Rickey was able to design sculptures whose metal parts moved in response to the slightest air currents. These parts were often very large, sometimes weighing hundreds of pounds.
In works such as Two Open Triangles, Gyratory II Rickey's two wind driven elements [geared down so that in high winds the piece does not need to be renamed The Sabre Dance of Death] provide an endless series of combined, almost dance like, shapes and movements.
Rickey was able to design sculptures whose metal parts moved in response to the slightest air currents.
In works such as Two Open Triangles, Gyratory II Rickey's two wind driven elements [geared down so that in high winds the piece does not need to be renamed The Sabre Dance of Death] provide an endless series of combined, almost dance like, shapes and movements.