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Encyclopedia > Francesco Guardi
The Lagoon Looking toward Murano from the Fondamenta Nuove (1765-70) Oil on canvas, 31,7 x 52,7 cm Fitzwilliam Museum, Cambridge
The Lagoon Looking toward Murano from the Fondamenta Nuove (1765-70) Oil on canvas, 31,7 x 52,7 cm Fitzwilliam Museum, Cambridge

Francesco Guardi (October 5, 1712- January 1, 1793), Venetian painter, was a pupil of Canaletto, and followed his style so closely that pictures are very frequently attributed to his more celebrated master. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting. Download high resolution version (1021x617, 128 KB)The Lagoon Looking toward Murano from the Fondamenta Nuove by Francesco Guardi (1765-70) Oil on canvas, 31,7 x 52,7 cm Fitzwilliam Museum, Cambridge Source: http://gallery. ... Download high resolution version (1021x617, 128 KB)The Lagoon Looking toward Murano from the Fondamenta Nuove by Francesco Guardi (1765-70) Oil on canvas, 31,7 x 52,7 cm Fitzwilliam Museum, Cambridge Source: http://gallery. ... October 5 is the 278th day of the year (279th in Leap years). ... // Events Treaty of Aargau signed between Catholic and Protestants. ... January 1 is the first day of the calendar year in both the Julian and Gregorian calendars. ... 1793 was a common year starting on Tuesday (see link for calendar). ... Location within Italy Venice (Italian: Venezia), the city of canals, is the capital of the region of Veneto and of the province of Venice, 45°26′ N 12°19′ E, population 271,663 (census estimate 2004-01-01). ... A painter is a person who paints woodwork, walls, etc. ... There were 2 artists who went by the name Canaletto. ...


Nevertheless, the diversity, once perceived, is marked--Canaletto's painting is more solid, architectural, and meticulously etched, while Guardi's style is looser, noticeable for spirited touch, sparkling colour and picturesquely sketched figures--in these respects being fully equal to Canaletto. Guardi sometimes coloured Canaletto's designs. Canaletto is said to have painted the Serene republic rising above the waters of the lagoon; in Guardi, it appears to melt into the fog and murky water.


He had extraordinary facility, three or four days being enough for producing an entire work. The number of his performances is large in proportion to this facility and to the love of gain which characterized him. Many of his works are to be found in England and seven in the Louvre. I.M. Peis Louvre Pyramid: the entrance to the galleries lies below the glass pyramid The Louvre Museum (Musée du Louvre) in Paris, France, is one of the largest and most famous museums in the world. ...

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Francesco Guardi

This article incorporates text from the 1911 Encyclopædia Britannica, which is in the public domain. Wikipedia does not have an article with this exact name. ... The Wikimedia Commons (also called Commons or Wikicommons) is a repository of free content images, sound and other multimedia files. ... Supporters contend that the Eleventh Edition of the Encyclopædia Britannica (1911) represents, in many ways, the sum of knowledge at the beginning of the 20th century. ... The public domain comprises the body of all creative works and other knowledge—writing, artwork, music, science, inventions, and others—in which no person or organization has any proprietary interest. ...


  Results from FactBites:
 
Venetian Painting - Francesco Guardi (1234 words)
AN entry in Gradenigo's diary of 1764, preserved in the Museo Correr, speaks of Francesco Guardi, painter of the quarter of SS.
Francesco Guardi was a son of the Austrian Tyrol, and his mountain ancestry may account, as in the case of Titian, for the freshness and vigour of his art.
Guardi may be considered the originator of small sketches, and perhaps the precursor of those glib little views which are handed about the Piazza at the present day.
Biography (990 words)
Francesco did not learn the profession from his father, who had died when the boy was four years old, but possibly in the studio of his thirteen-year-older brother Gian Antonio.
If this was indeed one of Guardi's earliest vedute, the painter did not follow Canaletto's late style for long; a number of works that can be dated approximately 1760 are characterized by a dark palette, turbulent skies and a charged atmosphere, characteristics that are far more reminiscent of Canaletto's views of the 1720s and 1730s.
Whereas Gian Antonio Guardi, as a history painter, was one of the founders of the Venetian Accademia, his younger brother Francesco was not admitted as a pittore prospettico until 1784, at the age of seventy-one.
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