 Ferdinand Hodler (March 14, 1853 – May 19, 1918) was one of the best-known Swiss painters of the 19th century. Image File history File links Description Ferdinand Hodler, Swiss painter, 1916 Source Photographer: Paul Bonzon Source: Schweizerische Landesbibliothek (via tagi. ...
For the Lebanese political coalition, see March 14 Alliance. ...
1853 was a common year starting on Saturday (see link for calendar). ...
May 19 is the 139th day of the year in the Gregorian Calendar (140th in leap years). ...
Year 1918 (MCMXVIII) was a common year starting on Tuesday of the Gregorian calendar (see link for calendar) or a common year starting on Wednesday of the Julian calendar. ...
The following list is a partial list of painters. ...
Alternative meaning: Nineteenth Century (periodical) (18th century — 19th century — 20th century — more centuries) As a means of recording the passage of time, the 19th century was that century which lasted from 1801-1900 in the sense of the Gregorian calendar. ...
Hodler was born in Berne but moved to Geneva at the age of 18 to start a career as a painter. Hodler's early work consisted of landscapes, figure compositions and portraits, treated with a vigorous realism. In the last decade of the 19th century his work evolved to combine influences from several genres including symbolism and art nouveau. He developed a style which he called Parallelism, characterized by groupings of figures symmetrically arranged in poses suggesting ritual or dance. Location within Switzerland The city of Berne (German , French Berne , Italian Berna , Romansh Berna , Bernese German Bärn ), is the Bundesstadt (administrative capital) of Switzerland and the fourth most populous Swiss city (after Zürich, Geneva and Basel). ...
Geneva (pronunciation //; French: Genève //, German: //, Italian: Ginevra, Romansh: Genevra) is the second most populous city in Switzerland (after Zürich), and is the most populous city of Romandy (the French-speaking part of Switzerland). ...
Realism in art and literature is the depiction of subjects as they appear, without embellishment or interpretation. ...
Poster by Alfons Mucha Vitebsk Railway Station one of the finest examples of Art Nouveau architecture. ...
Hodler's work in his final phase took on an expressionist aspect with strongly coloured and geometrical figures. Landscapes were pared down to essentials, sometimes consisting of a jagged wedge of land between water and sky. However, the most famous of Hodler's paintings portray scenes in which characters are engaged in everyday activities, such as the famous woodcutter (Der Holzfäller, Musée d'Orsay, Paris). This picture went on to appear on the back of the 50 Swiss Franc bank note issued by the Swiss National Bank. The Scream by Edvard Munch (1893) which inspired 20th century Expressionists Portrait of Eduard Kosmack by Egon Schiele Rehe im Walde by Franz Marc Elbe Bridge I by Rolf Nesch On White II by Wassily Kandinsky, 1923. ...
--67. ...
City flag City coat of arms Motto: Fluctuat nec mergitur (Latin: Tossed by the waves, she does not sink) Paris Eiffel tower as seen from the esplanade du Trocadéro. ...
In 1889, Hodler married Berthe Jacques. In 1914 he condemned the German atrocities conducted using artillery at Rheims. In retaliation for this, German art museums excluded Hodler's work. Reims (English traditionally Rheims) is a city of north-eastern France, 98 miles east-northeast of Paris. ...
His mistress, Valentine Godé-Darel, was diagnosed with cancer in 1914, and the many hours Hodler spent by her bedside resulted in a remarkable series of paintings documenting her disintegration. Her death in 1915 affected Hodler greatly and he died on May 19, 1918 in Geneva leaving behind a number of unfinished works portraying the city. May 19 is the 139th day of the year in the Gregorian Calendar (140th in leap years). ...
Year 1918 (MCMXVIII) was a common year starting on Tuesday of the Gregorian calendar (see link for calendar) or a common year starting on Wednesday of the Julian calendar. ...
Portrait of Louise-Delphine Duchosal |