Lindy Hoppers at a Jitterbug contest in 1942.

The History of Lindy Hop begins in the African American communities of Harlem, New York during the late 1920s in conjunction with swing jazz. Lindy Hop is closely related to earlier African American vernacular dances but quickly gained its own fame through dancers in films, performances, competitions, and professional dance troupes. It became especially popular in the 1930s with the invention of aerials. The popularity of Lindy Hop declined after World War II, and the dance remained dormant until revived by European and American dancers in the 1980s. Image File history File linksMetadata JitterbugFSA_1. ... Image File history File linksMetadata JitterbugFSA_1. ... The Jitterbug is a swing dance, a subset of Lindy Hop, with an emphasis on 6-count moves and fast spins. ... Year 1942 (MCMXLII) was a common year starting on Thursday (the link will display the full 1942 calendar) of the Gregorian calendar. ... Dancing the Lindy Hop at the Sacramento Jazz Jubilee, Sacramento, California, USA (2006) Lindy Hop is an African American dance that evolved in New York City in 1927. ... An African American (also Afro-American, Black American, or simply black) is a member of an ethnic group in the United States whose ancestors, usually in predominant part, were indigenous to Africa. ... For other uses, see Harlem (disambiguation). ... New York, New York and NYC redirect here. ... Swing music, also known as swing jazz, is a form of jazz music that solidified as a distinctive style during the 1930s in the United States. ... African American vernacular dances are those dances which have developed 0within African American communities in everyday spaces, rather than in dance studios, schools or companies. ... An aerial (or air step) is a dance move where someones feet leave the floor. ... Combatants Allied powers: China France Great Britain Soviet Union United States and others Axis powers: Germany Italy Japan and others Commanders Chiang Kai-shek Charles de Gaulle Winston Churchill Joseph Stalin Franklin Roosevelt Adolf Hitler Benito Mussolini Hideki Tōjō Casualties Military dead: 17,000,000 Civilian dead: 33,000...

Early influences (1900s-1920s)

Lindy Hop combined a number of dances popular in the United States in the 1920s and earlier, many of which developed in African American communities. Just as jazz music emerged as a dominant art form that could absorb and integrate other forms of music, Lindy Hop could absorb and integrate other forms of dance. This hybridity is characteristic of vernacular dances, in which forms and steps are adapted and developed to suit the social and cultural needs of its participants in everyday spaces. Therefore, Lindy Hop was not originally the creative or economic project of formal dance academies or institutions. The 1920s they were sexy referred to as the Jazz Age or the Roaring Twenties, usually applied to America. ... An African American (also Afro-American, Black American, or simply black) is a member of an ethnic group in the United States whose ancestors, usually in predominant part, were indigenous to Africa. ... For other uses, see Jazz (disambiguation). ... Hybridity refers in its most basic sense to mix. ... Vernacular dances are dances which have developed naturally as a part of everyday culture within a particular community. ...

Lindy Hop's genealogy can be seen in the ideological themes, social uses, and specific steps that it has absorbed during its development. For many Lindy Hop historians, the Charleston is Lindy Hop's most influential predecessor, and Lindy Hop's basic footwork and timing reflects that of the Charleston. The transition from Charleston to Lindy Hop was facilitated by the Breakaway, a partner dance which introduced the 'throw out' and 'open position' of dances such as the Texas Tommy to the 'closed position' and footwork of partnered Charleston. The development of Breakaway is largely associated with the dancer Shorty George Snowden in the late 1920s. Genealogy (from Greek: γενεα, genea, family; and λόγος, logos, knowledge) is the study and tracing of family pedigrees. ... Josephine Baker dancing the Charleston at the Folies Bergère, Paris, in 1926 A USPS stamp from the Celebrate the Century series: Flappers Doing the Charleston by John Held Jr. ... From 1919 to 1927, Breakaway was a popular swing dance developed from the Texas Tommy. ... Texas Tommy Are you interested in Texas Tommy (dance), or the Texas Tommy (food)? This is a disambiguation page—a list of articles associated with the same title. ... Shorty George Snowden was an African-American dancer in Harlem during the 1920s and 1930s. ...

As jazz music in the late 1920s changed, so did jazz dances. The swung note of swinging jazz encouraged dancers to introduce a 'delay' in their timing which influenced the execution of footwork and approaches to tempo within Charleston and Breakaway. This article includes a list of works cited or a list of external links, but its sources remain unclear because it lacks in-text citations. ...

