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Hugo Wolf (March 13, 1860 – February 22, 1903) was an Austrian composer of Slovene origin, particularly noted for his art songs, or Lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music, somewhat related to that of the Second Viennese School in concision but utterly unrelated in technique. Image File history File links Hugo_wolf. ...
Image File history File links Hugo_wolf. ...
March 13 is the 72nd day of the year in the Gregorian calendar (73rd in leap years). ...
1860 is the leap year starting on Sunday. ...
February 22 is the 53rd day of the year in the Gregorian Calendar. ...
1903 (MCMIII) was a common year starting on Thursday (see link for calendar) of the Gregorian calendar or a common year starting on Friday of the 13-day slower Julian calendar. ...
A composer is a person who writes music. ...
Lied (plural Lieder) is a German word, literally meaning song; among English speakers, however, it is used primarily as a term for European classical music songs, also known as art songs. Typically, Lieder are arranged for a single singer and piano. ...
The era of Romantic music is defined as the period of European classical music that runs roughly from the early 1800s to the first decade of the 20th century, as well as music written according to the norms and styles of that period. ...
The Second Viennese School was a group of composers made up of Arnold Schoenberg and those who studied under him in early 20th century Vienna. ...
Though he had several bursts of extraordinary productivity, particularly in 1888 and 1889, depression frequently interrupted his creative periods, and his last composition was written in 1898, before he died of syphilis. Depression, or a depressed mood, may in everyday English refer to a state of melancholia, unhappiness or sadness, or to a relatively minor downturn in mood that may last only a few hours or days. ...
1898 (MDCCCXCVIII) was a common year starting on Saturday (see link for calendar) of the Gregorian calendar (or a common year starting on Monday of the 12-day-slower Julian calendar). ...
Syphilis is a sexually transmitted infection (STI) caused by a spirochaete bacterium, Treponema pallidum. ...
Biography
Early life (1860 – 1887) Wolf was born in Windischgraz (now Slovenj Gradec), then a part of the Austrian Empire. Both parents (Katherina Orehovnik and Philipp Wolf) had Slovenian ancestors. Along with the expansion of the leather craft and climb on the social scale the family underwent the process of Germanisation. The Vouks, as they were named until they arrived to Slovenj Gradec, found it easier to establish themselves in the Germanized town with the Germanized family name of Wolf. Hugo Wolf spent most of his life in Vienna, becoming a representative of "New German" trend in Lieder, a trend which followed from the expressive, chromatic, and dramatic musical innovations of Richard Wagner. Area: 173. ...
Flag of the Habsburg Monarchy The Crown of the Austrian Emperor For the history of these states before 1804, see Holy Roman Empire, Habsburg Monarchy, and articles on each of the component countries. ...
Inhabitants according to official census figures: 1800 to 2005 Vienna in 1858 Vienna (German: Wien ) is the capital of Austria, and also one of the nine States of Austria. ...
Lied (plural Lieder) is a German word, literally meaning song; among English speakers, however, it is used primarily as a term for European classical music songs, also known as art songs. Typically, Lieder are arranged for a single singer and piano. ...
The chromatic scale is the scale that contains all twelve pitches of the Western tempered scale. ...
Richard Wagner Wilhelm Richard Wagner (May 22, 1813 – February 13, 1883) was an influential German composer, conductor, music theorist, and essayist, primarily known for his operas (or music dramas as he later came to call them). ...
A child prodigy, Wolf was taught piano and violin by his father beginning at the age of four, and once in primary school studied piano and music theory with Sebastian Weixler. However, subjects other than music failed to hold his interest; he was dismissed from the first secondary school he attended as being "wholly inadequate", left another over his difficulties in the compulsory Latin studies, and after a falling-out with a professor who commented on his "damned music", quit the last. From there, he went to the Vienna Conservatory to the disappointment of his father, who had hoped Wolf would not try to make his living from music; again, however, he was dismissed for "breach of discipline", though the often-rebellious Wolf would claim he quit in frustration over the school's conservatism. A child prodigy is someone who is a master of one or more skills or arts at an early age. ...
A grand piano, with the lid up. ...
This does not cite its references or sources. ...
Music theory is a field of study that investigates the nature or mechanics of music. ...
The Konservatorium Wien is the music conservatory in Vienna. ...
