NationMaster - Encyclopedia: Indie music

in music that is characterized by its perceived independence from mainstream or pop culture as a whole. As such, it can be seen as a synonym for alternative music.^[1]^[2] Image File history File links Broom_icon. ... Look up mainstream in Wiktionary, the free dictionary. ... Alternative rock (also called alternative music or simply alternative; known primarily in the UK as indie) is a genre of rock music that emerged in the 1980s and became widely popular in the 1990s. ...

Definitions of "indie"

Indie and commerciality

A more puristic structural definition of "indie" would draw the line further down, not between the "big 4" major labels and others but between the "big indie" labels and smaller labels, considered by purists to be true indie labels. These small labels are typically run by a few people, often out of their home or garage, and often coupled with a mail-order service representing other labels. The people running the labels have a close connection to a certain scene; many labels are run partially or wholly by musicians in bands on them. A concern for the purity of the creative mission of the label takes precedence over commercial concerns; many labels close down or go on hiatus when the owners lose interest or (as often happens) run out of money (or sometimes close down when the owners feel their mission has been fulfilled, as happened with Sarah Records). Archetypal examples of such labels include the aforementioned Sarah Records, Factory Records, Dischord, Kindercore Records, SST and Kill Rock Stars. There and Back Again Lane is a genuine road name near Blackwells Bookshop, Park Street, Bristol, England Sarah Records was a UK independent record label, best known for its recordings of twee pop. ... FAC 115: Factory Records Stationery (1984) Factory Records was a Manchester-based British independent record label, started in 1978 which featured several prominent musical acts, such as Joy Division, New Order, The Durutti Column, Happy Mondays, and (briefly) James and Orchestral Manoeuvres in the Dark. ... Dischord founders Ian Mackaye and Jeff Nelson Dischord Records is a Washington, D.C.-based record label specializing in D.C.-area independent punk, hardcore, and post-hardcore music. ... Kindercore Records was an independent record label based in Athens, Georgia, which was founded in 1996 by Ryan Lewis and Daniel Geller to document the emerging music scene in Athens, Georgia. ... SST Records is a Lawndale, California based independent record label formed in 1978 in Long Beach, California by Black Flag founder/guitarist Greg Ginn. ... Kill Rock Stars is an independent record label founded in 1991 by Slim Moon and based in Olympia, Washington, United States, though it will be moving some of its operations to New York City and Portland, Oregon in 2007. ...

The converse of this are independent labels that have been perceived, rightly or wrongly, as being overly "commercial" or exploitative of certain artists or trends. Examples at various times include Fat Wreck Chords, Matador Records, Sub Pop, Victory Records, and Epitaph. Fat Wreck Chords is a San Francisco, California based independent record label, focused on punk rock, which was started by Fat Mike the lead singer and bassist of the punk rock band NOFX and his wife Erin, in 1990. ... Matador Records is a record label, famous for a roster of highly-respected indie rock artists and bands. ... Sub Pop is a record label in Seattle, Washington that achieved fame in the 1990s for first signing Nirvana, Soundgarden, Mudhoney and many other bands from the local Seattle music scene. ... Victory Records is a Chicago-based independent record label founded by Tony Brummel. ... This article does not cite any references or sources. ...

Once again, this is not so much a dichotomy as a continuum; some labels grow from such independent status and gradually become more commercially oriented (often prompted by the success of one of their acts), eventually becoming subsumed by a larger conglomeration or a major label. One example of this was Creation Records, a label Alan McGee started in the 1980s on a small scale, which, in the 1990s had success with Oasis, subsequently becoming much more commercially oriented before being acquired by Sony. At least two different record labels called Creation Records have existed. ... Alan McGee is a British music industry mogul and musician famed for founding the independent Creation Records label which ran from 1983 to 2000. ... This article does not cite any references or sources. ... For the band, see 1990s (band). ... Oasis are an English rock band, formed in Manchester in 1991. ...

