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Encyclopedia > Italic type

In typography, italic type /ɪˈtælɪk/ or /aɪˈtælɪk/ refers to cursive typefaces based on a stylized form of calligraphic handwriting. The influence from calligraphy can be seen in their usual slight slanting to the right. Different glyph shapes from roman type are also usually used—another influence from calligraphy. Image File history File links Question_book-3. ... A specimen of roman typefaces by William Caslon Typography is the art and techniques of type design, modifying type glyphs, and arranging type. ... In typography, a typeface is a co-ordinated set of character designs, which usually comprises an alphabet of letters, a set of numerals and a set of punctuation marks. ... Penmanship is the art of writing clearly and quickly. ... Contemporary Western Calligraphy. ... variant glyphs representing the character a (allographs of a) in the Zapfino typeface. ... Roman type has two separate meanings in typography, both of which refer to the fact that the capital letters of a Roman font have an appearance similar to those used for lettering stone in ancient Rome: Roman type can refer to one of the major families of traditional typefaces as...


It is distinct therefore from oblique type, in which the font is merely distorted into a slanted orientation. However uppercase letters are often oblique type or swash capitals rather than true italics. Oblique type is not the same of Italic type - Italic (Cursive) type is based of Aldus Manutius caligraphy, and Oblique (Slanted) is a mere distortion. ... A swash is a typographical flourish on a glyph, like an exaggerated serif. ...

Contents

Examples

An example of normal (roman) and true italics text: Roman type has two separate meanings in typography, both of which refer to the fact that the capital letters of a Roman font have an appearance similar to those used for lettering stone in ancient Rome: Roman type can refer to one of the major families of traditional typefaces as...

An example set in both roman and italic type.
An example set in both roman and italic type.

The same example, as oblique text: Image File history File links Comparison between Garamond Roman and Garamond Italic using a pangram. ... Image File history File links Comparison between Garamond Roman and Garamond Italic using a pangram. ... Roman type has two separate meanings in typography, both of which refer to the fact that the capital letters of a Roman font have an appearance similar to those used for lettering stone in ancient Rome: Roman type can refer to one of the major families of traditional typefaces as... Oblique type is not the same of Italic type - Italic (Cursive) type is based of Aldus Manutius caligraphy, and Oblique (Slanted) is a mere distortion. ...

The same example as set in oblique type.
The same example as set in oblique type.

Some examples of possible differences between roman and italic type, besides the slant, are below. The transformations from roman to italics are illustrated. Image File history File links Oblique_type_example. ... Image File history File links Oblique_type_example. ...

  • a "round" or one-story a (also known as Latin alpha),
  • an e whose bowl is curved rather than pointed,
  • an f with a tail (known as a descender),
  • a k with a looped bowl, a k with a ball terminal,
  • a p with an intersection at the stem (ascender),
  • a v and w with swashes and curved bottoms,
  • and a z with the stress on the horizontal strokes as opposed to the diagonal vertical one.

None of these differences are required in an italic; some, like the p variant, don't show up in the majority of italic fonts, while others, like the a and f variants, are in almost every italic. Other common differences include: Because of technical limitations, some web browsers may not display some special characters in this article. ...

  • Double-loop g replaced by single-loop version.
  • Different closing height where the forked stroke intersects with the stem (eg: a, b, d, g, p, q, r, þ).
  • Bracketed serifs (if any) replaced by hooked serifs.
  • Tail of Q replaced by tilde (as in, for example, the Garamond typeface).

Less common differences include a descender on the z and a ball on the finishing stroke of an h, which curves back to resemble a b somewhat. Sometimes the w is of a form taken from old German typefaces, in which the left half is of the same form as the n and the right half is of the same form as the v in the same typeface. There also exist specialized ligatures for italics, such as a curl atop the s which reaches the ascender of the p in sp. Various examples of Garamond There are several typefaces called Garamond. ... It has been suggested that this article or section be merged with Ligature (palaeography). ...


In addition to these differences in shape of letters, italic lowercases usually lack serifs at the bottoms of strokes, since a pen would bounce up to continue the action of writing. Instead they usually have one-sided serifs that curve up on the outstroke (contrast the flat two-sided serifs of a roman font). One uncommon exception to this is Hermann Zapf's Melior. (Its outstroke serifs are one-sided, but they don't curve up.)
In typography, serifs are non-structural details on the ends of some of the strokes that make up letters and symbols. ... Hermann Zapf (born in Nuremberg, Germany on November 8, 1918) is a prolific German typeface designer. ...