After eight months with his family, he returned to Vienna to teach music. Though his fiery temperament was not ideally suited to teaching, Wolf's musical gifts—as well as his personal charm—earned him attention and patronage. This support of his benefactors allowed him to make a living as a composer, and a daughter of one of his greatest benefactors inspired him to write: Vally ("Valentine") Franck was Wolf's first love, with whom he was involved for three years. During their relationship, hints of his mature style would become evident in his Lieder. Wolf was prone to depression and wide mood swings, which would affect him all through his life. When Franck left him just before his 21st birthday, he was despondent; he returned home, though his family relationships were also strained; his father remained convinced that Wolf was a ne'er-do-well. His brief and undistinguished tenure as second Kapellmeister at Salzburg only reinforced this opinion—Wolf had neither the temperament, the conducting technique, nor the affinity for the decidedly non-Wagnerian repertoire to be successful, and within a year had again returned to Vienna to teach in much the same circumstances as before. A Kapellmeister is nowadays the director or conductor of an orchestra or choir. ...
Salzburg is a city in western Austria and the capital of the federal state of Salzburg (population 150,000 in 2006). ...
Wagner's death was another tragic event in the life of the young composer. The song "Zur Ruh, zur Ruh" was composed shortly afterward and is considered to be the best of his early works; it is speculated that it was intended as an elegy for Wagner. Wolf often despaired of his own future in the years following, in a world from which his idol had gone, leaving tremendous footsteps to follow and no guidance on how to do so. This left him often extremely temperamental, alienating friends and patrons, though his charm helped him retain them more than his actions merited. His songs meanwhile had caught the attention of Franz Liszt, whom he respected greatly, and who like Wolf's previous mentors advised him to pursue larger forms; advice he this time followed with the symphonic tone poem on Penthesilea. Wolf's activities as a critic began to pick up; he was merciless in his criticism of the inferior works he saw taking over the musical atmosphere of the time (Anton Rubinstein in particular he considered odious) and fervent in his support of the genius of Liszt, Schubert, and Chopin. Known as "Wild Wolf" for the intensity and expressive strength of his convictions, his vitriol made him some enemies. Though he composed little during this time, what he did write he could not get performed: the Rosé Quartet would not even look at his work after being picked apart in a column, and the premiere of Penthesilea was met by the orchestra with nothing but derision for the man who had dared to criticize Brahms. Portrait of Franz Liszt, painted in 1839 by Henri Lehmann. ...
Rubinsteins portrait by Ilya Repin. ...
He abandoned his activities as a critic in 1887 as he began composing once more; perhaps not unexpectedly, the first songs following his compositional hiatus are settings of texts by Goethe, Eichendorff, and von Scheffel on the subject of strength and resolution when faced with adversity. Shortly thereafter Wolf completed the Italienische Serenade, which is regarded as one of the first works of his mature style as a composer. Only a week later his father died, leaving Wolf devastated, and he did not compose for the remainder of the year. Johann Wolfgang von Goethe. ...
Maturity (1888 – 1896) 1888 and 1889 proved to be amazingly productive years for Wolf, and a turning point in his career. After the publication of a dozen of his songs late the preceding year, Wolf once again desired to return to composing, and travelled to the vacation home of the Werners—family friends whom Wolf had known since childhood—in Perchtoldsdorf (a short train ride from Vienna), in order to escape and compose in solitude. Here he composed the Mörike-Lieder at a frenzied pace. A short break, and a change of house, this time to the vacation home of more longtime friends, the Ecksteins, and the Eichendorff-lieder followed, then the 51 Goethe-lieder, spilling into 1889. After a summer holiday, the Spanisches Liederbuch was begun in October 1889; though Spanish-flavoured compositions were in fashion in the day, Wolf sought out poems that had been neglected by other composers. Eduard Friedrich Mörike (Ludwigsburg, September 8, 1804 – June 4, 1875 in Stuttgart) was a German romantic poet. ...
Freiherr Joseph von Eichendorff (March 10, 1788 - November 26, 1857), German lyricist and narrator. ...
Wolf himself saw the merit of these compositions immediately, raving to friends that they were the best things he had yet composed (it was with the aid and urging of several of the more influential of them that the works were initially published). It was now that the world outside Vienna would recognize Wolf as well. Tenor Ferdinand Jäger, whom Wolf had heard in Parsifal during his brief summer break from composing, was present at one of the first concerts of the Mörike works and quickly became a champion of his music, performing a recital of only Wolf and Beethoven in December 1888. His works were praised in reviews, including one in the Münchener allgemeine Zeitung, a widely-read German newspaper. (Of course the recognition was not always positive; Brahms's adherents, still smarting from Wolf's merciless reviews, returned the favor—when they would have anything to do with him at all. Brahms's biographer Max Kalbeck ridiculed Wolf for his immature writing and odd tonalities; another composer refused to share a program with him, while Amalie Materna, a Wagnerian singer, had to cancel her Wolf recital when allegedly faced with the threat of being on the critics' blacklist if she went on.) Amalie Materna Emil Scaria and Hermann Winkelmann in the 1882 premiere production of Parsifal Parsifal is an opera in three acts by Richard Wagner. ...
