| Operas by Wolfgang Amadeus Mozart |
Die Schuldigkeit des ersten Gebotes (1767) Apollo et Hyacinthus (1767) Bastien und Bastienne (1768) La finta semplice (1769) Mitridate, re di Ponto (1770) Ascanio in Alba (1771) Il sogno di Scipione (1772) Lucio Silla (1772) La finta giardiniera (1775) Il re pastore (1775) Thamos, König in Ägypten (1779) Zaide (1780) Idomeneo (1781) Die Entführung aus dem Serail (1782) L'oca del Cairo (1783) Lo sposo deluso (1784) Der Schauspieldirektor (1786) The Marriage of Figaro (1786) Don Giovanni (1787) Così fan tutte (1790) La clemenza di Tito (1791) The Magic Flute (1791) âMozartâ redirects here. ...
Image File history File linksMetadata Wolfgang-amadeus-mozart_1. ...
Die Schuldigkeit des ersten Gebotes is an opera, K. 35, composed by Wolfgang Amadeus Mozart in 1767. ...
Apollo et Hyacinthus is an opera, K.38, written in 1767 by Wolfgang Amadeus Mozart, who was 11 years old at the time. ...
Bastien und Bastienne (Bastien and Bastienne) is a one-act singspiel opera with libretto by Friedrich Wilhelm Weiskern and music by Wolfgang Amadeus Mozart. ...
La finta semplice (The Pretended Simpleton), K. 51 (46a) is an opera buffa in three acts for singers and orchestra, composed in 1769 by Wolfgang Amadeus Mozart, on a libretto by the court poet Marco Coltellini based on an early work by Carlo Goldoni. ...
Mitridate, re di Ponto (Mithridates, King of Pontus), K. 87 (74a), is an early opera seria in three acts by Wolfgang Amadeus Mozart. ...
Ascanio in Alba, K. 111, Pastoral opera in 2 parts (Festa teatrale in due atti) Composer: Wolfgang Amadeus Mozart Librettist: Abbé Giuseppe Parini First performance: Teatro Regio Ducal, Milan, 17 October 1771 // Dramatis Personæ Venere (Venus) (soprano) Ascanio, her grandson, son of Aeneas (male soprano) Silvia, a nymph descended from...
Il sogno di Scipione, K. 126, Dramatic serenade in one act (Azione teatrale) Composer: Wolfgang Amadeus Mozart Librettist: Pietro Metastasio First performance: Palace of the Archbishop, Salzburg, 1? May, 1772 Judith Weir has made an adaptation of the score. ...
Lucio Silla (K135) is an Italian opera in three acts composed by Wolfgang Amadeus Mozart. ...
La finta giardiniera (The Phony Gardener), K. 196, is an Italian opera by Wolfgang Amadeus Mozart. ...
Thamos, König in Ãgypten (Thamos, King of Egypt, or King Thamos, in English) is a play by Tobias Philipp, baron von Gebler, for which, between 1773 and 1780, Wolfgang Amadeus Mozart wrote incidental music, K. 345/336a, of an operatic character. ...
Zaide is an opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. ...
Idomeneo, re di Creta ossia Ilia e Idamante (Italian: Idomeneo, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo, K. 366) is an Italian opera by Wolfgang Amadeus Mozart. ...
Die Entführung aus dem Serail (K. 384; in English The Abduction from the Seraglio; also known as Il Seraglio) is a opera Singspiel in three acts by Wolfgang Amadeus Mozart. ...
Loca del Cairo is an opera buffa (or dramma giocoso per musica), K. 422, written by Wolfgang Amadeus Mozart in 1783. ...
Lo sposo deluso is a 2-act opera buffa, K. 430, written by Wolfgang Amadeus Mozart in 1783. ...
Der Schauspieldirektor (The Impresario), K. 486, is a comic Singspiel written by Wolfgang Amadeus Mozart to a German libretto by Gottlieb Stephanie. ...
