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This version of Gojira was heavily edited to appease to American audiences, resulting in a film ignoring the messages made in the original.
For example, Serizawa appears to be the stereotypical cinematic "mad scientist," lowering the meaning of his self-sacrifice at the end of the film, and Godzilla is a giant "on the loose" pest rather thanan allegory of atomic warfare.
Gojira is a deep, dark, allegorical movie about the end of the world (Kalat 13).
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