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Encyclopedia > Fife and drum blues

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Fife and Drum blues is a rural derivation of traditional country blues. It is performed typically with one lead fife player aften also the band leader and vocalist, and a troop of drummers. The drum troop is loosely structures unlike drum corps and may have any number of snare tom and bass drum players. Fife and drum performances were family affairs often held at reunions and big picnics. It is suggested by most texts that it has roots not in the americal revolutionary war, but actually in Africa; the use of fife is merely a replacement for instruments the slaves had used in Africa. This article needs to be cleaned up to conform to a higher standard of quality. ... Fife from the American Civil War A fife is a small, high-pitched, transverse flute that is similar to the piccolo, but louder and shriller due to its narrower bore. ...


Fifes were carved from cane that grew locally. Drums were often hand-made, and equally often just percussive objects. The vocals seem to derive from two main styles:

  1. Traditional call and response of Black Spirituals
  2. Short repetative lyric

The genre originates in very rural areas of the farming south and today persists in a stretch of sparely populated Southern states stretching from NW georgia to an area South of Memphis. Notable performers are Napoleon Strickland, Dan Emmett, and Otha Turner.


Related texts

  1. David Evans, "Black Fife and Drum Music in Mississippi"
  2. Howard W. Odum, "Religious Folk-Songs of the Southern Negro"
  3. Eileen Southern "The Music of Black Americans: A History"
  4. http://www.folkstreams.net/context,86
Blues | Blues genres
Classic female blues - Country blues - Delta blues - Jump blues - Piano blues - Fife and drum blues
Jazz blues - Blues-rock - Soul blues
African blues - British blues - Chicago blues - Detroit blues - Kansas City blues - Louisiana blues - Memphis blues - Piedmont blues - St. Louis blues - Swamp blues - Texas blues - West Coast blues
Musicians
Styles of American folk music
Appalachian | Blues (Ragtime) | Cajun and Creole (Zydeco) | Country (Honky tonk and Bluegrass) | Jazz | Native American | Spirituals and Gospel | Tejano

The blues is a vocal and instrumental form of music based on a pentatonic scale and a characteristic twelve-bar chord progression. ... Blues can be categorized into a number of genres. ... The Classic female blues spanned from 1920 to 1929 with its peak from 1923 to 1925. ... This article needs to be cleaned up to conform to a higher standard of quality. ... The Delta blues is one of the earliest styles of blues music. ... The jump blues is a type of blues music, characterized by a jazzy, saxophone (or other horn instruments) sound, driving rhythms and shouted vocals. ... Piano blues refers to a variety of blues styles, sharing only the characteristic that they use the piano as the primary musical instrument. ... Jazz blues is a musical style that combines jazz and blues. ... Blues Rock or Blues-rock is a fusion genre of music which combines elements of the blues with rock and roll. ... Soul blues is a style of blues music developed in the early late 1960s and 1970s and combining eliments of soul music and urban contemporary music. ... The British blues is a type of blues music that originated in the late 1950s. ... The Chicago blues is a form of blues music that developed in Chicago by adding electricity, drums, piano, bass guitar and sometimes saxophone to the basic string/harmonica Delta blues. ... Detroit blues is blues music played by musicians resident in Detroit, Michigan, particularly that played in the 1940s and 50s. ... The Louisiana blues is a type of blues music that is characterized by plodding rhythms that make the sound dark and tense. ... The Memphis Blues is the title of a tune and song published by W.C. Handy in 1912. ... The Piedmont blues is a type of blues music characterized by a unique fingerpicking method on the guitar in which a regular, alternating-thumb bass pattern supports a melody using treble strings. ... The St. ... The swamp blues is a form of blues music that is highly evolved and specialized. ... Texas blues is a subgenre of the blues. ... The West Coast blues is a type of blues music characterized by jazz and jump blues influences, strong piano-dominated sounds and jazzy guitar solos (which originated from Texas blues players relocated to California). ... Performers in the blues style range from primitive, one-chord Delta players to big bands to country music to rock and roll to classical music. ... American roots music is a broad category of music including country music, bluegrass, gospel, ragtime, jug bands, Appalachian folk, blues, Tejano and Cajun and Native American music. ... Appalachian folk music is a distinctive genre of folk music originating in the Appalachia region of the United States of America. ... The blues is a vocal and instrumental form of music based on a pentatonic scale and a characteristic twelve-bar chord progression. ... Ragtime is an American musical genre, enjoying its peak popularity around the years 1900–1918. ... The music of Louisiana, like other cultural aspects of the state, can be divided in to three general regions. ... Zydeco is a form of folk music, originated in the beginning of the 20th century among the Francophone Creole peoples of south-west Louisiana and influenced by the music of the French-speaking Cajuns. ... Country music, also called country and western music or country-western, is an amalgam of popular musical forms developed in the Southern United States, with roots in traditional folk music, Celtic Music, Blues, Gospel music, and Old-time music. ... Honky tonk was originally the name of a type of bar common throughout the southern United States, also Honkatonk or Honkey-tonk. ... Bluegrass music is considered a form of American roots music with its own roots in the English, Irish and Scottish traditional music of immigrants from the British Isles (particularly the Scots-Irish immigrants of Appalachia), as well as the music of rural African-Americans, jazz, and blues. ... Jazz is an original American musical art form originating around the early 1920s in New Orleans, rooted in Western music technique and theory, and is marked by the profound cultural contributions of African Americans. ... There are hundreds of tribes of Native Americans (called the First Nations in Canada), each with diverse musical practices, spread across the United States and Canada (excluding Hawaiian music). ... A spiritual is an African American song, usually with a Christian religious text. ... Gospel music may refer either to the religious music that first came out of African-American churches in the 1930s or, more loosely, to both black gospel music and to the religious music composed and sung by white southern Christian artists. ... Tejano is also the name given to Texans of Mexican or Spanish origin. ...

See also

Ancient Fife and Drum Corps An Ancient Fife and Drum Corps is a traditional drum corps that plays fifes and wooden rope tension snare and bass drums. ...


  Results from FactBites:
 
Fife (musical instrument) - Wikipedia, the free encyclopedia (1026 words)
Fifes are made mostly of wood: grenadilla, rosewood, mopane, pink-ivory and other dense woods are superior; maple and persimmon are inferior, but often used.
Fife music is commonly written in the key of D, and played as though the fife played in that key (playing notes D, E, F#, G, A, B and C# as finger holes are uncovered in succession) regardless of what key the fife actually plays in.
Fife alone, or fife and drum is also used in numerous european countries, specially in the South of France (Occitany) : Languedoc and county of Nice.
Othar Turner (1311 words)
Drums in particular played a heavy part in tribal gatherings as people would use their polyrhythmic beats to communicate as well as to sing and dance along in a communal spirit.
For original, authentic fife and drum sounds, you must head to remote areas of Northern Mississippi, where the tradition has survived even to this day, creating a partial base for the development of the music now known as the Blues.
Othar had studied the fife so intently, he was able to remember where the finger-hole positioning was and began to make his own fifes from the cane he found near his home, using a fireplace poker to burn the holes.
  More results at FactBites »

 

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