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Erik Pevernagie
(b. 1939) is a Belgian painter who has held exhibitions in Paris, New York, Berlin, Düsseldorf, Amsterdam, London, Brussels and Antwerp. 1939 (MCMXXXIX) was a common year starting on Sunday (link will take you to calendar). ...
City flag City coat of arms Motto: Fluctuat nec mergitur (Latin: Tossed by the waves, she does not sink) Location Coordinates Time Zone CET (GMT +1) Administration Country France Région Île-de-France Département Paris (75) Subdivisions 20 arrondissements Mayor Bertrand Delanoë (PS) (since 2001) City Statistics Land...
Official language(s) English de facto Capital Albany Largest city New York City Area Ranked 27th - Total 54,520 sq mi (141,205 km²) - Width 285 miles (455 km) - Length 330 miles (530 km) - % water 13. ...
Berlin is the capital city and one of the sixteen states of the Federal Republic of Germany. ...
Düsseldorf is the capital city of the German Federal State of North Rhine-Westphalia and (together with Cologne and the Ruhr Area) the economic center of Western Germany. ...
Amsterdam Location Flag Country Netherlands Province North Holland Population 741,329 (1 August 2006) Demonym Amsterdammer Coordinates Website www. ...
London (pronounced ) is the capital city of the United Kingdom and the largest city of England (strangely, England has no constitutional existence within the United Kingdom, and therefore cannot be said to have a capital). ...
Nickname: The Capital Of Europe, Comic City City of a 100 Museums Map showing the location of Brussels in Belgium Coordinates: Country Belgium Region Brussels-Capital Region Founded 797 Founded (Region) June 18, 1989 Mayor (Municipality) Freddy Thielemans Area - City 162 (Region) km² (62. ...
The Onze-Lieve-Vrouwekathedraal (Cathedral of our Lady) at the Handschoenmarkt, in the old quarter of Antwerp is the largest cathedral in the Low Countries and home to several triptychs by Baroque painter Rubens. ...
His Life He has been brought up in Brussels , a unique melting pot of two cultures (Latin and Germanic), as son and pupil of the expressionist painter, Louis Pevernagie (1904 - 1970). Attending the Brussels Atheneum for several years, at the foot of the legendary Manneken Pis , he has been infused by a vivid, surrealistic world, as described by Michel de Ghelderode. After deepening the Anglo-Saxon and Germanic cultural heritage he became Master in Germanic Philology at the Brussels Free University (1961). He travelled worldwide, took a postgraduate degree at Cambridge University (UK) and became a Professor at Erasmus University. As he has always been keen on communication and international relations, he founded a social and cultural club in 1973: “ Recreative International Centre ” or “RIC”. For that purpose he acquired two boats in Brussels Port : “ Ric’s River Boat ” and “ Ric’s Art Boat ”. This gave him the opportunity to meet interesting characters, like Claude Lelouche , Atom Egoyan , Roy Liechtenstein , Axel Red , Hugo Claus etc. He became a Member and Associated Academician of Accademia Internazionale del Verbano di Lettere, Arti,Scienze. Manneken Pis of Brussels in the nude Manneken Pis (little man piss in English), is a Brussels landmark. ...
Michel De Ghelderode (1898 - 1962) was an avante-garde Belgian dramatist, writing in French. ...
Claude Lelouch (born October 30, 1937) is a French film director, writer and producer. ...
Atom Egoyan and wife Arsinee Khanjian at the Golden Apricot Film Festival in Yerevan, Armenia. ...
Roy Lichtenstein (October 27, 1923 - September 29, 1997) was a prominent American pop artist, whose work borrowed heavily from popular advertising and comic book styles, which he himself described as being as artificial as possible. ...
Hugo Maurice Julien Claus (born April 5, 1929 in Bruges, Belgium) is a prolific Flemish novelist, poet, playwright, painter and film director. ...
His Work The creation of his work is at the same time plastic and literary. Words, titles, sentences, graffiti are extensions and elucidations of the visual effect. His work is practically unclassifiable, as various currents seem to culminate in it. Communication or in-communication are recurring central themes in his work. ” Details ” and small objects of life, which surround us and which form the framework, through which we perceive the world, build the cornerstones of his work. Events from our collective memory are very often translated into his paintings. His artistic approach consists in hiding the subject in a singular environment. Figuration and abstractionism are forced to a compromise and highlight a wide range of emotions and reflections.
