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Encyclopedia > Giovanni Caccini

Giovanni Battista Caccini (1556 — ca. 1612-14) was a Florentine sculptor working in a classicising style in the later phase of Mannerism. He was born at Montopoli in Val d'Arno between Florence and Pisa; his training was with the sculptor-architect Giovanni Antonio Dosio, known for his accurate drawings of Roman antiquities, and Caccini's numerous interpretive restorations of Roman sculptural fragments gave him the reputation of being a knowledgable antiquarian, while the inescapable influence of Giambologna and his circle can be seen in Caccini's bronze statuettes.[1] Caccini was in close cooperation with Pietro Tacca and the rest of Giambologna's pupils in the prolonged cooperation over the bronze doors for the Pisa cathedral. Classicism door in Olomouc, The Czech Republic Teatr Wielki in Warsaw Church La Madeleine in Paris Classicism, in the arts, refers generally to a high regard for classical antiquity, as setting standards for taste which the classicist seeks to emulate. ... In Parmigianinos Madonna with the Long Neck (1534-40), Mannerism makes itself known by elongated proportions, affected poses, and unclear perspective. ... Country Italy Region Tuscany Province Province of Pisa (PI) Mayor Elevation 98 m Area 29. ... Antiquity means different things: Generally it means ancient history, and may be used of any period before the Middle Ages. ... An antiquarian or antiquary is one concerned with antiquities or things of the past. ... Portrait of Giovanni Bologna by Hendrick Goltzius Giambologna, born as Jean Boulogne, also known as Giovanni Da Bologna and Giovanni Bologna (1529 - 1608) was a sculptor who best known for his marble statuary and works in bronze. ... Pietro Tacca (Carrara September 16, 1557 – Florence 1640) was a Florentine sculptor, the chief pupil and follower of Giambologna, whose atelier he joined in 1592. ... The Campo dei Miracoli (Field of Miracles) is a wide, walled area at the heart of the city of Pisa, Tuscany, Italy ( ), recognized as one of the main centers for medieval art in the world. ...


Fragmentary antiquities were not to the sixteenth-century collectors' taste. Caccini produced a head for an antique torso, and a further, crouching figure to produce the Bacchus and Ampelos in the Uffizi, which was once attributed to Michelangelo.[2] He restored a fragmentary Apollo Sauroctonos as an Apollo with the Lyre (Uffizi). He could also improvise on antique themes: The biographer of artists Rafaello Borghini reported in 1730 that "In truth he was highly skilled in diligently putting together pieces, and counterfeiting, the Antique."[3]


His garden sculptures produced the required bold silhouttes and copious attributes that the genre requires.


As an architect, his notable work is the portico of the Santissima Annunciata, Florence (1601).


Selected works

The Rijksmuseum Rembrandt van Rijn: The Night Watch 1642 Johannes Vermeer: Milkmaid 1658-1660 Frans Hals: Portrait of a Young Couple The Rijksmuseum (IPA: ; Dutch for National Museum) is a national museum of the Netherlands, located in Amsterdam on the Museumplein. ... Metropolitan Museum of Art New York Elevation The Metropolitan Museum of Art, often referred to simply as The Met, is one of the worlds largest and most important art museums. ... Palazzo Vecchio The Palazzo Vecchio is the town hall of Florence, Italy. ... A Ciborium is a container, used in Roman Catholic, Anglican, and related Churches rituals to store Holy Communion. ... The Church of Santa Maria del Santo Spirito (St. ... The Boboli Gardens is a famous park in Florence, Italy that is home to a small but distinguished collection of sculptures. ... The Boboli Gardens is a famous park in Florence, Italy that is home to a small but distinguished collection of sculptures. ...

Notes

  1. ^ Martin Weinberger, "Bronze Statuettes by Giovanni Caccini" The Burlington Magazine for Connoisseurs 58 No. 338 (May 1931), pp. 230-233+235. (A Bacchus and Ceres in the Musée Jacquemart-André, Paris; an ex-Medici Bacchus in the Bargello)
  2. ^ The group was recognized as Caccini's by Alois Grünwald, "Uber einige unechte Werke Michelangelo's," Münchner Jahrbuch der bildenden Kunst (1910) p. 11ff.
  3. ^ Borghini, Il Riposo (Florence 1730), "E di vero molto vale nel commeter con diligenza pezzi insieme, e contrafar, l'antico". Martin Weiberger illuminated this aspect of Caccini's working career in "A sixteenth-century restorer" The Art Bulletin 27 (1945), pp 266-69.
  4. ^ C. Caneva, The Boboli Gardens 1982, p. 42, no. 38.; attributed in Louis Alexander Waldman, "A Case of Mistaken Identity: The Martellini Jupiter by Giovanni di Scherano Fancelli" The Burlington Magazine 140 No. 1149 (December 1998, pp. 788-798) p. 789.

  Results from FactBites:
 
Giulio Caccini - Wikipedia, the free encyclopedia (918 words)
With Caccini's abilities as a singer, instrumentalist, and composer added to the mix of intellects and talents, the Camerata developed the concept of monody—an emotionally affective solo vocal line, accompanied by relatively simple chordal harmony on one or more instruments—which was a revolutionary departure from the polyphonic practice of the late Renaissance.
Caccini's character seems to have been less than perfectly honorable, as he was frequently motivated by envy and jealousy, not only in his professional life but for personal advancement with the Medici.
Caccini's achievement was to create a type of direct musical expression, as easily understood as speech, which later developed into the operatic recitative, and which influenced numerous other stylistic and textural elements in Baroque music.
Giovanni Battista Caccini ( - ) Artwork Images, Exhibitions, Reviews (262 words)
Giovanni Battista Tiepolo, Cherub, circa 1740 - 1745
Giovanni Battista Canossa, Pilate and the Pharisees, 1706
Giovanni Battista Caccini / Phalaris and the Bull of Perillus / 1590/1600
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