Classic era (1927 to 1935)

Harlem and the birth of Lindy Hop

The Harlem Renaissance of the 1920s raised the profile of African American vernacular culture in white communities within the United States, particularly in New York. The popularity of African American dance and music fed what became a fascination with the somewhat illicit nature of the ghettoised area. White patronage in the area brought much-need income to the bars, clubs and theaters of Harlem, as well as work for black artists in a city increasingly belabored by economic depression. The Harlem Renaissance was named after the anthology The New Negro, edited by Alain Locke in 1925. ... This article is about the state. ... For the rapper, see Ghetto (rapper). ... In macroeconomics, a recession is a decline in a countrys real gross domestic product (GDP), or negative real economic growth, for two or more successive quarters of a year. ...

Upper and middle class white audiences were exposed to Harlem's working class entertainment, at first through white audiences attending black venues and shows in Harlem, but later through traveling shows, popular music and cinema and prompting a mainstream thirst for "black" cultural forms. By the time dances such as the Lindy Hop reached mainstream white audiences, however, they had often been reworked by white teachers and film studios to accord with the aesthetics and social values of white mainstream America. White dancers such as Dean Collins in Hollywood films played pivotal roles in popularizing Lindy Hop, and Collins' dancing not only spread the form across the United States, but also provided less 'risque' versions for more conservative American palates. Look up mainstream in Wiktionary, the free dictionary. ... Aesthetics is commonly perceived as the study of sensory or sensori-emotional values, sometimes called judgments of sentiment and taste. ... Dean Collins, born Saul Cohen on May 29, 1917, in Columbus, Ohio, was an American dancer, instructor, choreographer, and innovator of swingdance. ...

Harlem's increasing popularity as an entertainment district, as well as a vibrant creative center for African Americans in the 1920s and 30s eventually saw both the creation and popularizing of Lindy Hop, both in social dance spaces and on the stage.

Origin of the name 'Lindy Hop'

The origins of the name 'Lindy Hop' are much debated in Lindy Hop communities today, but Frankie Manning and Norma Miller are alive today to give much appreciated insights.

In one account it is argued that, in the slang of the late 19th and early 20th centuries, a 'Lindy' was a young woman.^{[citation needed]} The word "hop" was documented as early as 1913 as a term for swing dancing and was also, apparently, a term used by early Texas Tommy dancers to describe the basic move for their dance.^{[citation needed]} Texas Tommy Are you interested in Texas Tommy (dance), or the Texas Tommy (food)? This is a disambiguation page—a list of articles associated with the same title. ...

In a more influential account, however, popular legend has it that dancer "Shorty" George Snowden renamed the breakaway dance as the Lindy Hop in a dance contest. In this version, Snowden was one of the 24 couples that competed in a negro dance marathon that began on June 17, 1928 at the Manhattan Casino, a ballroom that was located at 8th Avenue and 155th Street in Harlem.^[1] During the contest "as he remembers it - Snowden decided to do a breakaway, that is, fling his partner out and improvise a few solo steps of his own. In the midst of the monotony of the marathon, the effect was electric, and even the musicians came to life. ...Fox Movietone News arrived to cover the marathon and decided to take a close-up of Shorty's feet" and an interviewer then asked him "What are you doing with your feet?" Snowden, "without stopping, replied 'The Lindy'" ^[2]a For other uses, see Legend (disambiguation). ... Shorty George Snowden was an African-American dancer in Harlem during the 1920s and 1930s. ... From 1919 to 1927, Breakaway was a popular swing dance developed from the Texas Tommy. ... This article is about Dance Marathon fundraisers. ...

Whether Snowden intended it or not, Lindy Hop was associated with Charles Lindbergh's transatlantic airplane flight, completed in 1927. "Lindy" was the aviator's nickname. The reporter interviewing Snowden apparently tied the name to Charles Lindbergh to gain publicity and further his story. While Lindbergh's trans-Atlantic flight may or may not have inspired the name "Lindy Hop", the association between the aviator, George Snowden and the dance continues in Lindy Hop folklore. Charles Augustus Lindbergh (4 February 1902 – 26 August 1974) (aka Lucky Lindy; The Lone Eagle) was an American aviator who was made world famous by being the pilot of the first non-stop flight across the Atlantic made solo from Roosevelt Field, Long Island to Paris on 20 May-21... This article does not cite any references or sources. ...

