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Encyclopedia > Evgeny Svetlanov

Evgeny Fyodorovich Svetlanov (September 6, 1928 - May 3, 2002) was a conductor and composer. September 6 is the 249th day of the year (250th in leap years). ... 1928 was a leap year starting on Sunday (link will take you to calendar). ... May 3 is the 123rd day of the year in the Gregorian calendar (124th in leap years). ... 2002 is a common year starting on Tuesday of the Gregorian calendar. ... Conducting is the act of directing a musical performance by way of visible gestures. ... A composer is a person who writes music. ...


He was born in Moscow and studied conducting at the conservatory there. From 1955 he conducted at the Bolshoi Theatre, being appointed principal conductor there in 1962. From 1965 he was principal conductor of the USSR State Symphony Orchestra (now the Russian State Symphony Orchestra). In 1979 he was appointed principal guest conductor of the London Symphony Orchestra. Saint Basils Cathedral Moscow (Russian/Cyrillic: Москва́, IPA:   listen?) is the capital of Russia, located on the river Moskva, and encompassing 1097. ... The Moscow Conservatory is a prominent music school in Russia. ... Bolshoi Theatre The Bolshoi Theatre is a theatre and theater company in Moscow, Russia, which gives performances of plays, ballet, and opera. ... The London Symphony Orchestra (frequently abbreviated to LSO) is a full time orchestra based in London. ...


Svetlanov was particularly noted for his interpretations of Russian works - he covered the whole range of Russian music, from Mikhail Glinka to the present day. Mikhail Glinka Mikhail Ivanovich Glinka (Михаи́л Ива́нович Гли́нка) (June 1, 1804 – February 15, 1857) was the first Russian composer to gain wide recognition inside his own country, and is often regarded as the father of Russian classical music. ...


  Results from FactBites:
 
Classical Net Review - Evgeny Svetlanov Conducts (1302 words)
I have always liked Svetlanov's work and have flatly dismissed the characterization by his detractors that he was a mere "time beater" on the podium.
Svetlanov shortchanges no significant aspect in virtually all readings: he's alert to Borodin's vivid colors and exoticism; he points up the rawer textures of Mussorgsky; and he captures the detached melancholy of Napravnik.
Svetlanov's Second, a reading I've known from my LP collection for many years, is brooding and dark, brilliant and colorful, and full of passion.
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