Fine art is a term used to refer to fields traditionally considered to be artistic. It is also used to describe "high-quality" works from these fields.
"Fine art" differs from "useful art" (craft) in that it is purely aesthetic, whereas crafts are made to serve a practical purpose. Example: a sculpture of a teapot that does not actually work is fine art, whereas one that does work is craft.
The line is blurred when fine decoration is applied to a useful item, such as a quilt, eating utensils, furniture, or decorative architecture such as caryatids. In some cases, a finely decorated useful item may be put on display for its aesthetic value rather than used. In a few cases, classes of items that were formerly useful are now regarded as belonging to the fine arts; for example, tapestries, which used to be used as insulation, are now used purely for decoration in many cultures.
The more recent term "visual art" is widely considered to be a more inclusive and descriptive phrase for today's variety of current art practices, and for the multitude of mediums in which high art is now more widely recognized to occur.
That fineart is seen as being distinct from applied arts is largely the result of an issue raised in Britain by the conflict between the followers of the Arts and Crafts Movement, including William Morris, and the early modernists, including Virginia Woolf and the Bloomsbury Group.
The former sought to bring socialist principles to bear on the arts by including the more commonplace crafts of the masses within the realm of the arts, while the modernists sought to keep artistic endeavour exclusive, esoteric, and elitist.
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