Often referred to as the "first generation" of Lindy Hop, dancers such as George Snowden, Leroy "Stretch" Jones, Twistmouth George and Edith Matthews inspired many other dancers and troupes (including Frankie Manning) to take up Lindy Hop. Twistmouth George and Matthews are credited with inventing the "twist" that characterises the first few steps of the follower's footwork in the Swingout. By the end of the classic era Lindy Hop was danced across Harlem in ballrooms, night clubs, cabaret clubs, rent parties, private apartments, and street parties — almost anywhere people came together with music to dance. Shorty George Snowden was an African-American dancer in Harlem during the 1920s and 1930s. ... Frankie Manning in Herräng, 2005 Frankie Manning or Frankie Musclehead Manning, born Frank Manning in Jacksonville, Florida, on May 26, 1914, is an American dancer, instructor and choreographer. ... It has been suggested that Lindy Basic be merged into this article or section. ... A ballroom is a large room inside a building, the designated puprose of which is holding dances (balls). ... A nightclub (often dance club or club, particularly in the UK) is an entertainment venue which does its primary business after dark. ... Cabaret is a form of entertainment featuring comedy, song, dance, and theatre, distinguished mainly by the performance venue — a restaurant or nightclub with a stage for performances and the audience sitting around the tables (often dining or drinking) watching the performance. ... For a rent party (sometimes called a house party or house-rent party), tenants hire a musician or band to play for a party and pass the hat to raise money to pay their rent. ... This article is about the structure. ... In its conventional sense, a street party is just what it says: a party taking place on a road. ...

Aerials era (1935 to 1941)

Lindy Hop at an Elk's Club dance.

In 1935 Lindy Hop - with swing music - had became increasingly popular throughout America, attributable in part to the success of musicians such as Benny Goodman, Count Basie, and Chick Webb. Image File history File linksMetadata JitterbugElks_1. ... Image File history File linksMetadata JitterbugElks_1. ... Benny Goodman, born Benjamin David Goodman[1] , (May 30, 1909 – June 13, 1986) was an American jazz musician and virtuoso clarinetist, known as King of Swing, Patriarch of the Clarinet, The Professor, and Swings Senior Statesman. // Goodman was born in Chicago, the ninth of twelve children of poor Jewish... William Count Basie (August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. ... William Henry Webb, usually known as Chick Webb (February 10, 1909–June 16, 1939) was a jazz and swing music drummer as well as a band leader. ...

Ballrooms across the United States hosted the big bands of the day, with Chick Webb leading one of the most popular at the Savoy Ballroom. It was with his orchestra that the teenage Ella Fitzgerald first gained fame. These ballrooms continued a national tradition of sponsoring contests where dancers invented, tested and displayed new steps for prizes. At first banning lindy hoppers because they took more space than other dancers and often kicked nearby couples, the Savoy eventually relented and welcomed them as an attraction for other guests.^[3] As the 'Home of Happy Feet', the Savoy became the hottest ballroom in New York City, if not the world. William Henry Webb, usually known as Chick Webb (February 10, 1909–June 16, 1939) was a jazz and swing music drummer as well as a band leader. ... The Savoy Ballroom located in Harlem, New York City, was a medium sized ballroom for music and public dancing that was in operation from 1926 to 1958. ... Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996), also known as Lady Ella and the First Lady of Song, is considered one of the most influential jazz vocalists of the 20th Century. ...

The first air steps

Head bouncer at the Savoy Herbert "Whitey" White (an African American man nicknamed for a white streak in his hair) managed a team of local dancers that included George Snowden. White arranged for dancers to perform at professional engagements, including parties and shows, all over the city and country. George Snowden's absence from the ballroom with these performances gave a new generation of dancers the opportunity to shine, Frankie Manning among them. With the most popular dancers returning to the Savoy between engagements, rivalries soon developed between different groups, particularly between Shorty George and his friends and newer dancers such as Manning. These rivalries were often played out in formal competitions between groups. It was at one such competition that the first air steps were performed.