Indie and genres

The word "indie" is often used to refer specifically to various genres or sounds in a realm of music that runs parallel to more commercial music. During the 1980s, "indie" was synonymous in Great Britain with jangly guitar pop of the C-86 movement. During the 1990s "indie" music became more expansive and established as a growing number of musicians and fans began seeking alternatives to the mainstream music establishment. Entire genres and sub-genres found representation from new acts, like the Red House Painters, The Sea and Cake, Metric and Polvo. More recently, the word "indie" is sometimes used as a synonym for all "underground" music, similar in the way alternative was used previously before it actually became just a specific genre of corporate, mainstream music in the 90's. Such usages of "indie" may be considered inaccurate for various reasons: for one, stylistic qualities are often not accurately correlated to commercial independence or adherence to indie principles (this is particularly true when a sound becomes popular, its leading exponents are signed by major labels and more success-oriented bands and production teams attempt to imitate the style; this ultimately culminates in commercially driven artists sporting the same stylistic traits the "indie" artists of a year ago had). Secondly, however pervasive any style of music may become at a particular time, it by definition cannot embody all of indie music, as, by indie's nature, there will be indie artists, labels and entire local scenes operating outside of this style and its definitions. This article does not cite any references or sources. ... C86 is the name of a celebrated cassette compilation released by the British music magazine New Musical Express (NME) in 1986, featuring new bands licenced from independent labels of the time. ... For the band, see 1990s (band). ... Red House Painters is an alternative rock group formed in 1989 in San Francisco by singer/songwriter Mark Kozelek. ... The Sea and Cake, is a post rock band, formed in Chicago, Illinois. ... Metric is a Canadian rock band. ... Polvo were an influential indie noise rock band of the 1990s from Chapel Hill, North Carolina, USA. The band was fronted by vocalist/guitarist Ash Bowie and guitarist Dave Brylawski. ... Alternative rock (also called alternative music or simply alternative; known primarily in the UK as indie) is a genre of rock music that emerged in the 1980s and became widely popular in the 1990s. ...

Cultural and philosophical attributes of indie

There are a number of cultural and philosophical traits which could be more useful in pinpointing what "indie" is about than specific musical styles or commercial ownership. Indie artists are concerned more with self-expression than commercial considerations (though, again, this is a stance that is affected by many artists, including hugely commercially successful ones). A do-it-yourself sensibility, which originated with punk in the 1970s, is often associated with indie, with people in the scene being involved in bands, labels, nights and zines. Indie often has an internationalist outlook, which stems from a sense of solidarity with other fans, bands and labels in other countries who share one's particular sensibilities; small indie labels will often distribute records for similar labels from abroad, and indie bands will often go on self-funded tours of other cities and countries, where those in the local indie scenes will invariably help organize gigs and often provide accommodation and other support. In addition, there is also a strong sense of camaraderie that emerges from a selflessness among indie bands and often results in collaborations and joint tours. This article needs additional references or sources for verification. ... Punk rock is an anti-establishment music movement beginning around 1976 (although precursors can be found several years earlier), exemplified and popularised by The Ramones, the Sex Pistols, The Clash and The Damned. ... The 1970s decade refers to the years from 1970 to 1979. ... A zineâ€”an abbreviation of the word fanzine, and originating from the word magazineâ€”is most commonly a small circulation, non-commercial publication of original or appropriated texts and images. ...

Indie artists of any particular time often go against the prevailing trends (for example, the twee pop movement that started in the 1980s was a reaction against the testosterone-fueled swagger of rock). A 'lo-fi' aesthetic (i.e., an often deliberate lack of polish and a more "authentic" roughness and imperfection) has often been associated with indie, particularly when slick, polished recordings were the preserve of the commercial music industry; this line has since become blurred, in a world where high-quality recordings can be made increasingly easily with inexpensive computer-based recording systems and where commercial production teams often deliberately utilize a "lo-fi" sound. This article is about the genre of music. ... This article does not cite any references or sources. ...

Indie and technology

The concept of the album was first introduced with the invention of the phonograph. Artists became dependent on companies with capital because it was too expensive for an artist to produce and distribute an album themselves. Because of this, the choices offered to the public were decided by what the record companies chose to support and distribute. Today, technology is finally at the point where it is affordable for an artist to produce and distribute an album without the assistance of a label. Ironically, this same technology is available to consumers who can easily reproduce the music. This makes it increasingly difficult for an artist to make a living from selling albums alone.^[3] An album or record album is a collection of related audio or music tracks distributed to the public. ... Edison cylinder phonograph ca. ... By the mid 20th century humans had achieved a mastery of technology sufficient to leave the surface of the Earth for the first time and explore space. ...