Quotes - “Erik Pevernagie is primarily known for combining both figurative and abstract elements in his works. Starting with a simple geometric sketch or "graffiti", he builds the surface with materials such as ashes, sand or metal chips.” ( Doyle New York )
- "‘Man’ stands in the heart of his work: man integrated in his natural environment, sometimes even absorbed by it. On the other hand he seems to deny it, as Pevernagie introduces graffiti in his paintings. So doing he gives evidence of the solitude of the human being, his alienation in the urban texture.” ( Benezit Dictionary of Artists , Paris)
- "Bridging the gaps between generations, social strata and nationalities is a tricky business. However Erik Pevernagie may have hit upon a workable formula to ease the alienation. " ( International Herald Tribune )
- “His message, like a light beam across the fog of the human condition, calls our attention to the fragment, to help us to explore the universe. The detail is chosen as the starting point of the possible knowledge, deepening our perception and conscience. Pevernagie offers us the first pieces of a puzzle we have to assemble. He freezes the moment as a password to disclose the eternity. His philosophical approach of the “essence” is further materialized by the choice of the technical parameters: the flatness of the perspective, the geometrical shapes, the narrow chromatic range, the use of material elements such as sand and metal files...somehow recalling the Egyptian art, an art based on the language of icons and symbols, to explore and explain the mystery.” (R.Puvia, London)
- "Belgian artist, who adds geometrical colour surfaces in his work to characters or architectural spaces. In addition he uses material on his canvasses such as sand and metal chips, which grant to his pictures their special surface texture and which seem to submerge the separate entities into a refined moderate colouredness through the reflection of the light." ( Ketterer , Hamburg)
- "The human being who is present in all his work is reduced to a congruent portion. Some pale traits, bodies blend into the canvas leaving space to accessories, highlighted by the artist in a more figurative manner. The material is omnipresent in Erik Pevernagie's paintings and give to his work all the intensity of the messages he tries to transmit. Metal, aluminium, sand. The ruggedness of his canvasses is perfectly in tune with the long vanishing lines and the sharp angles of his paintings." (M.Ladaveze)
- "Typical exponent of the contemporary artist who combines abstract and figurative elements in his work. He starts from an idea and expresses that idea in a plastic way. Thus he depicts a world which has become confused and insecure and asks questions which can be interpreted by the spectator.” (Paul Piron, Brussels)
- "Mixes figuration and abstraction with a poetic and philosophical key. Important are the framing, the intersections, the balance of the surfaces. Introduces extraneaous substances (ashes, sand, grit etc) which gives an aspect of strangeness and ruggedness as if he leaves traces of the past." (Arto)
- "Always listening to the world around him Erik Pevernagie grants to our fellow man a dominating place in his paintings. The individual is replaced in his environment, which is sometimes evoked by graffiti, and seems to be absorbed, dissolved by the elements surrounding him. The subtle touches of color, the half-abstract, half-figurative shapes, and the specific framing lead to the dissolution of the individual whose life seems to be but superficiality. Pevernagie invites us to go beyond the superficial barriers in order to discover the mystery behind his characters who are in perpetual tension as if they were waiting for something else, for another life." ( LeVif/l'Express )
- "Always starting from an event of the collective memory Pevernagie paints a very insecure world in his very particular way. Half figurative, half abstract he mixes elements of earth, sand, metal cuttings on his canvas in sober beige, grey, velvet red tones. He starts with a simple graffiti, a sketch of a person or a detail from daily life. These are used as a pretext for a network of pure and well structured geometrical lines covering the whole surface of the canvas in order to bring about emotion. The titles are like twinklings in the eye.They are to be interpreted as one feels it. In the first degree or in the second degree. Astonishing in this work is the message that is brought to life. The artist asks questions. Life is seen by Pevernagie in different ways and painting is a way to express them. The paint brush is a means of evasion and the color a gate to reflexion." (Rey-Berthot)
- "The figures of Erik Pevernagie are absorbed, integrated in their environment by the color, the lines and by the" idea",which is most important in his work. He starts from an idea and then he paints it. With him we find the problems which keep him busy, which haunt us and which he depicts. He paints the alienation, the loneliness, the unrest, the uncertainty. Erik Pevernagie paints for a generation. Our world has been decomposed, fallen into pieces, become uncertain and unseizable. But art and poetry are ultimate recourses. Erik Pevernagie's work is a thrilling work. With him we enter a totally different universe than the recognizable and readable reality. It's a universe we can interpret.In his art questions are put. He has a vision on man and the world. This artist is captivating by his topics and by the way he is painting them. He brings about a change in our way of looking at the world. " (W. Toebosch)
- "For me it’s even more the shape that one perceives than the idea of the painter which astonishes and alienates me. The painter obviously starts from a situation in everyday life. The shape, the structure impose themselves and create some disturbance. The canvas is almost empty. No cumbersome details. No technical tricks. I understand that it’s the ” details ”, the small objects of the life which surround us and which form the framework through which we perceive the world, which stimulate and encourage the thought. These are the objects which often replace the interior world with many people." (L.Krasnova)
Entrance to Doyle New York at the time of the Estate of Robert Denning auction. ...
The Benezit Dictionary of Artists (in French, Bénézit: Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs) is an extensive publication of bibliographical information on painters, sculptors, designers and engravers created primarily for art museums, auction houses, historians and dealers. ...
The International Herald Tribune (www. ...
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