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Erwartung (translation: Expectation ) is an opera , composed in 1909 by the Viennese composer Arnold Schoenberg . It was not premiered until June 6, 1924, in Prague conducted by Alexander Zemlinsky with Marie Gutheil-Schoder as the solo soprano. The work takes the unusual form of a monologue for solo soprano , backed up by a large orchestra. In performance, it lasts for about half an hour. It is often paired with Béla Bartók 's opera Duke Bluebeard's Castle , as the two works are generally thought to be similar in character and psychological themes. Schoenberg's succinct description of the work was: "In Erwartung the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour." [1] Sydney Opera House: one of the worlds most recognisable opera houses and landmarks. ...
Arnold Schoenberg, Los Angeles, 1938 Schoenberg redirects here. ...
Alexander von Zemlinsky or Alexander Zemlinsky, (October 14, 1871 - March 15, 1942) was an Austrian composer of classical music, a conductor and a teacher. ...
Look up Soprano in Wiktionary, the free dictionary. ...
Béla Bartók in 1927 For other uses, see Bartok (disambiguation). ...
A Kékszakállú herceg vára, (commonly referred to by its English name, Bluebeards Castle) is a one-act opera by Hungarian composer Béla Bartók. ...
References Schoenberg, Arnold. Style and Idea. University of California Press, Los Angeles, 1984. ISBN 0-520-05294-3 ↑ p. 105.
External links Erwartung at Schoenberg.org
Results from FactBites:
Schoenberg's Erwartung and Freudian Case Histories: A Preliminary Investigation (2110 words)
Erwartung was written by Marie Pappenheim, a young medical student, in response to a commission from Schoenberg in the summer of 1909.
Erwartungs dark forest (der Wald hoch und dunkel) in which is found a man and house; moreover, in this house resides a woman, the other woman, the slut (die Dirne) with the white arms.
Erwartungs house in the woods seems equivalent to Doras train station in the woods: for Freud, I think they might be one in the same, namely, unconscious representations of female sexuality.
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