Look up Gesamtkunstwerk in Wiktionary, the free dictionary.
Gesamtkunstwerk ("total work of art" or "complete artwork") is a German term attributed to the Germanopera composer Richard Wagner which refers to an operatic performance encompassing music, theater, and the visual arts. Wagner felt that in ancient Greek tragedy, these had been fused, but at some point they drifted apart — he was critical of current opera which he felt emphasized the music too heavily and did not contain quality drama. Wikipedia does not have an article with this exact name. ... Wiktionary is a Wikimedia Foundation project intended to be a free wiki dictionary (hence: Wiktionary) (including thesaurus and lexicon) in every language. ... The Teatro alla Scala in Milan. ... Richard Wagner Wilhelm Richard Wagner (May 22, 1813 – February 13, 1883) was an influential German composer, conductor, music theorist, and essayist, primarily known for his operas (or music dramas as he later came to call them). ...
The term, which might also be translated "synthesis of the arts," is commonly used (especially by Germans) to describe any integration of multiple art forms.
The term is also used in architecture to describe a building where every part is designed to be part of a whole.
Wagner placed great importance on "mood setting" elements, such as a darkened theater, sound effects, and seating arrangements which focused the attention of the audience on the stage, completely immersing them in the imaginary world of the music drama. These concepts were revolutionary at the time, but they have since come to be taken for granted in the modern operatic environment.
Look up Gesamtkunstwerk in Wiktionary, the free dictionary.
Gesamtkunstwerk ("total work of art", or "complete-art work") is a German term attributed to the German opera composer Richard Wagner which refers to an operatic performance which encompasses music, theater, and the visual arts.
He felt that in ancient Greek tragedy, these had been fused, but at some point they drifted apart — he was critical of current opera which he felt emphasized the music too heavily and did not contain quality drama.
This was believed to be the case during the last decades of the nineteenth century as the idea of the Gesamtkunstwerk evolved within the Zeitgeist of time and space that permeated European artistic thought at this time.
In the spirit of that age, the Gesamtkunstwerk was believed to constitute a fusion of all arts, that would exhibit profound aesthetic resonance and even present itself as a metaphysical epiphany.
As people become more used to Gesamtkunstwerk in which the motion of a sound source becomes an important and expected component of a piece, listeners will come to desire this in situations where there is no visual media.
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