|
Fra Filippo Lippi (1406 October 8? – 1469), also called Lippo Lippi, is a well-known Florentine painter of the Italian 15th century school. Download high resolution version (600x910, 255 KB)Madonna and Child (1440-1445), Filippo Lippi, National Gallery of Art, Washington, DC This image has been released into the public domain by the copyright holder, its copyright has expired, or it is ineligible for copyright. ...
Download high resolution version (600x910, 255 KB)Madonna and Child (1440-1445), Filippo Lippi, National Gallery of Art, Washington, DC This image has been released into the public domain by the copyright holder, its copyright has expired, or it is ineligible for copyright. ...
The East Building of the National Gallery of Art The National Gallery of Art is an art museum managed by the government of the United States but privately owned, although it functions as a public institution. ...
Aerial photo (looking NW) of the Washington Monument and the White House in Washington, DC. Washington, D.C., officially the District of Columbia (also known as D.C.; Washington; the Nations Capital; the District; and, historically, the Federal City) is the capital city and administrative district of the United...
Events Construction of Forbidden City begins in Beijing. ...
Events July 26 - Battle of Edgecote Moor October 17 - Prince Ferdinand of Aragon wed princess Isabella of Castile. ...
Founded 59 BC as Florentia Region Tuscany Mayor Leonardo Domenici (Democratici di Sinistra) Area - City Proper 102 km² Population - City (2004) - Metropolitan - Density (city proper) 356,000 almost 500,000 3,453/km² Time zone CET, UTC+1 Latitude Longitude 43°47 N 11°15 E www. ...
(14th century - 15th century - 16th century - other centuries) As a means of recording the passage of time, the 15th century was that century which lasted from 1401 to 1500. ...
Biography and works
Lippi was Born in Florence to Tommaso, a butcher. Both his parents died while he was a child. His aunt, Mona Lapaccia, then took charge of the boy till 1420, when at the age of fourteen, he was registered in the community of the Carmelite friars of the Carmine in Florence, Here he remained till 1432. Vasari, in his Lives of the Artists says: Founded 59 BC as Florentia Region Tuscany Mayor Leonardo Domenici (Democratici di Sinistra) Area - City Proper 102 km² Population - City (2004) - Metropolitan - Density (city proper) 356,000 almost 500,000 3,453/km² Time zone CET, UTC+1 Latitude Longitude 43°47 N 11°15 E www. ...
Origin and early history Carmelites (in Latin Ordo fratrum Beatæ Virginis Mariæ de monte Carmelo) is the name of a Roman Catholic order founded in the 12th century by a certain Berthold (d. ...
Giorgio Vasaris selfportrait Wikimedia Commons has media related to: Giorgio Vasari Giorgio Vasari (Arezzo, Tuscany July 3, 1511 - Florence, June 27, 1574) was an Italian painter and architect, mainly known for his famous biographies of Italian artists. ...
"instead of studying, he spent all his time scrawling pictures on his own books and those of others, and so eventually the prior decided to give him every chance and opportunity of learning to paint." Between 1430-32 Lippi executed works in the monastery, which were destroyed by a fire in 1771; they are specified by Vasari, and one of them was particularly marked by its resemblance to Masaccio's style.
Eventually Fra Filippo quit the convent, but it appears that he was not relieved from some sort of religious vow; in a letter dated in 1439 he speaks of himself as the poorest friar of Florence, and says he is charged with the maintenance of six marriageable nieces. In 1452 he was appointed chaplain to the convent of S. Giovannino in Florence, and in 1457 rector (Rettore Commendatario) of S. Quirico at Legania, and his gains were considerable and uncommonly large from time to time; but his poverty seems to have been chronic, the money being spent, according to one account, in frequently recurring amours.
Vasari relates some romantic adventures of Fra Filippo, which modern biographers are not inclined to believe. Except through Vasari, nothing is known of his visits to Ancona and Naples, and his intermediate capture by Barbary pirates and enslavement in Barbary, whence his skill in portrait-sketching availed to release him. This relates to a period, 1431-1437, when his career is not clearly accounted for. The doubts thrown upon his semi-marital relations with a Florentine lady appear, however, to be somewhat arbitrary; Vasari's account is circumstantial, and in itself not greatly improbable. Ancona is a city and a seaport in the Marche, a region of northeastern Italy, population 100,507 (2001). ...
