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Encyclopedia > Future jazz

Nu-jazz (sometimes electro-jazz) was coined in the late 1990s to refer to styles which combine jazz textures and sometimes jazz instrumentation with electronic music. Like the term electronica, nu jazz is a loosely defined umbrella musical style. It ranges from the infusion of live instrumentation to house beats of jazz house exemplified by French St Germain, German Jazzanova and Fila Brazillia from the UK; to more band-based improvised jazz with electronic elements such as that of the British Cinematic Orchestra, and the Norwegian future jazz style pioneered by Bugge Wesseltoft, Jaga Jazzist, Nils Petter Molvær and others.


Nu-jazz typically ventures farther into the electronic territory than does its close cousin, acid jazz (or groove jazz), which is generally closer to earthier funk, soul and rhythm and blues, although releases from noted groove jazz artists such as the Groove Collective blur the distinction between the styles.


See also: brokenbeat.

Jazz | Jazz genres
Avant-jazz - Bebop - Dixieland - Calypso jazz - Cool jazz - Free jazz - Hard bop - Modal jazz - Jazz blues - Gypsy jazz - Chamber jazz - Milo jazz
Soul jazz - Swing jazz - Acid jazz - Jazz fusion - Jazz rap - Nu jazz - Latin jazz - Smooth jazz - Trad jazz - Mini-jazz - Creative jazz
Other topics
Musicians - Jazz standard - Jazz royalty
Electronica
Big beat - Bitpop - Chip - Downtempo - Glitch - IDM - Nu jazz - Post-rock - Trip hop
Other electronic music genres
Ambient | Breakbeat | Electronica | Electronic art music | House | Techno | Trance | Industrial | Synth pop

  Results from FactBites:
 
Compare Prices and Read Reviews on Future Jazz at Epinions.com (1009 words)
Future Jazz appears to be culled from the numerous interviews Mr.
Neither style is jazz, but both are essential to the state of improvised music of today, suggesting quite clearly that boundaries between styles are likely to continue to blur in the future regardless of any efforts to the contrary.
In the final analysis, Future Jazz may succeed as a compendium of interview data and attendant information dealing with progressive musicians, but fails as an analysis of the forces that determine what the future of jazz is likely to be.
JAM Magazine: October/November 1999 Issue: A Vision For the Future (550 words)
Jazz has its well-known history of struggle for respectability and inclusion as a 'legitimate' form of music, but today, there seems to be an unquestionable and far-reaching embrace for this uniquely American art form, as indicated, for example, by the year-long celebration of Duke Ellington's peerless musical legacy.
In addition, there are increasing numbers seen in jazz composition and performance competitions, jazz festivals and summer jazz camps for high school and college students.
As for the 21st century that will soon arrive, jazz will most certainly move forward if we challenge students at an early age to thoroughly engage in the creative processes that are integral to making jazz: spontaneous creativity, composition, purposeful listening, collaborative sharing and exchanging musical ideas.
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