Gaius Lucilius (c. 180 BC - 103 BC), the earliest Roman satirist, of whose writings only fragments remain, was born at Suessa Aurunca in Campania. Centuries: 3rd century BC - 2nd century BC - 1st century BC Decades: 230s BC 220s BC 210s BC 200s BC 190s BC - 180s BC - 150s BC 140s BC 130s BC 120s BC 110s BC Years: 185 BC 184 BC 183 BC 182 BC 181 BC - 180 BC - 179 BC 178 BC... Centuries: 3rd century BC - 2nd century BC - 1st century BC Decades: 150s BC 140s BC 130s BC 120s BC 110s BC - 100s BC - 90s BC 80s BC 70s BC 60s BC 50s BC Years: 108 BC 107 BC 106 BC 105 BC 104 BC - 103 BC - 102 BC 101 BC... Roman or Romans has several meanings, primarily related to the Roman citizens, but also applicable to typography, math, and a commune. ... Satire is a literary technique of writing or art which principally ridicules its subject (individuals, organizations, states) often as an intended means of provoking or preventing change. ... Campania is a region of Southern Italy, bordering on Lazio to the north-west, Molise to the north, Puglia to the north-east, Basilicata to the east, and the Tyrrhenian Sea to the west. ...

The dates assigned by Jerome for his birth and death are 148 BC and 103 BC or 102 BC. But it is impossible to reconcile the first of these dates with other facts recorded of him, and the date given by Jerome must be due to an error, the true date being about 180 BC. For other uses see: Jerome (disambiguation) Jerome (about 340 - September 30, 420), (full name Eusebius Sophronius Hieronymus) is best known as the translator of the Bible from Greek and Hebrew into Latin. ... Centuries: 3rd century BC - 2nd century BC - 1st century BC Decades: 190s BC 180s BC 170s BC 160s BC 150s BC - 140s BC - 130s BC 120s BC 110s BC 100s BC 90s BC Years: 153 BC 152 BC 151 BC 150 BC 149 BC - 148 BC - 147 BC 146 BC... Centuries: 3rd century BC - 2nd century BC - 1st century BC Decades: 150s BC 140s BC 130s BC 120s BC 110s BC - 100s BC - 90s BC 80s BC 70s BC 60s BC 50s BC Years: 108 BC 107 BC 106 BC 105 BC 104 BC - 103 BC - 102 BC 101 BC... Centuries: 3rd century BC - 2nd century BC - 1st century BC Decades: 150s BC 140s BC 130s BC 120s BC 110s BC - 100s BC - 90s BC 80s BC 70s BC 60s BC 50s BC Years: 107 BC 106 BC 105 BC 104 BC 103 BC - 102 BC - 101 BC 100 BC... Centuries: 3rd century BC - 2nd century BC - 1st century BC Decades: 230s BC 220s BC 210s BC 200s BC 190s BC - 180s BC - 150s BC 140s BC 130s BC 120s BC 110s BC Years: 185 BC 184 BC 183 BC 182 BC 181 BC - 180 BC - 179 BC 178 BC...

We learn from Velleius Paterculus that he served under Scipio Aemilianus at the siege of Numantia in 134. We learn from Horace that he lived on the most intimate terms of friendship with Scipio and Laelius, and that he celebrated the exploits and virtues of the former in his satires. Marcus Velleius Paterculus (c. ... Storybook illustration depicting Scipio as the reluctant servant of the Senate as he orchestrated the genocide of the Carthaginians. ... For other people named Horace, see Horace (disambiguation). ... Gaius Laelius, general and statesman, was a friend of the elder Scipio, whom he accompanied on his Spanish campaign (210 BC - 206 BC). ...

Fragments of those books of his satires which seem to have been first given to the world (books xxvi.-xxix.) clearly indicate that they were written in the lifetime of Scipio. Some of these bring the poet before us as either corresponding with, or engaged in controversial conversation with, his great friend. One line "Percrepa pugnam Popilli, facta Corneli cane" in which the defeat of Marcus Popillius Laenas, in 138 BC, is contrasted with the subsequent success of Scipio, bears the stamp of having been written while the news of the capture of Numantia was still fresh. M. Popillius M.f. ... Centuries: 3rd century BC - 2nd century BC - 1st century BC Decades: 180s BC 170s BC 160s BC 150s BC 140s BC - 130s BC - 120s BC 110s BC 100s BC 90s BC 80s BC Years: 143 BC 142 BC 141 BC 140 BC 139 BC - 138 BC - 137 BC 136 BC...