Since the beginning of jazz dance, acrobatics were an essential part of vernacular dance, commonly known as flash dancers who toured with bands across United States during the first part of the 20th century. In the early 1930s, however, they had not yet been introduced to Lindy Hop. The precise history of events cannot be ascertained, yet the most popular story of the development of aerial steps in Lindy Hop is told by still-living (and so most influential) dancer Frankie Manning. Jazz dancers. ... High wire act Acrobatics (from Greek Akros, high and bat, walking) is one of the performing arts, and is also practiced as a sport. ... Vernacular dances are dances which have developed naturally as a part of everyday culture within a particular community. ...

Determined to out-do rival dancers, Frankie Manning devised the Over the Back air step with his partner, Frieda Washington, for a dance competition designed to resolve the rivalry between Snowden and Manning's dancers. Shorty George and his partner, Big Bea, often finished dances with Big Bea picking Shorty George up on her back and carrying him off the floor while he kicked his feet in the air. Manning planned the Over the Back aerial to top Shorty George and Big Bea's trademark move. The Over the Back not only won Manning and Washington the competition, but saw the beginning of Lindy Hop's most famous family of steps.

It is important to note, however, that Al Minns rebutted Manning's story and claimed that he was the first dancer to do aerials in the Savoy Ballroom.^{[citation needed]} Either story may be true, but Manning, now in his 90s, remains an influential figure in contemporary Lindy Hop and his stories gain credence from his living presence. Al Minns was a prominent American Lindy Hop and jazz dancer. ...

Manning went on to dance extensively with one of the most influential Lindy Hop troupes, the Whitey's Lindy Hoppers (also known as Whitey's Lindy Maniacs, Whyte's Hopping Maniacs, The Harlem Congaroos, The Hot Chocolates, and other names). Based at the Savoy and managed by White, they also performed around the world from 1935 to 1941 at private parties and in stage shows and films. These performances contributed to the spread of Lindy across America as well as Manning's status in the dancing world. Frankie Manning went on to become one of contemporary Lindy Hop's most famous dancers. He choreographed and performed in films and around the world, and he still teaches and dances today. Whiteys Lindy Hoppers was a professional performing group of Savoy Ballroom swing dancers, started in 1935 by Herbert Whitey White. ...

Dean Collins and Hollywood

See Dean Collins and Hollywood-style Lindy Hop for further details

Lindy Hop's movement into the American and international mainstream is largely attributed to four factors: Hollywood films, dance studios and instructors such as Arthur Murray, touring dance troupes, and ordinary people (e.g., American troops in WWII bringing Lindy Hop to new countries). One of key figures in Lindy Hop's move to Hollywood was Dean Collins. Dean Collins, born Saul Cohen on May 29, 1917, in Columbus, Ohio, was an American dancer, instructor, choreographer, and innovator of swingdance. ... The Hollywood Style Lindy is an American dance, a variety of Lindy Hop. ... Arthur Murray (April 4, 1895 – March 3, 1991) was a dance instructor and businessman, whose name is most often associated with the dance studio chain that bears his name. ...

According to swing culture legend, Dean Collins learned Lindy Hop in the Savoy ballroom and took the dance to the west coast of the United States. He danced in a number of Hollywood films that quickly capitalized on the popularity of swing music and dancing. Frankie Manning and other African American dancers also appeared in key films of the era, however, their films were not as numerous and they frequently had inferior working conditions. Regional definitions vary from source to source. ... An African American (also Afro-American, Black American, or simply black) is a member of an ethnic group in the United States whose ancestors, usually in predominant part, were indigenous to Africa. ...

World War II era (1941 to 1945)

Two men dance aboard the USS Wenonah.

Life magazine cover featuring Lindy Hop.

During the war many top performers were called to military service, including many Lindy Hoppers and musicians. Frankie Manning and other members of the Whitey's Lindy Hoppers were drafted, prompting the disbanding of the group. Image File history File linksMetadata Download high-resolution version (689x743, 232 KB) Summary From the American Memory website. ... Image File history File linksMetadata Download high-resolution version (689x743, 232 KB) Summary From the American Memory website. ... Image File history File linksMetadata Lindy_lifemag. ... Image File history File linksMetadata Lindy_lifemag. ... “Conscript” redirects here. ...

Lindy hop became a wartime recreation, with white dancers developing as the most well-known and common faces in popular musical films.