Internet technology allows artists to introduce their music to a potentially enormous audience at low cost without necessarily affiliating with a major recording label.^[4] The design of digital music software encourages the discovery of new music. Sites with larger libraries of songs are the most successful. This, in turn, creates many opportunities for independent bands. Royalties from digital services could prove to be an important source of income. If an artist has already paid to record, manufacture, and promote their album, there is little to no additional cost for independent artists to distribute their music online.^[5] Digital services offer the opportunity of exposure to new fans and the possibility of increased sales through online retailers. Artists can also release music more frequently and quickly if it is made available online. Additionally, artists have the option of releasing limited edition, out-of-print, or live material that would be too costly to produce through traditional means. This article or section does not adequately cite its references or sources. ... The term special edition implies a kind of an extraordinary, rare quality. ...

With the arrival of newer and relatively inexpensive recording devices and instruments, more individuals are able to participate in the creation of music than ever before. Studio time is extremely expensive and difficult to obtain. The result of new technology is that anyone can produce studio-quality music from their own home. Additionally, the development of new technology allows for greater experimentation with sound.^[6] An artist is able to experiment without necessarily spending the money to do it in an expensive studio. For a one-room apartment, see Apartment. ... Sound is a disturbance of mechanical energy that propagates through matter as a longitudinal wave, and therefore is a mechanical wave. ...

Most artists maintain their own Web sites as well as having a presence on sites such as Myspace.com. Technological advances such as message boards, music blogs, and social networks are also being used by independent music companies to make big advances in the business.^[7] Some sites rely on audience participation to rate a band, allowing listeners to have a significant impact on the success of a band. This eliminates new talent search and development, one of the most costly areas of the music business. Other sites, allow artists to upload their music and sell it at a price of their choosing. Visitors to the site can browse by genre, listen to free samples, view artist information, and purchase the tracks they want to buy.^[8] Acts such as Wilco have chosen to make their new albums available for streaming before they are released.^[9] MySpace. ... An Internet forum, also known as a message board or discussion board, is a web application that provides for online discussions, and is the modern descendant of the bulletin board systems and existing Usenet news systems that were widespread in the 1980s and 1990s. ... A social network is a map of the relationships between individuals, indicating the ways in which they are connected through various social familiarities ranging from casual acquaintance to close familial bonds. ... Wilco is an American rock band based in Chicago, Illinois. ...

However, the sale of digital music makes up only 5-10% of the total income generated from music sales. At this point, most people do not have broadband connections to the internet, making it relatively difficult for the general public to access music online. Many digital music services tend to focus overwhelmingly on major label acts. They don’t necessarily have the time or resources to give attention to independent artists.^[10] Broadband in telecommunications is a term which refers to a signaling method which includes or handles a relatively wide range of frequencies which may be divided into channels or frequency bins. ...

Many bands have chosen to forego a record label and instead market and distribute their music through entirely web-based means. Digital marketing firms offer opportunities such as Podcast creation and promotion and video hosting to their clients. In the case of digital distribution, an artist lends a company the right to distribute their music. The contract is non-exclusive, and the rights to the music continue to belong with the artist. For a small fee, the distributor is in charge of getting an artist’s album to a retailer. Online retailers include iTunes, Rhapsody, and Yahoo. An orange square with waves indicates that an RSS feed is present on a web page. ... This article is about about the iTunes application. ... Look up rhapsody in Wiktionary, the free dictionary. ... Yahoo! - Wikipedia, the free encyclopedia /**/ @import /skins-1. ...