Le nozze di Figaro ossia la folle giornata (Trans: ), K. 492, is an opera buffa (comic opera) composed in 1786 by Wolfgang Amadeus Mozart, with libretto by Lorenzo da Ponte, based on a stage comedy by Pierre Beaumarchais, Le mariage de Figaro (1784). ...
Don Giovanni (K.527; complete title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punishd, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart and libretto by Lorenzo da Ponte. ...
Così fan tutte, ossia La scuola degli amanti (Thus Do They [f. ...
La clemenza di Tito (The Clemency of Titus), K. 621, was an opera seria written by Wolfgang Amadeus Mozart. ...
Die Zauberflöte, K. 620, (en: The Magic Flute) is an opera in two acts composed by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. ...
| | v • d • e | Il re pastore (The Shepherd King) is an opera, K. 208, written by Wolfgang Amadeus Mozart to an Italian libretto by Pietro Metastasio, edited by Varesco. It is an opera seria. The opera was first performed on April 23, 1775 in Salzburg, at the Palace of the Archbishop. For other uses, see Opera (disambiguation). ...
(For a selective list organized by genre, with commentary, see List of compositions by Wolfgang Amadeus Mozart) The Köchel-Verzeichnis is a complete, chronological catalogue of compositions by Wolfgang Amadeus Mozart which was originally created by Ludwig von Köchel. ...
âMozartâ redirects here. ...
Antonio Ghislanzoni, nineteenth century Italian librettist. ...
Pietro Trapassi (January 13, 1698 â April 12, 1782), Italian poet, is better known by his pseudonym of Metastasio. ...
Father Varesco (1735-1805) was a chaplain, musician, poet and (most famously) librettist to Wolfgang Amadeus Mozart. ...
A caricature of a performance of Handels Flavio, featuring three of the most well-known opera seria singers of their day: Senesino on the left, diva Francesca Cuzzoni in the centre, and art-loving castrato Gaetano Berenstadt on the right. ...
is the 113th day of the year (114th in leap years) in the Gregorian calendar. ...
Year 1775 (MDCCLXXV) was a common year starting on Sunday (link will display the full calendar) of the Gregorian calendar (or a common year starting on Thursday of the 11-day slower Julian calendar). ...
This article is about the capital of the Austrian state of Salzburg. ...
In 1775 the opera was commissioned for a visit by the archduke Maximillian Franz, the youngest son of Empress Maria Theresa, to Salzburg. Mozart spent six weeks working on the opera. It consists of two acts and runs approximately 107 minutes. Year 1775 (MDCCLXXV) was a common year starting on Sunday (link will display the full calendar) of the Gregorian calendar (or a common year starting on Thursday of the 11-day slower Julian calendar). ...
This page is about Maria Theresa of Austria (often only known as Empress Maria Theresa), ruler of the Habsburg Empire from 1740-1780. ...
This article is about the capital of the Austrian state of Salzburg. ...
Metastasio wrote the libretto in 1751, basing it on a work by Torquato Tasso called Aminta. The libretto was picked up when Mozart (just 19 at the time) and his father saw a performance of it set to music composed by Felice Giardini — Mozart's version, however was two acts rather than Giardini's three, and has a few substantial changes. Each act lasts for around an hour in performance. The Salzburg court chaplain, one Gianbattista Varesco, was largely responsibly for this editing of Metastasio's libretto. Mozart then wrote the opera in six weeks. Events Adam Smith is appointed professor of logic at the University of Glasgow March 25 - For the last time, New Years Day is legally on March 25 in England and Wales. ...
The tone or style of this article or section may not be appropriate for Wikipedia. ...
Aminta is a play written by Torquato Tasso in 1573. ...
Felice Giardini (1716 - 1796) was an Italian composer and violinist. ...
Father Varesco (1735-1805) was a chaplain, musician, poet and (most famously) librettist to Wolfgang Amadeus Mozart. ...
