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This article is about the meanings of the word form connected with shape or structure. For other meanings, see Form (disambiguation).

Form (Lat. forma Eng. mould), refers to the external three-dimensional outline, appearance or configuration of some thing - in contrast to the matter or content or substance of which it is composed (compare with shape). Image File history File links Broom_icon. ... Image File history File links Derived from public domain images featured at: http://commons. ... Look up form in Wiktionary, the free dictionary Form may mean: Form, the shape, appearance, or configuration, of an object. ... Latin is an ancient Indo-European language originally spoken in Latium, the region immediately surrounding Rome. ... The English language is a West Germanic language that originates in England. ... The space we live in is three-dimensional space. ... Shape (OE. sceap Eng. ...

Look up form in Wiktionary, the free dictionary.

The word form, is a phenomenon: Thus a speech may contain excellent arguments (the matter may be good), whereas the style, grammar, arrangement (the form) may be bad. "Form is supposed to cover the shape and structure of the work; content its substance, meaning, ideas, or expressive effects." (Middleton 1999, p.141) The term, with its adjective formal and the derived nouns formality and formalism, is hence sometimes contemptuously used for that which is superficial, unessential, hypocritical: chapter 23 of Matthew's gospel is a classical instance of the distinction between the formalism of the Pharisaic code and genuine religion. With this may be compared the popular phrases good form and bad form applied to behaviour in society: so format (from the French) is technically used of the shape and size, e.g. of a book (octavo, quarto, etc.) or of a cigarette. Wikipedia does not have an article with this exact name. ... Wiktionary (a portmanteau of wiki and dictionary) is a multilingual, Web-based project to create a free content dictionary, available in over 150 languages. ... This article or section does not cite any references or sources. ... In logic, an argument is a set of statements, consisting of a number of premises, a number of inferences, and a conclusion, which is said to have the following property: if the premises are true, then the conclusion must be true or highly likely to be true. ... A literary genre is one of the divisions of literature into genres according to particular criteria such as literary technique, tone, or content. ... For the topic in theoretical computer science, see Formal grammar Grammar is the study of rules governing the use of language. ... In music, an arrangement refers either to a rewriting of a piece of existing music with additional new material or to a fleshing-out of a compositional sketch, such as a lead sheet. ... Shape (OE. sceap Eng. ... This article does not cite any references or sources. ... A formality is an established procedure or set of specific behaviors and utterances, conceptually similar to a ritual although typically secular and less involved. ... The term formalism describes an emphasis on form over content or meaning in the arts, literature, or philosophy. ... For other uses, see Gospel (disambiguation). ... The word Pharisees comes from the Hebrew פרושים prushim from פרוש parush, meaning separated , that is, one who is separated for a life of purity (Ernest Klein, Comprehensive Etymological Dictionary of the Hebrew Language). ... Good form ( antonym: bad form ) is that which is looked upon as socially correct behaviour or a proper code of conduct. ... Good form ( antonym: bad form ) is that which is looked upon as socially correct behaviour or a proper code of conduct. ... A book is a set or collection of written, printed, illustrated, or blank sheets, made of paper, parchment, or other material, usually fastened together to hinge at one side. ... Two unlit filtered cigarettes. ...

The word form is also applied to certain definite objects: in printing a body of type secured in a chase for printing at one impression (form or forme); a bench without a back, such as is used in schools (perhaps to be compared with the French s'asseoir en forme, to sit in a row); a mould or shape on or in which an object is manufactured; the lair or nest of a hare. From its use in the sense of regulated order comes the application of the term to a class in a school (sixth form, fifth form, etc.); this sense has been explained without sufficient ground as due to the idea of all children in the same class sitting on a single form (bench). England, Wales, Northern Ireland The sixth form, in the English, Welsh and Northern Irish education systems, is the term used to refer to the final two years of secondary schooling (when students are about sixteen to eighteen years of age), during which students normally prepare for their GCE A-level...

Form

Form can also be used to denote a level of preparedness, recent proficiency or success e.g. 'The racehorse's form has been poor of late' to describe a horse's recent racing performance rather than its historic physical form or 'Hossam Ghaly hopes to continue his recent run of good form in the Tottenham Hotspur 1st XI'. This particular meaning of the word 'form' highlights a peculiar unity - harmonious antecedent physical and mental form precipitates fine form in terms of resultant performance as a consequence. Determinism ensures the instantiation of one mode of form necessitates its expression in another mode. Whether this unity is a necessary property of a physically determined world or is simply a synthetic unity of language is open to debate.

Form

Main article: form (document)

Form also refers to a document that is commonly used to request information and data. Forms are available in printed or electronic format, the latter being the most versatile as it enables the user to type the requested information using a computer keyboard and allows them to easily distribute the content contained within using the Internet and email. This article is about the word form meaning a type of document. ...