Subcategories of indie

There are several subcategories which music from the overall indie scene are often grouped broadly into. Music ranging from alternative rock to punk rock to experimental music has long existed in indie scenes, often independent from one another. Indie rock and indie pop are the most common groupings that conform to an "indie" sound. The difference between these is difficult to pick up from the instrumentation or sound, as both genres include distorted guitar-based music based on pop-song conventions. If anything, the key distinction comes not from instrumentation or structure but from how strictly they follow cultural constructions of rockist "authenticity". There is also indie dance, which comes from a fusion of indie pop and electronic/dance music. Crossover between electronica (mostly glitch) resulted in so-called indietronic, electronic indie or indie electronic, for example some artists on the German Morr Music label, The Firebird Band, or The Postal Service. For experimental rock music, see experimental rock. ... Indie rock is a subgenre of rock music often used to refer to bands that are on small independent record labels or that arent on labels at all. ... Indie rock is a subgenre of rock music often used to refer to bands that are on small independent record labels or that arent on labels at all. ... Rockism is an ideology of popular music criticism, originating in the British music press in the late 1970s or early 1980s. ... Indie dance is a term used for the genre of music combining elements of dance-pop (or other forms of electronic dance music such as house or techno) and indie pop. ... It has been suggested that this article or section be merged into Electronic music. ... Glitch (also known as Clicks and Cuts from a representative compilation series by the German record label Mille Plateaux) is a genre of electronic music that became popular in the late 1990s with the increasing use of digital signal processing, particularly on computers. ... Indietronic, also known as electronic indie and lap-pop, is a music genre that combines indie rock and electronic music (mostly elements of IDM and glitch). ... Morr Music logo. ... The Firebird Band is an indie rock band hailing from Chicago, Illinois. ... The Postal Service is an American electronic indie pop band featuring singer Ben Gibbard of Death Cab for Cutie and producer Jimmy Tamborello of Dntel, Headset and Figurine. ...

Another type is post-rock, a music genre characterized by nontraditional use of instruments and high musical density. Although firmly rooted in the indie scene, post-rock's elusive and complex style bears little resemblance musically to indie rock or other styles more commonly associated with the scene. However, as post-rock music is often recorded on independent labels, it therefore often shares the same level of obscurity as much of the indie scene. Some post-rock artists include Godspeed You! Black Emperor, Slint, Sigur Rós and Tortoise. The term post-rock was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and powerchords. ... This article or section does not adequately cite its references or sources. ... In popular music, indie music (from independent) is any of a number of genres, scenes, subcultures and stylistic and cultural attributes, characterised by perceived independence from commercial pop music and mainstream culture and an autonomous, do-it-yourself (DIY) approach. ... Indie rock is a subgenre of rock music often used to refer to bands that are on small independent record labels or that arent on labels at all. ... A record label is a brand created by companies that specialize in manufacturing, distributing and promoting audio and video recordings, on various formats including compact discs, LPs, DVD-Audio, SACDs, and cassettes. ... Godspeed You! Black Emperor (formerly punctuated Godspeed You Black Emperor!) is an avant-garde Canadian post-rock band based in Montreal, Quebec. ... Slint was a rock/math rock band consisting of Brian McMahan (guitar and vocals), David Pajo (guitar), Britt Walford (drums), Todd Brashear (bass on Spiderland) and Ethan Buckler (bass on Tweez). ... Sigur RÃ³s ( ) is an Icelandic post-rock band with melodic, classical and minimalist elements. ... Tortoise, an instrumental rock band, formed in Chicago, Illinois in 1990. ...

The term was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and power chords." Simon Reynolds (born 1963 in London), is an influential British music critic who is well-known for his writings on electronic dance music and for coining the term post-rock. ... The Wire is a British avant garde music magazine, often nicknamed the chinstrokers bible. It was founded in 1982 by jazz promoter Anthony Wood and journalist Chrissie Murray, and concentrated on contemporary jazz and improvised music. ... Year 1994 (MCMXCIV) was a common year starting on Saturday (link will display full 1994 Gregorian calendar). ... In music, timbre, also timber (from Fr. ... Riff is also an alternate spelling of Rif, a region of Morocco. ... In music, a power chord is a bare fifth, or a similar chord, usually played on electric guitar with distortion. ...

Going major versus staying indie

Some bands choose to never go to a major label even if they are given the opportunity to do so. A famous example were the Anarcho punk band, Crass. Though this was as much out of necessity as a means of keeping their artistic and political vision intact, since they never had record executives knocking on their door to begin with. They set up their own label to protect themselves from co-option and provide a voice for like-minded anarcho-punk artists. The following is a partial list of record labels, both past and present. ... Anarcho-punk is a faction of the punk subculture that consists of bands, groups and individuals promoting anarchist politics. ... For information about the anarchist writer see Chris Crass Crass was an influential English anarchist punk rock band. ... The anarchy symbol commonly used by anarcho-punks Anarcho-punk (sometimes known as peace-punk) is a subgenre of the punk rock movement consisting of groups and bands promoting specifically anarchist ideas. ...