In 1943, Life magazine featured Lindy Hop on its cover and called it America's National Folk Dance. Philippe Halsmans famous portrait of Marilyn Monroe Life generally refers to two American magazines: A humor and general interest magazine published from 1883 to 1936; A publication created by Time founder Henry Luce in 1936, with a strong emphasis on photojournalism. ...

Post-war era (1945 to 1984)

After the Second World War, music changed. Jazz clubs, burdened by new taxes and legislation limiting venues' ability to employ musicians and dancers or host dancing, employed only smaller bands and filled dance floors with tables. Musicians, immersed in the new world of bebop and cool jazz wanted patrons to pay attention and listen, not dance. The rise of rock and roll and bebop in the 1950s saw a further decline in the popularity of jazz for dancing, and Lindy Hop slipped from the public eye, replaced by Rock and Roll dancing, East Coast Swing, West Coast Swing and other dances. For other uses, see Jazz (disambiguation). ... This article is about the genre of music, for the Teenage Mutant Ninja Turtles character see Bebop and Rocksteady. ... CD reissue of Daviss 1957 LP Birth of the Cool, collecting much of his 1949 to 1950 work. ... Rock and roll (also spelled Rock n Roll, especially in its first decade), also called rock, is a form of popular music, usually featuring vocals (often with vocal harmony), electric guitars and a strong back beat; other instruments, such as the saxophone, are common in some styles. ... Acrobatic RocknRoll refers to a very sporty, competitive form of dance that originated from the lindy hop. ... This article needs to be cleaned up to conform to a higher standard of quality. ... West Coast Swing (WCS) is a partner dance derived from Lindy Hop. ...

Revival era (1980s)

Lindy Hop was revived in the 1980s by dancers in New York City, California, Stockholm, and the United Kingdom. Each group independently searched for original Lindy Hop dancers and, for those who lived outside of New York City, traveled to New York City to work with them. Al Minns, Pepsi Bethel, Frankie Manning and Norma Miller came out of retirement and toured the world teaching Lindy Hop, later to be joined by dancers such as George and Sugar Sullivan. New York, New York and NYC redirect here. ... This article is about the U.S. state. ... For other uses, see Stockholm (disambiguation). ... Al Minns was a prominent American Lindy Hop and jazz dancer. ... Pepsi Bethel was a Jazz dancer and a choreographer. ... Frankie Manning in Herräng, 2005 Frankie Manning or Frankie Musclehead Manning, born Frank Manning in Jacksonville, Florida, on May 26, 1914, is an American dancer, instructor and choreographer. ... Norma Miller (born 1920) is an American swing dancer known to many people as The Queen of Swing. ...

British revival

Louise "Mama Lou" Parks^[4] was a hostess at the Savoy Ballroom^[5] that had promised Charles Buchanan that she would continue holding the Lindy Hop portion of the Harvest Moon Ball dance competition after the Savoy Ballroom closed.^[4] She helped preserve the dance by teaching the performance and competition aspects to a new generation of dancers, and in doing so, helped a generation of youngsters living "in the 'hood" from getting in trouble with the law.^[6] After Mama Lou Parks contacted Wolfgang Steuer of the World Rock 'N' Roll Federation in Germany about sponsoring the winners of her Harvest Moon Ball at their international swing dance competition, she started to become more well known in Europe and eventually caught the attention of the British TV company London Weekend Television. "In 1981 they paid for one of Mama Lou's events to be re-staged at Small's Paradise Club on 7th Avenue in Harlem."^[4] The program aired in late 1982 on the arts program The South Bank Show and featured Mama Lou Parks, her Traditional Jazz Dance Company, and the Lindy Hop.^[7] The TV show sparked so much interest in the dance that Mama Lou Parks and her Traditional Jazz Dance Company toured the UK in 1983 and 1984.^[8] Terry Monaghan and Warren Heyes met each other at her workshops in London in 1983. Afterwards, they decided to form the British dance company The Lindy Hop Jivers, later renamed to the Jiving Lindy Hoppers. ^[9][10] During the 1980s, the Jiving Lindy Hoppers were instrumental in spreading Lindy Hop throughout the UK by teaching and performing at shows, festivals and on TV. The Savoy Ballroom located in Harlem, New York City, was a medium sized ballroom for music and public dancing that was in operation from 1926 to 1958. ... LWT redirects here. ... For other uses, see Harlem (disambiguation). ... The South Bank Show is a British television arts magazine show, presented by Melvyn Bragg and seen in over 60 countries — including Australia, New Zealand, the Netherlands, Sweden and the USA. Its stated aim is to bring both high art and popular culture to a mass audience. ... This article is about the capital of England and the United Kingdom. ...

