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Encyclopedia > Hypermeasure

In musical notation, a bar or measure is a segment of time defined as a given number of beats of a given duration. The word measure is heard more frequently in the U.S., while bar is used in other English-speaking countries, although musicians generally understand both usages. Music notation is a system of writing for music. ... See also the beat disambiguation page. ... The United States of America — also referred to as the United States, the U.S.A., the U.S., America, the States, or (archaically) Columbia—is a federal republic of 50 states located primarily in central North America (with the exception of two states: Alaska and Hawaii). ...

Types of barlines. (a) standard; (b) double (1st definition); (c) double (2nd definition); (d) begin repeat; (e) repeat
Types of barlines. (a) standard; (b) double (1st definition); (c) double (2nd definition); (d) begin repeat; (e) repeat

A bar line (or barline) is a vertical line which separates bars. A double bar can consist of two barlines together, separating two sections within a piece, or a barline followed by a thicker barline, indicating the end of a piece or movement. A repeat barline looks like the second type of double bar but is preceded by two dots, one above the other, indicating that the preceding section of music is to be repeated. The beginning of the repeated passage can be marked by a begin-repeat barline; if this is absent the repeat is understood to be from the beginning of the piece or movement. This begin-repeat barline, if appearing at the beginning of a staff, does not act as a true barline because no bar precedes it; its only function is to indicate the beginning of the passage to be repeated. examples of types of barlines This image is ineligible for copyright and therefore in the public domain, because it consists entirely of information that is common property and contains no original authorship. ...


Note that the term double bar refers not to a type of bar, but to a type of barline.


In music with a regular meter, bars represent a periodic pulse in the music. In music employing mixed meters, barlines are instead used to indicate the beginning of rhythmic note groups, but this is subject to wide variation: some composers use dashed barlines, others (including Hugo Distler) have placed barlines at different places in the different parts to indicate varied groupings from part to part. Metre is the measurement of a musical line into measures of stressed and unstressed beats, indicated in Western notation by a symbol called a time signature. ... The time signature (also known as meter signature) is a notational device used in Western musical notation to specify how many beats are in each bar and which note value (minim, crotchet, eighth note and so on) constitutes one beat. ...


Quote: "The bar line is much, much more than a mere accent, and I don't believe that it can be simulated by an accent, at least not in my music." - Igor Stravinsky (DeLone et. al. (Eds.), 1975, chap. 3). Igor Fyodorovitch Stravinsky (Russian: ) (June 17, 1882 – April 6, 1971) was a Russian-American composer of modern classical music. ...


A hypermeasure, large-scale or high-level measure, or measure-group is a metric unit in which, generally, each regular measure is one beat (actually hyperbeat) of a larger meter. Thus a beat is to a measure as a measure/hyperbeat is to a hypermeasure. Hypermeasures must be larger than a notated bar, perceived as a unit, consist of a pattern of strong and weak beats, and along with adjacent hypermeasures, which must be of the same length, create a sense of hypermeter. The term was coined by Edward T. Cone. (Stein 2005, p.18-19, 329) The International System of Units (symbol: SI) (for the French phrase Système International dUnités) is the most widely used system of units. ... See also the beat disambiguation page. ... Metre is the measurement of a musical line into measures of stressed and unstressed beats, indicated in Western notation by a symbol called a time signature. ...


History

Barlines came into general use in the 1600s, when music began to be written in score format rather than individual parts. 16th-century usage was primarily restricted to lute and vihuela music, but such barlines typically were not used to indicate a regular meter. (Source: Harvard Dictionary of Music) The lute is a plucked string instrument with a fretted neck and a deep round back. ... A minstrel playing a vihuela. ...


See also

  • Mensurstriche
  • Wazn

In Arab music a wazn (plural, awzān) is a rhythmic pattern or cycle, literally translated as measure (also called darb, mizan, and usul). ...

References

  • DeLone et. al. (Eds.) (1975). Aspects of Twentieth-Century Music. Englewood Cliffs, New Jersey: Prentice-Hall. ISBN 0130493465.
  • Stein, Deborah (2005). Engaging Music: Essays in Music Analysis, Glossary. New York: Oxford University Press. ISBN 0195170105.
Musical notation edit  (http://en.wikipedia.org/w/index.php?title=Template:Musical_notation&action=edit)
Staff : Clef | Key signature | Time signature | Leger line | Barline
Notes : Note value | Dotted note | Accidental | Rest
Expression marks: Tempo | Dynamics | Articulation | 8va

  Results from FactBites:
 
Dolmetsch Online - Music Theory Online - Time Signatures and Meter (4020 words)
Time signatures compounded from smaller units, for example 4/4 next to 3/4, appear in music where the bars alternate, in this case with four and three crotchets in alternate bars.
That a time signature might relate to groups made up of more than one bar has led to the concept of the hypermeasure, where the individual bars in a hypermeasure perform the same rhythmic role as individual notes in a single measure or bar.
The example above, four over four plus three over four, is an example of a two-bar hypermeasure while a twelve-bar blues is an example of a twelve-bar hypermeasure.
Wikipedia: Bar (music) - Wikipedia, the free encyclopedia (514 words)
A hypermeasure, large-scale or high-level measure, or measure-group is a metric unit in which, generally, each regular measure is one beat (actually hyperbeat) of a larger meter.
Thus a beat is to a measure as a measure/hyperbeat is to a hypermeasure.
Hypermeasures must be larger than a notated bar, perceived as a unit, consist of a pattern of strong and weak beats, and along with adjacent hypermeasures, which must be of the same length, create a sense of hypermeter.
  More results at FactBites »


 

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