Max Kalbeck (January 4, 1850 in Breslau – May 4, 1921 in Vienna) was an important German writer on music, critic and translator. ...
Only a few more settings were completed in 1891 before Wolf's mental and physical health once again took a downturn at the end of the year; exhaustion from his prolific past few years combined with the effects of syphilis and his depressive temperament caused him to stop composing for the next several years. Continuing concerts of his works in Austria and Germany spread his growing fame; even Brahms and the critics who had previously reviled Wolf gave favorable reviews. Wolf, however, was consumed with depression, which stopped him from writing—which only left him more depressed. He completed orchestrations of previous works, but new compositions were not forthcoming, and certainly not the opera which he was now fixated on composing, still convinced that success in the larger forms was the mark of compositional greatness.
Wolf had scornfully rejected the libretto to Der Corregidor when it was first presented to him in 1890, but his determination to compose an opera blinded him to its faults upon second glance. Based on El sombrero de tres picos, by Pedro Antonio de Alarcón, the darkly humorous story about an adulterous love triangle is one that Wolf could identify with: he had been in love with Melanie Köchert, married to his friend Heinrich Köchert, for several years. (It is speculated that their romance began in earnest in 1884, when Wolf accompanied the Köcherts on holiday; though Heinrich discovered the affair in 1893 he remained Wolf's patron and Melanie's husband.) The opera was completed in nine months and was met initially with success, but Wolf's musical setting could not compensate for the weakness of the text, and it was doomed to failure; it has not yet been successfully revived. // El Corregidor y La Molinera During World War I Manuel de Falla wrote a pantomime ballet in two scenes and called it El Corregidor y la Molinera or, The Governor and the Millers Wife . ...
Pedro Antonio de Alarcón y Ariza Pedro Antonio de Alarcón y Ariza (10 March 1833 - 19 July 1891) was a Spanish author, writer and political figure. ...
Final years (1897 – 1903) Wolf's last concert appearance, which included his early champion Jäger, was in February 1897. Shortly thereafter Wolf slipped into syphilitic insanity, with only occasional spells of wellbeing. He left sixty pages of an unfinished opera, Manuel Venegas, in 1897, in a desperate attempt to finish before he lost his mind completely; after mid-1899 he could make no music at all, and once tried to drown himself, after which he was placed in a Vienna asylum at his own insistence. Melanie visited him faithfully during his decline until his death on February 22, 1903; her lack of faith to her husband, however, tortured her, and she killed herself in 1906. February 22 is the 53rd day of the year in the Gregorian Calendar. ...
1903 (MCMIII) was a common year starting on Thursday (see link for calendar) of the Gregorian calendar or a common year starting on Friday of the 13-day slower Julian calendar. ...
Wolf is buried in the Zentralfriedhof (Central Cemetery) in Vienna, along with many other notable composers. Exterior of the Dr. Karl Lueger-Gedächtniskirche, Zentralfriedhof, Vienna. ...
Music Wolf's greatest musical influence was Richard Wagner, who, in an encounter after Wolf first came to the Vienna Conservatory, encouraged the young composer to persist in composing and to attempt larger-scale works, cementing Wolf's desire to emulate his musical idol. Wolf went so far as to emulate Wagner's vegetarianism as well, but this lasted only 18 months. His antipathy to Johannes Brahms was fueled partly by his devotion to Wagner, and partially by misunderstanding and clash of personality, rather than any ill-will on Brahms' part. Richard Wagner Wilhelm Richard Wagner (May 22, 1813 – February 13, 1883) was an influential German composer, conductor, music theorist, and essayist, primarily known for his operas (or music dramas as he later came to call them). ...
This article or section does not cite its references or sources. ...
His true fame is his lieder; Wolf's temperament and abilities led him to more private and personal forms. Though he initially believed that mastering the larger forms was the hallmark of a great composer (a belief that his early mentors reinforced), the smaller scale of the art song provided an excellent basis upon which to develop basic compositional skills and later came to be his greatest strength. Wolf's lieder are noted for compressing expansive musical ideas and depth of feeling; his skill at interpreting and depicting texts musically is suited to the form. Though Wolf himself was obsessed with the idea that to compose only short forms was to be second-rate, his organization of poem settings into complete dramatic cycles, finding connections between texts not explicitly intended by the poet, as well as his conceptions of individual songs as dramatic works in miniature, mark him as a talented dramatist despite having written only one not particularly successful opera.