January 1984, the Jiving Lindy Hoppers started teaching Lindy Hop in London. After the first few classes, Ryan Francois joined the classes and later that year, he became a member of the Jiving Lindy Hoppers.^[10] During the 1990s, Ryan Francois became considered one of the most talented modern Lindy Hoppers and traveled internationally to teach and perform the Lindy Hop with his dance company Zoots and Spangles Authentic Jazz Dance Company (formed in 1987).^[11]

March 1985, the Jiving Lindy Hoppers (Warren Heyes, Terry Monaghan, Ryan Francois, Claudia Gintersdorfer, and Lesley Owen) traveled to New York City on their first research visit. Their goal was primarily to meet Al Minns but when they arrived, they learned that he was in the hospital and not expected to live much longer. (Al Minns died on 24 April 1985.) Through Mama Lou Parks, they met Alfred "Pepsi" Bethel and trained with him for two weeks in New York City followed by another week in London.^[7] While in NY, they also met two former members of Whitey's Lindy Hoppers, Frankie Manning and Norma Miller, dance historians Mura Dehn, Sally Sommer, and Ernie Smith, as well as dance enthusiasts that had just formed the New York Swing Dance Society in 1985.^[10][12] Al Minns was a prominent American Lindy Hop and jazz dancer. ... Pepsi Bethel was a Jazz dancer and a choreographer. ... Whiteys Lindy Hoppers was a professional performing group of Savoy Ballroom swing dancers, started in 1935 by Herbert Whitey White. ...

In 1986, Simon Selmon started taking Lindy Hop classes from Warren Heyes, his previous rock and roll dance instructor who had now converted to Lindy Hop.^[13] The dance classes inspired Simon Selmon to travel to New York City later that year, where he met Margaret Batiuchok, one of the founders of the New York Swing Dance Society.^[12] Upon his return to London, he started the London Swing Dance Society in a similar manner to the New York Swing Dance Society.^[14] Later, Simon Selmon traveled throughout Europe, America, and Japan teaching Lindy Hop.

On 31 October 1987, Simon Erland, a sculptor and dance enthusiast, started Jitterbugs London, a Lindy Hop and Swing club in London.^[15] Ryan Francois and Julie Oram taught Lindy Hop classes followed by DJed music from the 1930s, 40s, ad 50s. Sing Lim, "an extra enthusiastic and energetic dancer",^[15] became good friends with Ryan and Julie and in 1991, she started to help run Jitterbugs. Sing Lim taught the dance classes when Ryan and Julie were out of town performing for Zoots and Spangles, as well as helped advertise and promote the club.^[15][16][11] When Sing Lim returned to Singapore in 1994, she started Jitterbugs Swingapore and helped spread Lindy Hop to Singapore, Australia, and Japan, as well as parts of the US.

Swedish revival

See also: Hot Shots (dance companies)

Three Swedish dancers who later formed an influential performance and teaching group called The Rhythm Hot Shots traveled to New York City in April 1984 in search of Al Minns, one of Whitey's Lindy Hoppers. They invited Al Minns to Stockholm, where he held a dance workshop in 1984 for the newly created Swedish Swing Society. When Al Minns died in 1985, they found Frankie Manning. The Swedish Swing Society and The Rhythm Hot Shots helped spread Lindy Hop throughout Sweden and the rest of the world, partly through the Herräng Dance Camp held every summer since 1982 in the town of Herräng. The Hot Shots is a collective name for two closely related Swedish dance companies based in Stockholm, Sweden: The Rhythm Hot Shots and the Harlem Hot Shots. ... The Rhythm Hot Shots are a Lindy Hop perfomance company from Sweden, founded in 1985. ... New York, New York and NYC redirect here. ... Al Minns was a prominent American Lindy Hop and jazz dancer. ... Whiteys Lindy Hoppers was a professional performing group of Savoy Ballroom swing dancers, started in 1935 by Herbert Whitey White. ... For other uses, see Stockholm (disambiguation). ... The Herräng Dance Camp (HDC, officially Herräng Dance Camp Aktiebolag) is an annual dance camp that focuses on African American jazz dances such as Lindy Hop, boogie woogie, tap, authentic jazz, and balboa. ... Herräng is a small town in the municipality of Norrtälje in Sweden, with 474 inhabitants (2000). ...