It is in the highest degree improbable that Lucilius served in the army at the age of fourteen; it is still more unlikely that he could have been admitted into the familiar intimacy of Scipio and Laelius at that age. It seems a moral impossibility that between the age of fifteen and nineteen--i.e. between 133 BC and 129 BC, the year of Scipio's death--he could have come before the world as the author of an entirely new kind of composition, and one which, to be at all successful, demands especially maturity of judgment and experience. Centuries: 3rd century BC - 2nd century BC - 1st century BC Decades: 180s BC 170s BC 160s BC 150s BC 140s BC - 130s BC - 120s BC 110s BC 100s BC 90s BC 80s BC Years: 138 BC 137 BC 136 BC 135 BC 134 BC - 133 BC - 132 BC 131 BC... Centuries: 3rd century BC - 2nd century BC - 1st century BC Decades: 170s BC 160s BC 150s BC 140s BC 130s BC - 120s BC - 110s BC 100s BC 90s BC 80s BC 70s BC Years: 134 BC 133 BC 132 BC 131 BC 130 BC - 129 BC - 128 BC 127 BC...

It may further be said that the well-known words of Horace (Satires, ii. 1, 33), in which he characterizes the vivid portraiture of his life, character and thoughts, which Lucilius bequeathed to the world, "quo fit ut omnis Votiva pateat veluti descripta tabella Vita senis," lose much of their force unless senis is to be taken in its ordinary sense--which it cannot be if Lucilius died at the age of forty-six.

He spent the greater part of his life at Rome, and died, according to Jerome, at Naples. Lucilius belonged to the equestrian order, a fact indicated by Horaces notice of himself as infra Lucili censum. Though not himself belonging to any of the great senatorial families, he was in a position to associate with them on equal terms. This circumstance contributed to the boldness, originality and thoroughly national character of his literary work. Had he been a semi-Graecus, like Ennius and Pacuvius, or of humble origin, like Plautus, Terence or Accius, he would scarcely have ventured, at a time when the senatorial power was strongly in the ascendant, to revive the rôle which had proved disastrous to Naevius; nor would he have had the intimate knowledge of the political and social life of his day which fitted him to be its painter. Another circumstance determining the bent of his mind was the character of the time. The origin of Roman political and social satire is to be traced to the same disturbing and disorganizing forces which led to the revolutionary projects and legislation of the Gracchi. Quintus Ennius (239 - 169 BC) was a writer during the period of the Roman Republic, and is often considered the father of Roman poetry. ... Titus Maccius Plautus was a comic playwright of the Roman Republic. ... Publius Terentius Afer, better known as Terence, was a comic playwright of the Roman Republic. ... Lucius Accius, a Roman tragic poet, the son of a freedman, was born at Pisaurum in Umbria, in 170 BC. The year of his death is unknown, but he must have lived to a great age, since Cicero (Brutus, 28) speaks of having conversed with him on literary matters. ... Naevius was the nomen for the plebeian gens Naevia of ancient Rome. ... The Gracchi were a noble plebeian family of ancient Rome. ...

The reputation which Lucilius enjoyed in the best ages of Roman literature is proved by the terms in which Cicero and Horace speak of him. Persius, Juvenal and Quintilian vouch for the admiration with which he was regarded in the first century of the empire. The popularity which he enjoyed in his own time is attested by the fact that at his death, although he had filled none of the offices of state, he received the honour of a public funeral. His chief claim to distinction is his literary originality. He may be called the inventor of poetical satire, as he was the first to impress upon the rude inartistic medley, known to the Romans by the name of satura, that character of aggressive and censorious criticism of persons, morals, manners, politics, literature, etc. which the word satire has ever since denoted. Marcus Tullius Cicero (January 3, 106 BC – December 7, 43 BC) was an orator and statesman of Ancient Rome, and is generally considered the greatest Latin prose stylist. ... Persius, in full Aulus Persius Flaccus (AD 34-62), was a Roman poet and satirist. ... Juvenal (Decimus Iunius Iuvenalis) was a Roman satiric poet of the 1st century AD. Very little is known about his life, the ancient biographies being generally fictitious. ... Marcus Fabius Quintilianus (c. ...

In point of form the satire of Lucilius owed nothing to the Greeks. It was a legitimate development of an indigenous dramatic entertainment, popular among the Romans before the first introduction of the forms of Greek art among them; and it seems largely also to have employed the form of the familiar epistle. But the style, substance and spirit of his writings were apparently as original as the form. He seems to have commenced his poetical career by ridiculing and parodying the conventional language of epic and tragic poetry, and to have used the language commonly employed in the social intercourse of educated men. Even his frequent use of Greek words, phrases and quotations, reprehended by Horace, was probably taken from the actual practice of men, who found their own speech as yet inadequate to give free expression to the new ideas and impressions which they derived from their first contact with Greek philosophy, rhetoric and poetry. Classical (or early) Greek philosophy focused on the role of reason and inquiry. ... Rhetoric (from Greek ρητωρ, rhêtôr, orator) is one of the three original liberal arts or trivium (the other members are dialectic and grammar). ... Poetry (ancient Greek: poieo = create) is an art form in which human language is used for its aesthetic qualities in addition to, or instead of, its notional and semantic content. ...

