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Encyclopedia > Gnossiennes

The Gnossiennes are two series of three piano pieces by the famous French composer Erik Satie. Eric Alfred Leslie Satie (Honfleur, 17 May 1866 – Paris, 1 July 1925) was a French composer and pianist. ...



The fourth gnossienne is frequently considered the most notable of the six. Composed in A Minor, it features a bass line centred around an A Major Chord VI (F) sounding D, A, D, F, A, D, F, D, A, F, D, A, D. The bass part then transposes into a C Minor Chord I ostinato following the pattern G, G, C, Eb, G, C, G, C, G, Eb, C, G, C. Section B, often considered a musically inspired section, uses semiquavers to contrast the Minor melody of Section A.


Notably, the first three Gnossienes are without time signatures or bar lines.

  • http://www.pianosociety.com/index.php?id=91

  Results from FactBites:
 
Trois Gnossiennes - Erik Satie - Piano Society (463 words)
The 'trois Gnossiennes' (1890) is a set of dance-like pieces of similar character, like the earlier composed 'trois Sarabandes' (1887) and 'trois Gymnopédies' (1888).
The 'trois Gnossiennes' were first published by Satie as a set through Rouart, Lerolle and Cie.
The piece known as the fourth Gnossienne was composed in 1891, the fifth in 1889 and the sixth in 1897.
Gnossienne - Wikipedia, the free encyclopedia (825 words)
Gnossienne is the name given to several piano pieces by Erik Satie, composed in the late 19th century.
The word "gnossienne" appears to be derived from the word gnosis, which doesn't appear too surprising since Satie was involved in gnostic sects and movements at the time when starting to compose Gnossiennes.
The Gnossiennes were composed by Satie in the decade following the composition of the Trois Sarabandes (1887) and the Trois Gymnopédies (1888).
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