American revival

Please help improve this section by expanding it. Further information might be found on the talk page or at requests for expansion.

In 1982, Al Minns was convinced to start teaching Lindy Hop at the Sandra Cameron Dance Center in New York City.^[17][18] Californian dancers Erin Stevens and Steven Mitchell flew to New York City to take classes with him in 1983 and 1984.^[19] When Al Minns died in 1985, they learned about Frankie Manning through Bob Crease, a board member of the New York Swing Dance Society.^[20] They visited Frankie Manning in 1986 and are credited with convincing him to begin instructing Lindy Hop. Erin Stevens and Steven Mitchell helped spread Lindy Hop to California and other locations within the US. With Frankie Manning out of retirement, he continued where Al Minns left off at the Sandra Cameron Dance Center. Eventually the demand for his dance instruction increased and Frankie Manning started to travel and teach worldwide spreading his joy of Lindy Hop. Image File history File links This is a lossless scalable vector image. ... This article is about the U.S. state. ...

Neo-swing era (1990s)

The 1990s saw the rise of popular neo-jazz bands such as Big Bad Voodoo Daddy, Cherry Poppin' Daddies in the swing revival, and many other artists moving on from ska and punk rock based music to a reworking of swinging jazz musical themes and standard songs. Almost overnight, neo-swing bands and clubs popped up in most large cities in the United States, with the music's popularity growing internationally, with bands such as The Louisville Sluggers in Australia and many others. Neo-swing music was a deviation from jazz and swing and instead was based on rock, rockabilly, jump blues and ska rhythms played with blazing horns and over-the-top presentation. Big Bad Voodoo Daddy is a contemporary swing band from southern California. ... Cherry Poppin Daddies Cherry Poppin Daddies is an American band formed in 1989 in Eugene, Oregon. ... The Swing Revival was cultural phenomenon of the 1990s and early 2000s which featured renewed popular interest in music in the style of the swing period of the 1930s and 1940s. ... This article is about the genre. ... Punk rock is an anti-establishment music movement beginning around 1976 (although precursors can be found several years earlier), exemplified and popularised by The Ramones, the Sex Pistols, The Clash and The Damned. ... This article includes a list of works cited or a list of external links, but its sources remain unclear because it lacks in-text citations. ... Rock is a form of popular music, usually featuring vocals (often with vocal harmony), electric guitars, and a strong back beat; other instruments, such as the saxophone, are common in some styles, however saxophones have been omitted from newer subgenres of rock music since the 90s. ... Rockabilly is one of the earliest styles of rock and roll music, and emerged in the early-1950s. ... Jump blues is a type of up-tempo blues music influenced by big band sound. ... This article is about the genre. ...

Film such as Swing Kids (1993) and Swingers (1996) capitalized on the popularity of neo-swing, with the former discussing youth resistance to the Nazi party in Germany through jazz and Lindy Hop, and the latter becoming a cult-hit story of love and misadventure in Los Angeles. The popularity of films such as Swingers (which featured the Big Bad Voodoo Daddy and landmark Lindy Hop venue The Derby) prompted the American Gap commercial "Khaki Swing" in 1996 exploited the popularity of neo swing music with a sequence of swing dancing and the song "Jump Jive and Wail". Many swing dancers who came to Lindy Hop in the 1990s cite these films, advertisements and bands as key factors inspiring them to take up lindy hop. Neo-swing dancers often dressed up with fancy zoot suits and many accessories. The dance - in order to be made simpler and easy to sell - was mainly taught as a six-count form based on East Coast Swing. For the San Diego hardcore punk band, see Swing Kids (band). ... For the sexual lifestyle, see swinging. ... National Socialism redirects here. ... Gap Inc. ... For alternate meanings, see Zoot Suit (disambiguation). ...