Outside the regular alphabet, there are other italic types for symbols:

  • Ampersand resembles eT ligature more than the Roman version (eg: ITC Garamond)
  • Question mark resembles a reversed Latin S.
  • Asterisk is rotated instead of slanted (eg: Bookman Old Style, ITC Garamond). this is gaiiii

An ampersand (&), also commonly called an and sign is a logogram representing the conjunction and. ... ? redirects here. ... This article is about the typographical symbol. ... ITC may stand for: Illinois Terminal Railroad (AAR reporting mark ITC) Incorporated Television Company, known best perhaps for producing The Muppet Show and a number of Sylvia and Gerry Anderson live and Supermarionation TV shows Independent Television Commission Institute of Technology Institute of Technology of Cambodia [1] Institute of Technology...

Usage

When to use

  • Emphasis: "Smith wasn't the only guilty party, it's true."
  • The titles of works that stand by themselves, such as books or newspapers: "He wrote his thesis on The Scarlet Letter." Works that appear within larger works, such as short stories, poems, or newspaper articles, are not italicized, but merely set off in quotation marks.
  • The names of ships: "The Queen Mary sailed last night."
  • The title of an epic poem: "The Iliad is thought to be the first Greek writing."
  • Foreign words, including the Latin binary nomenclature in the taxonomy of living organisms: "A splendid coq au vin was served"; "Homo sapiens".
  • Using a word as an example of a word rather than for its semantic content (see use-mention distinction): "The word the is an article."
    • Using a letter or number mentioned as itself:
      • John was annoyed: They had forgotten the h in his name once again.
      • When she saw her name beside the 1 on the rankings, she finally had proof that she was the best.
  • Introducing or defining terms, especially technical terms or those used in an unusual or different way:[1] "Freudian psychology is based on the ego, the super-ego, and the id."; "An even number is one that is a multiple of 2."
  • Sometimes in novels to indicate a character's thought process: "This can't be happening, thought Mary."
  • Symbols for physical quantities and other mathematical variables: "The speed of light, c, is approximately equal to 3.00×108 m s-1."

Bold and Boldface redirect here. ... The symbol ″, while technically the double-prime, is also used to mean inch. ... In biology, binomial nomenclature refers to the formal method of naming species. ... The use-mention distinction is the distinction between using a word (or phrase, etc. ... A physical quantity is either a quantity within physics that can be measured (e. ... In computer science and mathematics, a variable (pronounced ) (sometimes called an object or identifier in computer science) is a symbolic representation used to denote a quantity or expression. ...

Alternative representations

Oblique type

Oblique type (or slanted, sloped) is roman type which is optically skewed, but lacking the individual letter forms and cursive accoutrements of true italics. Oblique type is not the same of Italic type - Italic (Cursive) type is based of Aldus Manutius caligraphy, and Oblique (Slanted) is a mere distortion. ...


In many computing interfaces, the text leaning effect is called Italic, whether or not an italic font is used to render the text. The start of this confusion possibly appeared when Adrian Frutiger named the slanted versions of his typefaces Univers and Frutiger as italic. In the case of Univers, only Univers 65 Bold has a italic-named counterpart. Since then, many font families, primarily sans-serif fonts, have called the oblique fonts italic. Although updated version of those font families begin to incorporate italic features, some font families, such as Avenir Next, Linotype Univers, Neue Helvetica, do not. Adrian Frutiger (born March 24, 1928) is the designer of some of the best known typefaces of the 20th century. ... This article is about a typeface; for information about similarly spelled topics, see Universe (disambiguation). ... New Swiss road signs use the typeface Frutiger. ...


Although oblique font can be generated by simply tilting base font, some designers use optical correction to correct the distorted curves introduced by the tilting alone. In addition, the tilting angle used by GUI may be different than the oblique or italic font. Some font families even have fonts in both italic and oblique variants, regardless of the presence of italic type. In addition, the oblique font can have different tilting angle from the italic font. For example, Univers 65 Bold Oblique has a smaller leaning angle than the Univers 66 Bold Italic.


