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Encyclopedia > Ezra Sims

Ezra Sims (born January 16, 1928 in Birmingham, Alabama) is one of the pioneers in the field of microtonal composition. He invented a system of notation which was adopted by many microtonal composers after him, including Joseph Maneri. January 16 is the 16th day of the year in the Gregorian calendar. ... 1928 (MCMXXVIII) was a leap year starting on Sunday (link will take you to calendar). ... Nickname: The Magic City, Pittsburgh of the South, BHam, The Ham Location in Jefferson County in the state of Alabama Coordinates: Country United States State Alabama County Jefferson, Shelby Mayor Bernard Kincaid (D) Area    - City 151. ... Microtonal music is music using microtones -- intervals of less than a semitone, or as Charles Ives put it, the notes between the cracks of the piano. ... Music notation is a system of writing for music. ... Joseph Gabriel Esther Maneri (born Brooklyn, February 9, 1927) is an important microtonal composer and clarinetist. ...


His professional debut (12 note ET music) occurred on a Composers Forum program in New York, 1959. In 1960, compelled by his ear, he began writing microtonal music, and has continued to do so ever since, with the occasional exception being taped music for dancers. His last composition in quarter tones (his sixth microtonal one) was his Third Quartet (1962). Since 1971, whatever music he has composed that is not purely electronic has employed a system of asymmetrical modes of 18 pitches per octave, drawn from a 72-note division of the octave. A quarter tone is an interval half as wide (aurally, or logarithmically) as a semitone, which is half a whole tone. ... In music, 72 equal temperament, called 72-tet, 72-edo, or 72-et, is the scale derived by dividing the octave into twelfth-tones, or in other words 72 equally large steps. ...

"I seem finally to have identified and made transcribable what my ear was after all along: a set of pitches ordered in an asymmetrical scale of 18 (or 19) notes, some of them acoustically more important than others, transposable through a chromatic of 72 pitches in the octave." (1978)

He has received a Guggenheim Fellowship, a Koussevitsky commission, and an American Academy of Arts & Letters Award, as well as numerous commissions from organizations like the Arizona Friends of Chamber Music and private individuals. He was a co-founder of the Dinosaur Annex Music Ensemble, for which he served as President from 1977-1981 and as a member of the Board of Directors from 1981 to 2003. Guggenheim Fellowships are awarded annually by the John Simon Guggenheim Memorial Foundation to those who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts. ...


He has lectured on his music in the US and abroad, most notably at the Hambürger Musikgespräch, 1994; the second Naturton Symposium in Heidelberg, 1992; and the 3rd and 4th Symposium, Mikrotöne und Ekmelische Musik, at the Hochschüle für Musik und Darstellende Kunst Mozarteum, Salzburg, in 1989 & 1991. In 1992-93, he was guest lecturer in the Richter Herf Institut für Musikalische Grundlagenforschung in the Mozarteum.


He has published articles on his technique in Computer Music Journal, Mikrotöne III, Mikrotöne IV, Perspectives of New Music, and Ex Tem pore. With the American cellist Ted Mook, he designed a font, now widely adopted, for use with computer printing programs, based on his set of accidentals, which are sufficient for 72-note music. His music is published by Frog Peak Music and Diapason Press (Corpus Microtonale).


As his award citation from the American Academy of Arts and Letters attests:

"Ezra Sims has already contributed an outstanding body of works, many of which have explored with singular imagination, conviction and success the beautiful but elusive world of microtonal music"

Discography

  • Ezra Sims (1998). CRI American Masters CD 784. Originally released on CRIS SD 223 and CRI SD 377.
    • String Quartet No. 2 (1962) Boston Musica Viva
    • Elegie - nach Rilke (1976) Elsa Charlston & Boston Musica Viva
    • Third Quartet (1962) The Lenox Quartet
  • CRI 643
    • Concert Piece (1990)
    • Night Piece: In Girum Imus Nocte et Consumimur Igni (1987)
    • Flight (1989)
    • Solo in four movements (1987)
    • Quintet (1987)
  • Northeastern NR 224
    • Sextet (1981)
    • Two for One (1980)
    • All Done From Memory (1980)
    • -- and, as I was saying... (1979)
  • CRI 578
    • Come Away (1978)

External links

  • http://www.ezrasims.com

Listening

  • Ezra Sims at the Avant Garde Project has FLAC files made from a high-quality LP transcription available for free download.

  Results from FactBites:
 
Ezra Sims (Avant Garde Project 7, microtonal 20th c. classical) - The Pirate Bay (717 words)
Ezra Sims (Avant Garde Project 7, microtonal 20th c.
========================== The seventh AGP torrent features the music of Ezra Sims, an American composer who rebelled against the tonal impurities of well-tempered tuning, and developed his own 18-note scale based on a division of the octave into 72 intervals.
Other recordings of Sims' works on CD are available through www.frogpeak.org, including recordings of all of the other Sims pieces I could find in my stacks.
ANABlog: Ezra Sims, "all done from memory" (759 words)
Ezra Sims is a philosophical musician whose evident intent is to make order out of the chaotic universe of sound that has existed for two and a half millenia since the time of Pythagoras.
The asymmetrical Ezraic scale of eighteen degrees, drawn from a seventy-two note division of the octave, did not spring from the brain of Ezra Sims by spontaneous generation, but was the terminus of his versatile education.
But while engaged in these esoteric activities, Ezra Sims had to keep body and soul together; for this purpose, he accepted jobs as steelworker, choir director, display designer, and, as he puts it, "general dogsbody" at the Harvard University Music Library, serving finally as a cataloguer and programmer.
  More results at FactBites »


 
 

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