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One of the earliest outlets for disseminating the image of "the Indian" was the outpouring of "Indian captivity narratives," which began in the early eighteenth century.
In it, a white hero or heroine was abducted, underwent sufferings and even torture, was initiated into Indian society, but was finally and miraculously delivered once again to his or her own people, through the grace of God.
To stand alongside the "bad Indian" of the captivity narratives, Americans also invented a "good Indian" or "noble savage." The good Indian was handsome, strong, gentle, kind, brave, intelligent, and unfettered by the artificiality and various corruptions of "civilized" life.