In addition to being a property of a specific set, identity is, by extension, the "family" of sets or set forms which satisfy a possible identity.
George Perle provides the following example: "C-E, D-F#, Eb-G, are different instances of the same interval...[an] other kind of identity...has to do with axes of symmetry. C-E belongs to a family of symmetrically related dyads as follows:"
D
D#
E
F
F#
G
G#
D
C#
C
B
A#
A
G#
Thus in addition to being part of the interval-4 family, C-E is also a part of the sum-2 family.
Taken together, this cover and this title seem to imply several interesting things: that the notion of musicalidentity is related primarily to playing or performing; that musicalidentity is relevant primarily to the young; that it´s somehow, or primarily, associated with ‘pop´ phenomena; and that there are many musicalidentities.
MusicalIdentities seems to compartmentalize musicalidentity: this identity and that identity.
The psychological forces of their identity formation were so strong, and they had such loyalty to their musician identity.