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Encyclopedia > Fear of Music
Fear of Music
Album by Talking Heads
Released August 3, 1979
Recorded 1979
Genre New wave/Art punk
Length 40 min 25 sec
Record label Sire
Producer Brian Eno & Talking Heads
Professional reviews
AMG (http://www.Allmusic.com) 4.5 stars out of 5 link (http://www.allmusic.com/cg/amg.dll?p=amg&uid=UIDSUB040403251443301584&sql=Adjivad5kv8w1)
Talking Heads Chronology
More Songs About Buildings and Food
(1978)
Fear of Music
(1979)
Remain in Light
(1980)


Fear of Music was the third album by Talking Heads and was released in 1979. It peaked at #21 in the Billboard Pop Albums chart, and singles "Life During Wartime " made #80 on the Pop Singles chart, and "I Zimbra" made #28 on the Club Play Singles chart.


Track Listing

  1. "I Zimbra" (Ball/Byrne/Eno) - 3:06
  2. "Mind" (Byrne) - 4:12
  3. "Paper" (Byrne) - 2:36
  4. "Cities" (Byrne) - 4:05
  5. "Life During Wartime" (Byrne/Frantz/Harrison/Weymouth) - 3:41
  6. "Memories Can't Wait" (Byrne) - 3:30
  7. "Air" (Byrne) - 3:33
  8. "Heaven" (Byrne/Harrison) - 4:01
  9. "Animals" (Byrne) - 3:29
  10. "Electric Guitar" (Byrne) - 2:59
  11. "Drugs" (Byrne) - 5:13

Personnel

  • Gene Wilder and Ari Up: Congas on "Life During Wartime" and I Zimbra
  • Robert Fripp: Guitar on "I Zimbra"
  • The Sweetbreathes: Background vocals on "Air"
  • Julie Last, Brian Eno, David Byrne: Background vocals on "I Zimbra"

  Results from FactBites:
 
CATHOLIC ENCYCLOPEDIA: Church Music (9652 words)
Whenever music, instead of assuming a character of independence and mere ornament, acts as an auxiliary to the other means of promoting the worship of God and as an incentive to good, it not only does not interfere with the religious ceremony, but, on the contrary, imparts to it the greatest splendour and effectiveness.
The object of the society is to cultivate the chant, polyphony, hymns in the vernacular, organ-playing, and orchestral music in conformity with the regulations of the Church.
The secular and semi-ecclesiastical or simply religious music of the Middle Ages had a decisive influence in the transformation of polyphonic music into the harmonic or homophonic, and a comparison between the various styles is a great aid in determining the character of genuine church music.
  More results at FactBites »


 
 

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