Naples panorama Naples (Italian Napoli, Neapolitan Napule, from Greek ÎÎα Πόλις - Néa Pólis - meaning New City; see also List of traditional Greek place names) is the largest city in southern Italy and capital of Campania Region and the Province of Naples. ...
For other meanings, see Barbary Coast (disambiguation). ...
Towards June 1456 Fra Filippo was settled in Prato (near Florence) to paint frescoes in the choir of the cathedral. Before actually undertaking this work he set about painting, in 1458, a picture for the convent chapel of S. Margherita of Prato, and there saw Lucrezia Buti, the beautiful daughter of a Florentine, Francesco Buti; she was either a novice or a young lady placed under the nuns guardianship. Lippi asked that she might be permitted to sit to him for the figure of the Madonna (or it might rather appear of S. Margherita); he made passionate love to her, abducted her to his own house, and kept her there spite of the utmost efforts the nuns could make to reclaim her. // Events July 7 - Joan of Arc acquitted (but she had already been executed). ...
Prato is a city in Tuscany, Italy, the capital of the Province of Prato. ...
The fruit of their loves was a boy, who became the painter, not less celebrated than his father, Filippino Lippi. Such is substantially Vasari's narrative, published less than a century after the alleged events; it is not refuted by saying, more than three, centuries later, that perhaps Lippo had nothing to do with any such Lucrezia, and perhaps Lippino was his adopted son, or only an ordinary relative and scholar. The argument that two reputed portraits of Lucrezia in paintings by Lippo are not alike, one as a Madonna in a very fine picture in the Pitti gallery, and the other in the same character in a Nativity in the Louvre, comes to very little; and it is, reduced to nothing when the disputant adds that the Louvre painting is probably not done by Lippi at all. Besides, it appears more likely that not the Madonna in the Louvre but a S. Margaret in a picture now in the Gallery of Prato is the original portrait (according to the tradition) of Lucrezia Buti. Filippino Lippi, self-portrait Biography Filippino Lippi (ca. ...
Early 20th century photograph of the Palazzo Pitti, then still known as La Residenza Reale following the residency of King Emmanuel II between 1865 to 1871 when Florence was the capital of Italy. ...
Prato is a city in Tuscany, Italy, the capital of the Province of Prato. ...
The frescoes in the choir of Prato cathedral, being the stories of the Baptist and of St Stephen, represented on the two opposite wall spaces, are the most important and monumental works which Fra Filippo has left, more especially the figure of Salome dancing, and the last of the series, showing the ceremonial mourning over Stephens corpse. This contains a portrait of the painter, but which is the proper figure is a question. that has raised some diversity of opinion. At the end wall of the choir are S. Giovanni Gualberto and S. Alberto, and on the ceiling the four evangelists.
The close of Lippi's life was spent at Spoleto, where he had been commissioned to paint, for the apse of the cathedral, some scenes from the life of the Virgin. In the semidome of the apse is Christ crowning the Madonna, with angels, sibyls and prophets. This series, which is not wholly equal to the one at Prato, was completed by Fra Diamante after Lippi's death. That Lippi died in Spoleto, on or about the 8th of October 1469, is an undoubted fact; the mode of his death is again a matter of dispute. It has been said that the pope granted Lippi a dispensation for marrying Lucrezia, but that, before the permission arrived he had been poisoned by the indignant relatives either of Lucrezia herself, or of some lady who had replaced her in the inconstant painter's affections. This is now generally regarded as a fable and indeed a vendetta upon a man aged sixty-three for a seduction committed at the already mature age of fifty-two seems hardly plausible. Fra Filippo lies buried in Spoleto, with a monument erected to him by Lorenzo the Magnificent; he had always been zealously patronized by the Medici family, beginning with Cosimo, Pater Patriae, Francesco di Pesello (called Pesellino) and Sandro Botticelli were among his most distinguished pupils. Spoleto (Latin: Spoletium), 42°44′ N 12°44′ E, an ancient town in the Italian province of Perugia in east central Umbria, at 385 meters (1391 ft) above sea-level on a foothill of the Apennines. ...