Form in philosophy

The word has had various usages in philosophy. It has been used to translate the Platonic idea (eidos), the permanent reality which makes a thing what it is, in contrast with the thing's particulars, which are finite and subject to change. Whether Plato understood these forms as actually existent apart from all the particular examples, or as being of the nature of immutable physical laws, is a matter of controversy. For practical purposes, Aristotle was the first to distinguish between matter (hyle) and form (morphe). To Aristotle matter is the undifferentiated primal element: it is rather that from which things develop than a thing in itself. The development of particular things from this germinal matter consists in differentiation, the acquiring of particular forms of which the knowable universe consists (cf. causation for the Aristotelian formal cause). The perfection of the form of a thing is its entelechy in virtue of which it attains its fullest realization of function (De anima, ii. 2). Thus the entelechy of the body is the soul. The origin of the differentiation process is to be sought in a prime mover, i.e. pure form entirely separate from all matter, eternal, unchangeable, operating not by its own activity but by the impulse which its own absolute existence excites in matter. The philosopher Socrates about to take poison hemlock as ordered by the court. ... IDEA may refer to: Electronic Directory of the European Institutions IDEA League Improvement and Development Agency Individuals with Disabilities Education Act Indian Distance Education Association Integrated Data Environments Australia Intelligent Database Environment for Advanced Applications IntelliJ IDEA - a Java IDE Interactive Database for Energy-efficient Architecture International IDEA (International Institute... PLATO was one of the first generalized Computer assisted instruction systems, originally built by the University of Illinois (U of I) and later taken over by Control Data Corporation (CDC), who provided the machines it ran on. ... Aristotle (Greek: Aristotélēs) (384 BC – 322 BC) was a Greek philosopher, a student of Plato and teacher of Alexander the Great. ... Matter is the substance of which physical objects are composed. ... Matter is the substance of which physical objects are composed. ... It has been suggested that this article be split into multiple articles accessible from a disambiguation page. ... The Formal Cause, that according to which the statue is made, is the idea existing in the first place as exemplar in the mind of the sculptor, and in the second place as intrinsic, determining cause, embodied in the matter. ... Entelechy is a philosophical concept of Aristotle. ... With regard to living things, a body is the integral physical material of an individual. ... The soul, according to many religious and philosophical traditions, is the self-aware essence unique to a particular living being. ...

The Aristotelian conception of form was nominally, though perhaps in most cases unintelligently, adopted by the Scholastics, to whom, however, its origin in the observation of the physical universe was an entirely foreign idea. The most remarkable adaptation is probably that of Aquinas, who distinguished the spiritual world with its subsistent forms (formae separatae) from the material with its inherent forms which exist only in combination with matter. Bacon, returning to the physical standpoint, maintained that all true research must be devoted to the discovery of the real nature or essence of things. His induction searches for the true form of light, heat and so forth, analysing the external form given in perception into simpler forms and their differences. Thus he would collect all possible instances of hot things, and discover that which is present in all, excluding all those qualities which belong accidentally to one or more of the examples investigated: the form of heat is the residuum common to all. Kant transferred the term from the objective to the subjective sphere. All perception is necessarily conditioned by pure forms of sensibility, i.e. space and time: whatever is perceived is perceived as having spatial and temporal relations (see Duration; Kant). These forms are not obtained by abstraction from sensible data, nor are they strictly speaking innate: they are obtained by the very action of the mind from the co-ordination of its sensation. Saint Thomas Aquinas (1225 - March 7, 1274) was a Catholic philosopher and theologian in the scholastic tradition, who gave birth to the Thomistic school of philosophy, which was long the primary philosophical approach of the Roman Catholic Church. ... Francis Bacon, 1st Viscount St Alban (22 January 1561 – 9 April 1626) was an English philosopher, statesman, and essayist, but is best known as a philosophical advocate and defender of the scientific revolution. ... Space has been an interest for philosophers and scientists for much of human history. ... A pocket watch, a device used to tell time Look up time in Wiktionary, the free dictionary. ... A duration is an amount of time or a particular time interval. ... “Kant” redirects here. ... abstraction in general. ... Look up innate in Wiktionary, the free dictionary. ...

See also

• Pattern
• The Forms
• Shape

A pattern is a form, template, or model (or, more abstractly, a set of rules) which can be used to make or to generate things or parts of a thing, especially if the things that are generated have enough in common for the underlying pattern to be inferred or discerned... Plato spoke of forms (sometimes capitalized: The Forms) in formulating his solution to the problem of universals. ... Shape (OE. sceap Eng. ...

References

• Richard Middleton. "Form", in Horner, Bruce and Swiss, Thomas, eds. (1999) Key Terms in Popular Music and Culture. Malden, Massachusetts. ISBN 0-631-21263-9.
• Władysław Tatarkiewicz, A History of Six Ideas: an Essay in Aesthetics, translated from the Polish by Christopher Kasparek, The Hague, Martinus Nijhoff, 1980. (Traces the history of key aesthetics concepts, including art, beauty, form, creativity, mimesis, and the aesthetic experience.)