Mozart's GermansingspielThe Magic Flute (1791) stands at the head of a German opera tradition that was developed in the 19th century by Beethoven, Weber, Heinrich Marschner and Wagner. Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (January 27, 1756 – December 5, 1791) was one of the most significant and influential of all composers of Western classical music. ... Singspiel is form of German-language musical drama, similar to opera, but with a lot of spoken dialog and simpler, folk-like, strophic songs. ... Die Zauberflöte (English title: The Magic Flute) is an opera in two acts by Wolfgang Amadeus Mozart, with libretto in German by Emanuel Schikaneder. ... 1791 was a common year starting on Saturday (see link for calendar). ... This article is about opera as an art form. ... Alternative meaning: Nineteenth Century (periodical) (18th century — 19th century — 20th century — more centuries) As a means of recording the passage of time, the 19th century was that century which lasted from 1801-1900 in the sense of the Gregorian calendar. ... Ludwig van Beethoven Ludwig van Beethoven (baptized December 17, 1770 – March 26, 1827) was a German composer of Classical music, the predominant musical figure in the transitional period between the Classical and Romantic eras. ... Carl Maria Friedrich Ernest von Weber ( November 18, 1786 – June 5, 1826) was a German composer, born at Eutin, near Lübeck. ... Heinrich Marschner (b. ... Richard Wagner Wilhelm Richard Wagner (May 22, 1813 – February 13, 1883) was an influential German composer, music theorist, and essayist, primarily known for his groundbreaking symphonic-operas (or music dramas). His compositions are notable for their continuous contrapuntal texture, rich harmonies and orchestration, and elaborate use of leitmotifs: themes associated...
Wagner pioneered a through-composed style, in which recitative and aria blend into one another and are constantly accompanied by the orchestra. Wagner also made copious use of the leitmotif (Weber had used a similar device earlier), a musical device which associates a musical line with each character or idea in the story. Music of Central Europe Music of Austria Music of the Czech Republic Music of Germany Music of Hungary Music of Liechtenstein Music of Poland Music of Slovakia Music of Slovenia Music of Switzerland Categories: Central European music ... Recitative, a form of composition often used in operas, oratorios, cantatas and similar works, is described as a melodic speech set to music, or a descriptive narrative song in which the music follows the words. ... This article is about the musical term aria. ... Orchestra at City Hall (Edmonton). ... A leitmotif (also spelled leitmotiv) is a recurring musical theme, associated within a particular piece of music with a particular person, place or idea. ...
Opera refers to a dramatic art form, originating in Europe, in which the emotional content is conveyed to the audience as much through music, both vocal and instrumental as it is through the lyrics.
Traditional opera consists of two modes of singing: recitative, the dialogue and plot-driving passages often sung in a non-melodic style characteristic of opera, and aria, during which the movement of the plot often pauses, with the music becoming more melodic in character and the singer focusing on one or more topics or emotional affects.
The bel canto opera movement flourished in the early 19th century and is exemplified by the operas of Rossini, Bellini, and Donizetti.
Officially, French opera began in 1669 with the establishment of the Académie royale de Musique, which was taken over by Jean Baptiste Lully in 1672 after the bankruptcy of its founders.
The ballad opera eventually led to the singspiel, the German comic opera with spoken dialogue, which was to reach its highest development in the works of Wolfgang Amadeus Mozart.
These operas, although somewhat limited in melodic invention, fused in their plots the natural and the supernatural and paved the way for the grandiose music dramas of Richard Wagner, who also wrote his own librettos.
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