventions of rock... This article does not cite any references or sources. ... Punk blues is a Post-punk interpretation of Blues and Swamp rock. ... Punk Pathetique is a sub-variant of Punk Rock termed by Garry Bushell. ... Queercore is a cultural and social movement that began in the mid 1980s as an offshoot of punk. ... Reggae rock is a fusion genre that combines elements of reggae and rock music. ... Riot grrrl (or riot grrl) is an indie-punk feminist movement that reached its height in the 1990s but continues to exert influence over alternative cultures. ... Scum Punk is a subgenre of punk with loose ties to the hardcore and punkabilly subgenres which is identified by lyrics focusing on bizarre sexual acts, bodily functions and drug use. ... Ska punk is a fusion music genre that combines ska and punk rock. ... Skate punk (also known as skatepunk, skate-punk, skate-thrash, or skate-core) was originally a derivative of hardcore punk, so named because of its popularity among skateboarders, and the fact that many members of skate punk bands were themselves skaters. ... This does not cite its references or sources. ... Defining characteristics of synthpunk (also known as synth-punk) bands include being founded at the same time (late 1970s) and place (California) as many US punk bands, performing with those same punk bands, in those same punk clubs, with records released on those same punk labels, preferring electronic instruments such... Taqwacore is a genre of punk music dealing with Islam and its culture, originally conceived in Michael Muhammad Knights novel, The Taqwacores. ... Protopunk is a term used to describe a number of performers who were important precursors of punk rock, or who have been cited by early punk rockers as influential. ... The DIY ethic (do it yourself ethic) refers to the ethic of being self-reliance as opposed relying on professional to do it. ... Early punk rock musicians (1970s-1980) // 999 Acme Sewage Company Abrasive Wheels The Adicts The Adverts Alternative TV Amazorblades Angelic Upstarts Anti-Nowhere League Anti-Pasti The Angry Samoans The Au Pairs The Automatics The Avengers Bad Brains Bad Religion The Bags Big Balls and the Great White Idiot Big... This is a list of bands that are considered part of the second wave of punk rock, beginning in the 1980s. ... The following is a list of notable bands that have been labelled as punk at some point. ... Punks at a music festival The punk subculture is a subculture/counterculture based on punk rock. ... List of punk movies, i. ... Punk fashion is the styles of clothing, hairstyles, cosmetics, jewelry, and body modifications of the punk subculture. ... Punk ideologies are a group of varied social and political beliefs associated with the punk subculture. ... The cover of the God Save the Queen single designed by Jamie Reid. ... The Punk dance term is to describe various forms of dance behavior popular among young fans of loud, hardcore music: rock, heavy metal, nu metal, punk rock and the likes. ... A cover of the punk zine Maximum RocknRoll. ... A punk zine (or punkzine) is a fanzine devoted to punk rock music, bands, or the DIY punk philosophy. ... RAC logo with a skull superimposed over a hammer and sickle. ... For the drawing or cutting tool, see Straightedge. ...


  Results from FactBites:
 
Emo - Encyclopedia Dramatica (777 words)
Emo music performances were extremely dramatic, typically including lead singers falling to their knees and screaming or crying.
Listening to emo music such as Hawthorne Heights or Panic at the Disco means you are emo and gayer than Richard Simmons and Freddie Mercury combined.
After the emo kids were escorted back home by their parents, the janitors recovered the body to find that his penis had been cut off.
The Emo Song (745 words)
For more than a decade, the term "emo" was used almost exclusively to describe the genre of music that spawned from the 1980s DC scene and all of the bands inspired by it.
However, during the late 1990s, as emo music began to emerge from the underground into popular consciousness, the term began to be used as a reference for more than just the music.
While use of the term "emo" to describe the dress and attitudes of some fans of emo music, it should be noted that use of "emo" as a musical genre and "emo" as a slang term are largely separate.
  More results at FactBites »


 

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