FIPRESCI (short for Fédération Internationale de la Presse Cinématographique), in English known as International Federation of Film Critics, comprised of the national organizations of professional film critics and film journalists from around the world for "the promotion and development of film culture and for the safeguarding of professional interests." It was founded in June, 1930 in Paris. At present it has members in more than 50 countries worldwide. The English language is a West Germanic language that originates in England. ... Film criticism is the analysis and evaluation of films. ... This article does not cite its references or sources. ... June is the sixth month of the year in the Gregorian Calendar, with a length of 30 days The month is named after the Roman goddess Juno, wife of Jupiter and equivalent to the Greek goddess Hera. ... 1930 (MCMXXX) is a common year starting on Wednesday. ... The neutrality and factual accuracy of this article are disputed. ...
The FIPRESCI often gives out awards during film festivals to reward what they see as enterprising filmmaking. A film festival is a mostly annual festival showcasing films, usually of a recent date, sometimes with a focus on a specific genre (e. ...
At this young festival in Iceland, founded in 2004 to bring films to a local public, the FIPRESCI Prize went to The Art of Crying (Kunsten at graede i kor) by Danish filmmaker Peter Schønau Fog.
The Documentary Film Festival "Flahertiana" in the Russian city of Perm was founded in 1995 by a group of filmmakers in the region and has become an international event dedicated to the memory of the great pioneer Robert Flaherty.
At the occasion of the Rio de Janeiro International Film Festival, FIPRESCI presented its Lifetime Achievement Award to Fernanda Montenegro, the Brazilian actress.
FIPRESCI has been accused of functioning as a travel agency for its members, providing them with air tickets, accommodations and first class accreditation to world-class festivals.
FIPRESCI also organizes regular workshops and seminars to discuss the aesthetics and politics of national cinema.
Recent seminars have explored the notion of national cinema and whether or not it is still appropriate to describe the role of cinema in the multicultural societies of today and in face of globalization.
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