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Encyclopedia > Frank Kolb

Dr Frank Kolb is a Professor of Ancient History at the University of Tubingen. He has been involved in a controversy over the findings concerning Late Bronze Age in Troy. He accused Professor Dr Manfred Korfmann (who has been leading excavations at the archaeological site of Troy) of deliberately misrepresenting his archaeological findings at Troy. Kolb believes Troy was not an important city, as Korfmann (and others) had suggested as a significant trade centre. However subsequent exacuation by Korfmann in Troy proven Kolb is wrong. Eberhard Karls University of Tübingen (German: Eberhard-Karls-Universität Tübingen) is a state-supported university located on the Neckar river, in the city of Tübingen, Baden-Württemberg, Germany. ... The Bronze Age is a period in a civilizations development when the most advanced metalworking has developed the techniques of smelting copper from natural outcroppings and alloys it to cast bronze. ... Walls of the excavated city of Troy (Turkey) This article is about the city of Troy / Ilion as described in the works of Homer, and the location of an ancient city associated with it. ... Manfred O. Korfmann (born on 26 April 1942 in Cologne - 11 August 2005 in Ofterdingen near Tübingen) was a famous German archaeologist. ...


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  • Projekt Troia

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M.C.R. D'Souza, P.M. Motl, J.E. Tohline, J. Frank, "Numerical Simulations of the Onset and Stability of Mass Transfer in Binaries", Astrophys.
McCormick, and J. Frank, "Evolutionary Effects of Irradiation in Cataclysmic Variables," Astrophys.
Kolb, A.R. King, H. Ritter, and J. Frank, "The Transient Nature of GRO J1655-40 and its Evolutionary State", Astrophys.
Bryn Mawr Classical Review 2002.07.02 (1886 words)
Kolb's aim is not to write a comprehensive work covering all aspects of late imperial ideology but in particular to discuss monarchic representation in late antiquity, a topic that has previously been somewhat overlooked by scholars (pp.
As Kolb notes, although the emperor himself could no longer be regarded as divine, the actual imperial office (watched over by God) still was, which of course magnified the status of the individual holding that office.
As Kolb notes, the style of imperial representation adopted by Constantine, apart from artistic and literary propaganda linking him with Augustus, was largely based upon that of his imperial predecessors, with little overtly Christian symbolism.
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