If a band moves to a major label, it does not necessarily guarantee the band success. Only about 1 in 10 CDs released by major labels make any profit for the label.^[11] It is possible for an artist to make more money producing and promoting their own CDs than signing with a major label. However, an independent label that is creatively productive is not necessarily financially lucrative. Independent labels are often one-or two-person operations with almost no outside assistance and run out of tiny offices.^[12] This lack of resources can make it extremely difficult for a band to make revenue from sales. An independent record label is variously described as a record label operating without the funding (or outside the organizations) of the major record labels, and/or a label that subscribes to indie philosophies such as DIY and anti-corporate art. ...

One thing an artist can consider doing if they want to be noticed by a major label is starting their own independent label. A successful independent label with a strong musical reputation can be very appealing to a major label. Major labels rely on independent labels to stay current within the ever-changing music scene.^[13] Independent labels are often very good at discovering local talent and promoting specialized genres.

The difference among various independent labels lies with distribution, probably the most important aspect of running a label. A major-label distributed independent label allows the independent label to find, sign, and record their own artists. The independent label has a contract with a major label for promotion and distribution. In some cases, the major label also manufactures and releases the album. Independent labels that are owned by a major label distribute their records through independent distributors but are not purely independent. A purely independent label is not affiliated with a major label in any way. Their records are distributed through independent distributors.^[14]

It can be very difficult for indie bands to sign on a record label that may not be familiar with their specific style. It can take years of dedicated effort, self-promotion, and rejections before landing a contract with either an independent or major record label. Bands that are ready to go this route need to be sure they are prepared both in terms of the music they offer as well as their realistic expectations for success^[15]

The three main ways for an artist to make money are record deals, touring, and publishing rights. Touring was an Italian automobile design and coachbuilding firm in the 1950s. ... â€œPublisherâ€ redirects here. ...

Major label contracts

Most major label artists earn a 10-15% royalty rate. However, before a band is able to receive any of their royalties, they must clear their label for all of their debts, known as recoupable expenses. These expenses arise from the cost of such things as album packaging and artwork, tour support, and video production. An additional part of the recoupable expenses are the artist’s advance. An advance is like a loan. It allows the artist to have money to live and record with until their record is released. However, before they can gain any royalties, the advance must be paid back in full to the record label. Since only the most successful artists recoup production and marketing costs, an unsuccessful artist’s debt carries over to their next album, meaning that they see little to no royalties. Royalty may refer to either: the royal family of a country with a monarchy royalties the payment made to the owner of a copyright, patent, or trademark, for the use thereof This is a disambiguation page — a navigational aid which lists other pages that might otherwise share the same... An advance payment, or simply an advance, is the part of a contractually due sum that is paid in advance, while the balance will only follow after receipt on the counterpart in goods or services. ... A loan is a type of debt. ...

Major label advances are generally much larger than independent labels can offer. If an independent label is able to offer an advance, it will most like be somewhere in the range of $5,000-$125,000. On the other hand, major labels are able to offer artists advances in the range of $150,000-$300,000. Instead of offering an advance, some independent labels agree to pay for a certain amount of the artist’s recording costs. This money is recoupable. There are advantages and disadvantages of an advance. If an artist gets no advance, that means they owe their record company less money, thus allowing them to earn royalties more quickly. However, since the label recoups so many costs, an artist’s advance might be the only money they are able to make for quite some time.^[16]

In a contract, options are agreed upon. Options allow the label to renew their contract with the artist and release more of their albums. Options lie with the label, and the label has the choice whether or not to record more with the artist. Some artists consider this unfair because the label has the right to not distribute an artist’s project and extend their contract by one more album if they deem the music as commercially or artistically unacceptable. Record labels effectively own the artist’s product for the duration of their contract.^[17] A real option is the right, but not the obligation, to undertake some business decision, typically the option to make a capital investment. ...