Italics within italics

If something within a run of italics needs to be italicized itself, the type is switched back to non-italicized (roman) type: "That sounds like something from The Scarlet Letter, thought Mary." In this example, we have a title ("The Scarlet Letter") within an italicized thought process and therefore this title is non-italicized. It is followed by the main narrative that is outside both. It is also non-italicized and therefore not obviously separated from the former. The reader must find additional criteria to distinguish between these. Here, apart from using the attribute of italic–non-italic styles, the title also employs the attribute of capitalization. Roman type has two separate meanings in typography, both of which refer to the fact that the capital letters of a Roman font have an appearance similar to those used for lettering stone in ancient Rome: Roman type can refer to one of the major families of traditional typefaces as...


Left-leaning italics

In certain Arabic fonts (eg: Adobe Arabic, Boutros Ads), the italic font has the top of the letter leaning to the left, instead of leaning to the right. Some font families, such as Venus, Roemisch, Topografische Zahlentafel, include left leaning fonts and letters designed for German cartographic map production, even though they do not support Arabic characters.


Parentheses

The Chicago Manual of Style suggests that to avoid problems such as overlapping and unequally spaced characters, parentheses and brackets surrounding text that begins and ends in italic or oblique type should also be italicized. An exception to this rule applies when only one end of the parenthetical is italicized (in which case roman type is preferred). The Chicago Manual of Style (CMS) is a highly regarded style guide for American English, dealing with questions of style, manuscript preparation, and, to a lesser degree, usage. ... For technical reasons, :) and some similar combinations starting with : redirect here. ... For technical reasons, :) and some similar combinations starting with : redirect here. ... Oblique type is not the same of Italic type - Italic (Cursive) type is based of Aldus Manutius caligraphy, and Oblique (Slanted) is a mere distortion. ... Roman type has two separate meanings in typography, both of which refer to the fact that the capital letters of a Roman font have an appearance similar to those used for lettering stone in ancient Rome: Roman type can refer to one of the major families of traditional typefaces as...


Substitutes

In media where italicization is not possible, alternatives are used as substitutes:

  • In typewritten or handwritten text, underlining is typically used.
  • In plain-text computer files, including e-mail communication, italicized words are often indicated by surrounding them with slashes or other matched delimiters. For example:
    • I was /really/ annoyed.
    • They >completely< forgot me!
    • I had _nothing_ to do with it.
    • It was *absolutely* horrible.
  • Where the italics do not indicate emphasis, but are marking a title or where a word is being mentioned or defined as a direct object, quotation marks may be substituted:
    • The word "the" is an article.
    • The term "even number" refers to a number that is a multiple of 2.
    • The story "A Sound of Thunder" was written by Ray Bradbury.

An underline is a horizontal line placed below a portion of text to show emphasis. ... Due to technical limitations, /. redirects here. ... Delimiters are marks which are used to seperate subfields of data. ... The accusative case of a noun is, generally, the case used to mark the direct object of a verb. ...

Web pages

In HTML, the i element is used to produce italic (or oblique) text. When the author wants to indicate emphasized text, modern Web standards recommend using the em element, because it conveys that the content is to be emphasized, even if it can't be displayed in italics. Conversely, if the italics are purely ornamental rather than meaningful, then semantic markup practices would dictate that the author use the Cascading Style Sheets declaration font-style: italic instead of an i or em element. HTML, an initialism of HyperText Markup Language, is the predominant markup language for web pages. ... Oblique type is not the same of Italic type - Italic (Cursive) type is based of Aldus Manutius caligraphy, and Oblique (Slanted) is a mere distortion. ... HTML, short for Hypertext Markup Language, is the predominant markup language for the creation of web pages. ... CSS redirects here. ...


History

Italic type was first produced by Aldus Manutius and the Aldine Press in 1501 as a condensed type for simple, compact volumes.[2] The punches for these types were cut by Francesco da Bologna (whose name was Griffi). In 1501 Aldus wrote to his friend Scipio: Aldus Manutius (1449/50 - February 6, 1515), the Latin form of Aldo Manuzio (born Teobaldo Mannucci) was the founder of the Aldine Press. ... Aldine Press was the printing office started by Aldus Manutius in 1494 in Venice, from which were issued the celebrated Aldine editions of the classics of that time. ...

We have printed, and are now publishing, the Satires of Juvenal and Persius in a very small format, so that they may more conveniently be held in the hand and learned by heart (not to speak of being read) by everyone.