Further, he not only created a style of his own, but, instead of taking the substance of his writings from Greek poetry, or from a remote past, he treated of the familiar matters of daily life, of the politics, the wars, the administration of justice, the eating and drinking, the money-making and money-spending, the scandals and vices, which made up the public and private life of Rome in the last quarter of the 2nd century BC. This he did in a singularly frank, independent and courageous spirit, with no private ambition to serve, or party cause to advance, but with an honest desire to expose the iniquity or incompetence of the governing body, the sordid aims of the middle class, and the corruption and venality of the city mob. There was nothing of stoical austerity or of rhetorical indignation in the tone in which he treated the vices and follies of his time. (3rd century BC - 2nd century BC - 1st century BC - other centuries) (2nd millennium BC - 1st millennium BC - 1st millennium AD) Events BC 168 Battle of Pydna -- Macedonian phalanx defeated by Romans BC 148 Rome conquers Macedonia BC 146 Rome destroys Carthage in the Third Punic War BC 146 Rome conquers...

His character and tastes were much more akin to those of Horace than of either Persius or Juvenal. But he was what Horace was not, a thoroughly good hater; and he lived at a time when the utmost freedom of speech and the most unrestrained indulgence of public and private animosity were the characteristics of men who took a prominent part in affairs. Although Lucilius took no active part in the public life of his time, he regarded it in the spirit of a man of the world and of society, as well as a man of letters. His ideal of public virtue and private worth had been formed by intimate association with the greatest and best of the soldiers and statesmen of an oldergeneration.

The remains of Lucilius extend to about eleven hundred, mostly unconnected lines, most of them preserved by late grammarians, as illustrative of peculiar verbal usages. He was, for his time, a voluminous as well as a very discursive writer. He left behind him thirty books of satires, and there is reason to believe that each book, like the books of Horace and Juvenal, was composed of different pieces. The order in which they were known to the grammarians was not that in which they were written. The earliest in order of composition were probably those numbered from xxvi. to xxix., which were written in the trochaic and iambic metres that had been employed by Ennius and Pacuvius in their Saturae. A trochee is a metrical foot used in formal poetry. ... An iamb is a metrical foot used in formal poetry. ...

In these he made those criticisms on the older tragic and epic poets of which Horace and other ancient writers speak. In them too he speaks of the Numantine War as recently finished, and of Scipio as still living. Book i., on the other hand, in which the philosopher Carneades, who died in 128, is spoken of as dead, must have been written after the death of Scipio. Carneades (c. ... Centuries: 3rd century BC - 2nd century BC - 1st century BC Decades: 170s BC 160s BC 150s BC 140s BC 130s BC - 120s BC - 110s BC 100s BC 90s BC 80s BC 70s BC Years: 133 BC 132 BC 131 BC 130 BC 129 BC - 128 BC - 127 BC 126 BC...

Most of the satires of Lucilius were written in hexameters, but, so far as an opinion can be formed from a number of unconnected fragments, he seems to have written the trochaic tetrameter with a smoothness, clearness and simplicity which h never attained in handling the hexameter. The longer fragments produce the impression of great discursiveness and carelessness, but at the same time of considerable force. He appears, in the composition of his various pieces, to have treated everything thai occurred to him in the most desultory fashion, sometimes adopting the form of dialogue, sometimes that of an epistle or an imaginary discourse, and often to have spoken in his own name, giving ar account of his travels and adventures, or of amusing scenes that he had witnessed, or expressing the results of his private meditationr and experiences. Hexameter is a literary and poetic form, consisting of six metrical feet per line as in the Iliad. ...

Like Horace he largely illustrated his own obser vations by personal anecdotes and fables. The fragments clearly show how often Horace has imitated him, not only in expression, but in the form of his satires (see for instance i. 5 and ii. 2), in the topict which he treats of, and the class of social vices and the types of character which he satirizes.

This article incorporates text from the public domain 1911 Encyclopædia Britannica. The public domain comprises the body of all creative works and other knowledge—writing, artwork, music, science, inventions, and others—in which no person or organization has any proprietary interest. ... The Eleventh Edition of the Encyclopædia Britannica ( 1911) in many ways represents the sum of knowledge at the beginning of the 20th century. ...