It is often referred to not as an opera, but as a serenata, a type of dramatic cantata. The apperarance of a quartet of lovers (Aminta and Elisa, and Agenore and Tamiri) of somewhat dubious fidelity automatically puts a modern audience in mind of Così fan tutte. The principal psychological theme of the opera is, however, the demands of love against the demands of Kingship, as Aminta, the Shepherd-king, tussles with his conscience, and in this Il re pastore is closer in theme to Idomeneo than any other of Mozart's operas. Indeed, Idomeneo was the next completed opera that Mozart wrote after Il re pastore, after his six-year-long break from the stage. Così fan tutte, ossia La scuola degli amanti (Thus Do They [f. ...
Idomeneo, re di Creta ossia Ilia e Idamante (Italian: Idomeneo, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo, K. 366) is an Italian opera by Wolfgang Amadeus Mozart. ...
Roles
| Role | Voice type | Premiere Cast, April 23, 1775 (Conductor: - ) | | Aminta, a shepherd, rightful heir to Sidon | soprano (castrato) | | | Elisa, Phoenician shepherdess | soprano | | | Tamiri, daughter of the deposed tyrant, Stratone | soprano | | | Agenore, Sidonian aristocrat | tenor | | | Alessandro, King of Macedonia | tenor | | This article is about the voice-type. ...
A castrato is a male soprano, mezzo-soprano, or alto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity. ...
This article is about Tenor vocalists in music. ...
Synopsis The king of Macedonia, Alessandro, has overthrown Stratone, the tyrant of Sidon, but aims to find the rightful king.
Act 1 In a meadow. The city of Sidon can be seen from a distance. Elisa is with her lover Aminta, the shepherd. She assures him that the war between King Alessandro and Stratone, the tyrant of Sidon, will not affect their love for each other. Having deposed Stratone, Alessandro searches for the rightful heir to Sidon. He thinks that Aminta is the rightful heir. He comes to Aminta in disguise and offers him to take him to Alessandro. Aminta wants to remain a shepherd. Meantime, Agenore encounters his beloved Tamiri, daughter of Stratone. Tamiri is comforted to learn that Agenore still loves her. Elisa gets permission from her father to marry Aminta. Agenore tells Aminta that he is the rightful heir to the throne and that his father was driven out by Stratone when he was a baby. Aminta promises to return to Elisa after claming his throne. Aminta loves Elisa but Alessandro suggests that when Aminta is hailed king, royal duties take precedence over love. Alessandro suggests that Tamiri marry Aminta in order to ascend her father's throne. Aminta disagrees. The opera's lovely aria sung by Aminta, 'L'amero, saro costante', declares his love for Elisa.
Act 2 Macedonian Camp. Elisa is prevented by Agenore from seeing Aminta. He also discourages Aminta from pursuing her. Alessandro tells Aminta to dress like a king so he can be presented to his subjects. He also decides that Tamiri marry Aminta. Aminta is distraught. Agenore is upset. He breaks the news to Elisa. Tamiri does not want to marry Aminta. Agenore, too, is tormented by the planned marriage. Tamiri tells Alessandro that she and Agenore are in love. The women threw themselves in Alessandro's mercy. Elisa begs him to give her back Aminta. Realizing the potential injustice he was about to inflict, Alessandro tells Aminta to marry Elisa and Tamiri to marry Agenore. Aminta is crowned king of Sidon.
Noted arias - "Aer tranquillo" - Amintas in Act I
- "Alla selva" - Elisa in Act I
- "Di tante sue procelle" - Tamyris in Act I
- "Intendo, amico rio" - Amintas in Act I
- "Per me rispondete" - Agenor in Act I
- "Si spande il sole" - Alexander in Act I
- "Barbaro, oh Dio!" - Elisa in Act II
- "L'amerò" - Amintas in Act II
- "Se tu di me fai dono" - Tamyris in Act II
- "Se vicendo" - Alexander in Act II
- "Sol può dir" - Agenor in Act II
- "Voi che fausti" - Alexander in Act II
Media External links The Bärenreiter study score reprint (2006) of the Neue Mozart-Ausgabes volumes containing all of Mozarts piano concertos. ...
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