Early in his career Wolf modelled his Lieder after those of Franz Schubert and Robert Schumann, particularly in the period around his relationship with Franck; in fact, they were good enough imitations to pass off as the real thing, which he once attempted, though his cover was blown too soon. It is speculated that his choice of lieder texts in the earlier years, largely dealing with sin and anguish, were partly influenced by his contraction of syphilis. His love for Franck, not fully requited, bore the intellectual children of the Wesendonck lieder: impassioned settings of works by Nikolaus Lenau. The others were as distant from those in mood as possible; lighthearted and humorous. Penthesilea, too, is tempestuous and highly colored; though Wolf admired Liszt, who has encouraged him to complete the work, he felt Liszt's music too dry and academic, and strove for color and passion. Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer. ...
Robert Schumann (June 8, 1810 – July 29, 1856) was a German composer and pianist. ...
Lenau in 1839 Nikolaus Lenau was the nom de plume of Nikolaus Franz Niembsch von Strehlenau (August 25, 1802 - August 22, 1850), an Austrian poet. ...
1888 marked a turning point in his style as well as his career, with the Mörike, Eichendorff, and Goethe sets drawing him away from Schubertiana and into "Wölferl's own howl". Mörike in particular drew out and complemented Wolf's musical gifts, the variety of subjects suiting Wolf's tailoring of music to text, his dark sense of humor matching Wolf's own, his insight and imagery demanding a wider variety of compositional techniques and command of text painting to portray. In his later works he relied less on the text to give him his musical framework and more on his pure musical ideas themselves; the later Spanish and Italian songs reflect this move toward "absolute music".
Wolf wrote hundreds of Lieder, three operas, incidental music, choral music, as well as some rarely-heard orchestral, chamber and piano music. His most famous instrumental piece is the Italian Serenade (1887), originally for string quartet and later transcribed for orchestra, which marked the beginning of his mature style. Lied (plural Lieder) is a German word, literally meaning song; among English speakers, however, it is used primarily as a term for European classical music songs, also known as art songs. Typically, Lieder are arranged for a single singer and piano. ...
The Teatro alla Scala in Milan. ...
Incidental music is music in a play, television program, radio program or some other form not primarily musical. ...
For other uses, see Chamber music (disambiguation). ...
Wolf was famous for his use of tonality to reinforce meaning. Concentrating on two tonal areas to musically depict ambiguity and conflict in the text became a hallmark of his style, resolving only when appropriate to the meaning of the song. His chosen texts were often full of anguish and inability to find resolve, and thus so too was the tonality wandering, unable to return to the home key. Use of deceptive cadences, chromaticism, dissonance, and chromatic mediants obscure the harmonic destination for as long as the psychological tension is sustained.[citation needed] His formal structure as well reflected the texts being set, and he wrote almost none of the straightforward strophic songs favoured by his contemporaries, instead building the form around the nature of the work. Tonality is a system of writing music according to certain hierarchical pitch relationships around a key center or tonic. ...
In Western musical theory a cadence (Latin cadentia, a falling) is a particular series of intervals (a caesura) or chords that ends a phrase, section, or piece of music. ...
In music, a consonance (Latin consonare, sounding together) is a harmony, chord, or interval considered stable, as opposed to a dissonance, which is considered unstable. ...
Strophic form, or chorus form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. ...
Notable works
Opera Der Corregidor is a comic opera composed by Hugo Wolf in 1895. ...
Lieder Eduard Friedrich Mörike (Ludwigsburg, September 8, 1804 – June 4, 1875 in Stuttgart) was a German romantic poet. ...
Freiherr Joseph von Eichendorff (March 10, 1788 - November 26, 1857), German lyricist and narrator. ...
Johann Wolfgang von Goethe. ...
Michelangelo di Lodovico Buonarroti Simoni (March 6, 1475 – February 18, 1564), commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect and poet. ...
Instrumental - String Quartet in D minor (1878-84)
- Penthesilea (1883-85)
- Italian Serenade (1887)
References - Sams, Eric and Susan Youens: 'Hugo Wolf', Grove Music Online ed. L. Macy, (subscription access)
The Grove Dictionary of Music and Musicians is an encyclopedic dictionary of music and musicians, considered by most scholars to be the best general reference source on the subject in the English language. ...
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