Revivalist Lindy Hoppers such as The Rhythm Hot Shots in Sweden and Sylvia Sykes in the United States were able to offer classes in Lindy Hop and other swing dances to interested young people in the late 1980s and 1990s. The Rhythm Hot Shots are a Lindy Hop perfomance company from Sweden, founded in 1985. ... This does not cite any references or sources. ... Swing is a group of related street dances, that evolved from Lindy Hop. ...

As the fad died towards to end of the 1990s, the numbers of dancers dwindled and Lindy Hop was taught again as a jazz dance, and dancers had turned back to jazz music and continued to develop their dance. The neo-swing era, with all its problems, had one important contribution to Lindy Hop - popularizing the dance revivalists were researching and learning, and bringing it once again to the general public and creating a popular basis that has been a firm foundation for the continuation of the art form into the 21st century.

See also

• Lindy Hop
• Lindy Hop today
• Swing (dance)
• African American vernacular dance
• Vernacular dance
• Hollywood-style Lindy Hop
• Savoy-style Lindy Hop

Dancing the Lindy Hop at the Sacramento Jazz Jubilee, Sacramento, California, USA (2006) Lindy Hop is an African American dance that evolved in New York City in 1927. ... Dancing the Lindy hop in Atascadero, California, USA (2005). ... Wikibooks has more about this subject: Swing Dancing The term swing dance is commonly used to refer either to a group of dances developing in response to swing music in the 1920s, 30s and 40s, or to lindy hop, a popular partner dance today. ... African American vernacular dances are those dances which have developed 0within African American communities in everyday spaces, rather than in dance studios, schools or companies. ... Vernacular dances are dances which have developed naturally as a part of everyday culture within a particular community. ... The Hollywood Style Lindy is an American dance, a variety of Lindy Hop. ... Savoy-style Lindy Hop is the term used to describe Lindy Hop associated with African American dancers who frequented the Savoy Ballroom in Harlem in the 1930s and 1940s. ...

Notes

References

The New York Times is an internationally known daily newspaper published in New York City and distributed in the United States and many other nations worldwide. ... Frankie Manning in Herräng, 2005 Frankie Manning or Frankie Musclehead Manning, born Frank Manning in Jacksonville, Florida, on May 26, 1914, is an American dancer, instructor and choreographer. ... Northern California Lindy Society (NCLS) was founded in 1984, incoporated as a non-profit corporation in 1997. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Frankie Manning in Herräng, 2005 Frankie Manning or Frankie Musclehead Manning, born Frank Manning in Jacksonville, Florida, on May 26, 1914, is an American dancer, instructor and choreographer. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... This article is about the year. ... is the 274th day of the year (275th in leap years) in the Gregorian calendar. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Year 2006 (MMVI) was a common year starting on Sunday of the Gregorian calendar. ... is the 45th day of the year in the Gregorian calendar. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Frankie Manning in Herräng, 2005 Frankie Manning or Frankie Musclehead Manning, born Frank Manning in Jacksonville, Florida, on May 26, 1914, is an American dancer, instructor and choreographer. ... Year 2007 (MMVII) was a common year starting on Monday of the Gregorian calendar in the 21st century. ... is the 204th day of the year (205th in leap years) in the Gregorian calendar. ... Frankie Manning in Herräng, 2005 Frankie Manning or Frankie Musclehead Manning, born Frank Manning in Jacksonville, Florida, on May 26, 1914, is an American dancer, instructor and choreographer. ... The New York Times is an internationally known daily newspaper published in New York City and distributed in the United States and many other nations worldwide. ... The New York Times is an internationally known daily newspaper published in New York City and distributed in the United States and many other nations worldwide. ... The New York Times is an internationally known daily newspaper published in New York City and distributed in the United States and many other nations worldwide. ... The New York Times is an internationally known daily newspaper published in New York City and distributed in the United States and many other nations worldwide. ... The New York Times is an internationally known daily newspaper published in New York City and distributed in the United States and many other nations worldwide. ...

Further reading

Frankie Manning in Herräng, 2005 Frankie Manning or Frankie Musclehead Manning, born Frank Manning in Jacksonville, Florida, on May 26, 1914, is an American dancer, instructor and choreographer. ... Norma Miller (born 1920) is an American swing dancer known to many people as The Queen of Swing. ...

External links

• Transcript of an interview with Frankie Manning and Normal Miller for Ken Burn's Jazz documentary, 1997. Retrieved 12 July, 2006.