Illegal Art is a sampling label that was started by a person calling him/herself Philo T. Farnsworth in 1998. The label was instantly launched to infamy with the legal threats surrounding Deconstructing Beck, a compilation made exclusively from sampling Beck's music. This was followed by two other theme-based compilations, Extracted Celluloid and Commercial Ad Hoc. All three were co-released with Negativland's Seeland label and sponsored by RTMark. After these theme based compilations, Illegal Art focused on artist releases. In music, sampling is the act of taking a portion of one sound recording and reusing it as an instrument or element of a new recording. ... This article needs cleanup. ... 1998 is a common year starting on Thursday of the Gregorian calendar, and was designated the International Year of the Ocean. ...
Illegal Art is also the title of an art exhibit/project sponsored by Stay Free! Magazine. The exhibit debuted in New York City and has since traveled to several other cities.
Girl Talk is the stage name and recording alias of Gregg Gillis. ... P. Miles Bryson was born in August 1964, and is an obsessive collage and sound artist residing in Arizona. ... Wobbly is the moniker of Jon Leidecker a San Francisco based musician/composer of experimental electronic music. ...
Detzner's "The Sacrifice of Sprout" is a colorful example of the art showcased in the "IllegalArt" exhibit, a collection of creative pieces which have recently run afoul of intellectual property laws.
The good news is that the current tour of illegalart raises awareness of the complexities of intellectual property ownership, free speech, and the rights of artists to create as they see fit.
The "IllegalArt: Freedom of Expression in the Corporate Age" exhibit is currently on tour in North America.
A museum exhibit called "IllegalArt" might sound like a history of naughty pictures.
Just as courts have protected controversial speech by setting high standards for libel, courts have identified commentary, criticism, and parody in particular as fair uses.
Now that the "IllegalArt" artists and many more have popularized their artistic practice and suffered for it, corporate copyright holders are ready to reap the rewards.
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