Independent label contracts

Many times, a deal from an independent label is quite similar to that of a major label. In cases where an independent label is distributed by a major label, the independent label itself will have to have a major-label deal. In this case, the independent label would want to be sure that their contract with their artists covers the same issues as the independent’s own contract with the major label. In other cases, independent labels offer similar contracts to major labels because they want to look more professional. An independent label that thinks it will eventually be dealing frequently with major labels will have a similar contract in order to avoid having to redraft contracts in the future. There are also plenty of cases in which independent labels have contracts that do not resemble major label contracts in any way. In general, independent labels that are not affiliated with a major label are more willing to take chances and are able to be more flexible in their deals. An independent record label is variously described as a record label operating without the funding (or outside the organizations) of the major record labels, and/or a label that subscribes to indie philosophies such as DIY and anti-corporate art. ... A contract is a legally binding exchange of promises or agreement between parties that the law will enforce. ...

Though some independent labels offer a royalty rate of 10-15% like the major labels, it is becoming increasingly more common for independent labels to offer a profit-sharing deal in which as much as 40-75% of the net profits go to the artist. In this type of contract, the net gain after all expenses have been taken out are split between the label and artist by a negotiated percentage. However, deals in this form can take longer for an artist to gain any profits since all expenses – such as manufacturing, publicity, and marketing – are also taken into account. As an independent artist becomes more popular, deals of this type are more advantageous. Profit sharing, when used as a special term, refers to various incentive plans introduced by businesses that provide direct or indirect payments to employees that depend on companys profitability in addition to employees regular salary and bonuses. ... Wikibooks has more about this subject: Marketing Look up publicity in Wiktionary, the free dictionary. ...

Independent labels often rely heavily on free goods, or the records that are given away in promotion of an album. Artists do not receive royalties on merchandise that is given away for free. Additionally, since compilations made by independent labels are often given away, the artist receives no royalties. Major label compilations are more often sold than given away, and the artist does receive royalties. A compilation album is an album (music or spoken-word) featuring tracks from one or multiple recording artists, often culled from a variety of sources (such as studio albums, live albums, singles, demos and outtakes. ...

Touring

When a band goes on tour, it may or may not have the financial backing of its label. An artist receives a fixed fee or a percentage of the tickets sold by the venue owner or promoter. Touring is an expensive process. A moderate estimate of touring costs with a bus and small crew can easily reach $15,000 a week. If an artist tours with the support of their label, the expenses are all recoupable, thus potentially increasing a band’s debt. Many successful bands tour without the support of their label so that they can keep all of their touring revenue. An independent band would have more difficulty than a highly successful one in being self-sufficient on tour. A Venue is the location of an event, usually a meeting. ...

Publishing

If a band or artist writes their own material, publishing can be one of the best ways to earn a profit. It is one of the few guaranteed ways to earn revenue for artists. Even touring is not a sure way to make money because it is possible that no one will attend the shows. Basic copyright law protects songwriters by giving them exclusive rights to grant or deny the reproduction, distribution, or performance of their work. The majority of a band’s publishing income comes from its mechanical and performance rights. Mechanical rights cover the reproduction of a song on a record. In the standard contract between a band and a label, the label is required by law to pay the composer a fixed rate per song simply for the right to use the composition on commercially sold recordings. The mechanical licensing rate in 2006 for the U.S. and Canada is 9.1 cents per song.^[18] With the performance rights, a song’s copyright covers every time it appears on radio and television. The copyright symbol is used to give notice that a work is covered by copyright. ...

If an artist prefers to receive up-front money for their songs instead of waiting for the money to come in over time, it can choose to assign its copyright to a music publisher. The music publisher pays a cash advance for what they decide is the value of the copyright. It is common for a band to sign a copublishing deal. This means that the publisher offers the artist an advance in exchange for half the publishing income. When the advance is paid back, the music publisher retains 25% of the income. Since an artist has no guarantees whether or not their song will be popular, some may prefer to have a cash advance that guarantees them money regardless of how well the song does. A music publisher deals in the marketing and commercial exploitation of songs. ...