Fra Diamante, (c. ...
Spoleto (Latin: Spoletium), 42°44′ N 12°44′ E, an ancient town in the Italian province of Perugia in east central Umbria, at 385 meters (1391 ft) above sea-level on a foothill of the Apennines. ...
Cosimo di Giovanni de Medici (April 10, 1389 - August 1, 1464), was the first of the Medici political dynasty, effective rulers of Florence during most of the Italian Renaissance; also know as Cosimo the Elder and Cosimo Pater Patriae. ...
This article is about Sandro Botticelli, the Italian painter. ...
In 1441 Lippi painted an altar-piece for the nuns of S. Ambrogio which is now a prominent attraction in the Academy of Florence, and has been celebrated in Brownings well-known poem. It represents the coronation of the Virgin among angels and saints, of whom many are Bernardine monks. One of these, placed to the right, is a half-length portrait of Lippo, pointed out by an inscription upon an angel's scroll is perfecit opus. The price paid for this work in 1447 was 1200 Florentine lire, which seems surprisingly large. This page is about the year 1441. ...
For Germiniano Inghirami of Prato he painted the Death of St Bernard, a fine specimen still extant. His principal altarpiece in this city is a Nativity in the refectory of S. Domenico — the Infant on the ground adored by the Virgin and Joseph, between Sts George and Dominic, in a rocky landscape, with the shepherds playing and six angels in the sky. In the Uffizi is a fine Virgin adoring the infant Christ, who is held by two angels; in the National Gallery, London, a Vision of St Bernard. The picture of the Virgin and Infant with an Angel, in this same gallery, also ascribed to Lippi, is disputable. The Uffizi Gallery (Italian Galleria degli Uffizi) is a palace or palazzo in Florence, holding one of the most famous museums in the world. ...
The National Gallery from Trafalgar Square The National Gallery is an art gallery in London, located on the north side of Trafalgar Square. ...
Evaluation Lippo Lippi's pictures show the naïveté of a strong, rich nature, redundant in lively and somewhat whimsical observation. He approaches religious art from its human side, and is not pietistic though true to a phase of Catholic devotion. He was perhaps the greatest colourist and technical adept of his time, with good draughtsmanship. As a naturalist, he had less vulgar realism than some of his contemporaries, and with much genuine episodical animation, including semi-humorous incidents and low characters. He made little effort after perspective and none for foreshortenings, was fond of ornamenting pilasters and other architectural features. According to Vasari, Lippi aimed to hide the extremities in drapery to avoid difficulties. His career was one of continual development, without fundamental variation in style or in colouring. In his great works the proportions are larger than life. Foreshortening refers to the visual effect or optical illusion that an object or distance is shorter than it actually is because it is angled toward the viewer. ...
References Along with Vasari's interesting and amusing, and possibly not very unauthentic, account of Lippo Lippi, the work of Crowe and Cavalcaselle should be consulted. Also: EC Strutt, Fra Lippo Lippi (1901); CM Phillimore, Early Florentine Painters (1881); B Supino, Fra Filippo Lippi (illustrated) (1902). Sir Joseph Archer Crowe (October 25, 1828 - September 6, 1896), English consular official and art critic, son of Eyre Crowe, was born in London. ...
It should be observed that Crowe and Cavalcaselle give 1412 as the date of the painter's birth, and this would make a considerable difference in estimating details of his after career. We have preferred to follow the more usual account. The self-portrait dated 1441 looks like a man much older than twenty-nine.
This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain. Image File history File links Commons-logo. ...
The Wikimedia Commons (also called Commons or Wikicommons) is a repository of free content images, sound and other multimedia files. ...
Encyclopædia Britannica, the 11th edition The Encyclopædia Britannica Eleventh Edition (1910–1911) is perhaps the most famous edition of the Encyclopædia Britannica. ...
The public domain comprises the body of all creative works and other knowledge—writing, artwork, music, science, inventions, and others—in which no person or organization has any proprietary interest. ...
|
Feeds |
Contact