Modern Indie(2006-2007)

Indie music has now transformed into a mere marketing label that means little compared to the past definition, similair to that of the transformation that underwent "alternative" music. The mere mention of the term indie invokes a predetermined sound characterized by soft guitar and fluff lyrics that are now mass marketed to the current "alternative/indie/emo" crowd. In music a cycle such as this in bound to happen when the prospect of capitol gain is in the works. Most people who digest "indie" music are no more that light hearted teenage fuax-angsters looking to be accepted or projected into the subculture of postmodern emo sensibilities and would most likely be labeled as "posers" or utter fakes in the presence of true artists and their listeners. To gain even more money companies are reissuing music with mild similarities to "indie" such as folk, acoustic alternative, and light emo rock.

Genres associated with indie

Alternative rock (also called alternative music or simply alternative; known primarily in the UK as indie) is a genre of rock music that emerged in the 1980s and became widely popular in the 1990s. ... Indie rock is a subgenre of rock music often used to refer to bands that are on small independent record labels or that arent on labels at all. ... Indie rock is a subgenre of rock music often used to refer to bands that are on small independent record labels or that arent on labels at all. ... The term post-rock was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and powerchords. ... Shoegazing (also known as shoegaze or shoegazer; practitioners referred to as shoegazers) is a style of Independent (or Indie) music that emerged from the U.K. in the late 1980s, lasting until the mid 1990s, with peaking circa 1990 to 1991. ... This article is about the genre of music. ... Americana is a loose subset of American roots music, that is perhaps best defined as classic American musicâ€”ranging in style from folk, country blues, bluegrass, alternative country, rockabilly, neotraditional and roots rock. ... Britpop was a British alternative rock genre and movement that was at its most popular in Great Britain in the mid 1990s. ... Dark cabaret is a music genre that can be traced back to the 1970s and is still played today. ... Downtempo is a laid-back electronic music style intended more for listening and socializing than dancing, though some releases are danceable in their own right. ... For experimental rock music, see experimental rock. ... â€œFolk songâ€ redirects here. ... Garage rock is a raw form of rock and roll that enjoyed its original period of wide success in the United States and Canada, from 1963 to 1967. ... Glitch (also known as Clicks and Cuts from a representative compilation series by the German record label Mille Plateaux) is a genre of electronic music that became popular in the late 1990s with the increasing use of digital signal processing, particularly on computers. ... Hip hop is a cultural movement that began amongst urban African American youth in New York and has since spread around the world. ... It has been suggested that Chicago Industrial be merged into this article or section. ... Intelligent dance music (commonly IDM) is a genre of electronic music derived from dance music of the 1980s and early 1990s which puts an emphasis on novel processing and sequencing. ... This article does not cite any references or sources. ... Punk rock is an anti-establishment music movement beginning around 1976 (although precursors can be found several years earlier), exemplified and popularised by The Ramones, the Sex Pistols, The Clash and The Damned. ... Extreme metal is an umbrella term for the heavy metal subgenres of a more aggressive style than traditional heavy metal. ... Shibuya at night Shibuya-kei (æ¸‹è°·ç³» Shibuya-style; also æ¸‹è°·ç³»ã‚µã‚¦ãƒ³ãƒ‰ Shibuya-kei sound) is a variety of Japanese pop music which combines elements of jazz, fusion, traditional music, and other styles. ... Suomisaundi (sometimes called psy-fi, suomistyge, suomisoundi, forest trance or spugedelic trance) is a style of freeform psychedelic trance, originating from Finland. ... This article does not cite any references or sources. ... Alternative hip hop (also known as alternative rap) is a genre that is defined in greatly varying ways. ... YÃ©-yÃ© is a style of pop music, popular in France in the 1960s. ...

Contents

Definitions of "indie"

Indie and commerciality

Indie and genres

Cultural and philosophical attributes of indie

Indie and technology

Subcategories of indie

Going major versus staying indie

Major label contracts

Independent label contracts

Touring

Publishing

Modern Indie(2006-2007)

Genres associated with indie

See also

External links

References

Contents

Definitions of "indie" GA_googleFillSlot("encyclopedia_square");

Indie and commerciality

Indie and genres

Cultural and philosophical attributes of indie

Indie and technology

Subcategories of indie

Going major versus staying indie

Major label contracts

Independent label contracts

Touring

Publishing

Modern Indie(2006-2007)

Genres associated with indie

See also

External links

References

Definitions of "indie"