The Aldine italic was modeled on the handwriting of Italian humanist Poggio Bracciolini who wrote in a beautiful and legible style, who was himself emulating the cursive handwriting of blackletter, which Poggio Bracciolini (mistakenly) believed to be the style of Ancient Rome. When we read italic type to this day we are basically reading the handwriting of Poggio Bracciolini.[3] This article or section should be merged with Gian Francesco Poggio Bracciolini Gianfrancesco (or Giovanni Francesco) Poggio Bracciolini (February 11, 1380 - October 10, 1459) was one of the most important Italian Renaissance humanists. ... “Black letter” redirects here. ...


Unlike the italic type of today, the capital letters were upright roman capitals which were shorter than the ascending lower-case italic letters and used about 65 tied letters (ligatures) in the Aldine Dante and Virgil of 1501. The word ligature can mean more than one thing. ...


This Aldine italic became the model for most italic types. It was very popular in its own day and was widely (and inaccurately) imitated. The Venetian Senate gave Aldus exclusive right to its use, a patent confirmed by three successive Popes, but it was widely counterfeited.[2] The Italians called the character Aldino, while others called it Italic.


The slanting italic capital was first introduced by printers in Lyons, and is now used in nearly all italic fonts.


References

  1. ^ "University of Minnesota Style Manual"
  2. ^ a b D.B. Updike, Printing Types: their history, form and use, Harvard University Press, 1927
  3. ^ Bartlett, Kenneth R. (2005), The Italian Renaissance. Part 1. Lecture 6 [sound recording] (Library ed.), Great courses, Chantilly, VA: Teaching Company, ISBN 1598030590 

Chantilly is an unincorporated area located in Fairfax County, Virginia. ... The Teaching Company is an American company that produces recordings of lectures by nationally top-ranked university professors. ...

External link

A specimen of roman typefaces by William Caslon Typography is the art and techniques of type design, modifying type glyphs, and arranging type. ... A page is one side of a leaf of paper. ... Pagination is the system by which the information on a newspaper, bookpage, manuscript, or otherwise handwritten or printed document are laid out. ... “Recto” redirects here. ... In typography, a margin is the white space that surrounds the content of a page. ... An example of a two column layout with caption. ... Recto page from a rare Blackletter Bible (1497) In the field of book design, proportions of pages, type areas (print spaces), and margins of medieval books have been analyzed by scholars, and several canons of page construction have been described by them to represent the ways in which these books... A pull quote mockup using text from the article Wikipedia A pull quote (also known as a lift-out quote or a call-out) is a quotation or edited excerpt from an article that is placed in a larger typeface on the same page, serving to lead readers into an... Image File history File links This is a lossless scalable vector image. ... Block quoItalic textte A paragraph is a self-contained unit of a discourse in writing dealing with a particular point or idea, or the words of an author. ... In typesetting, widow refers to the final line of a paragraph that falls at the top the following page of text, separated from the remainder of the paragraph on the previous page. ... In typography, leading (IPA , rhymes with heading) refers to the amount of added vertical spacing between lines of type. ... In typography, rivers, or rivers of white, are visually unattractive gaps appearing to run down a paragraph of text. ... In typography and penmanship, the baseline is the line upon which most letters sit and under which descenders extend. ... This article or section does not adequately cite its references or sources. ... In typesetting, alignment, is the horizontal positioning and alignment of text or images within a line, typically relative to a column. ... In typesetting, justification is the setting of text or images within a column or measure to align along both the left and right margin. ... It has been suggested that this article or section be merged with Ligature (palaeography). ... In typography, tracking is the process of uniformly increasing or decreasing the space between all glyphs (letters) in a block of text. ... This article or section does not adequately cite its references or sources. ... Williamsburg eighteenth century press letters Capital letters or majuscules (in the Roman alphabet: A, B, C, D, ...) are also simply called capitals, caps or upper case; manual typesetters kept them in the upper drawers of a desk, keeping the more frequently used minuscule letters on the lower shelf. ... Minuscule, or lower case, is the smaller form (case) of letters (in the Roman alphabet: a, b, c, ...). Originally alphabets were written entirely in majuscule (capital) letters which were spaced between well-defined upper and lower bounds. ... Initial P in Malmesbury Abbey, Wiltshire Detail from a rare Blackletter Bible (1497) printed in Strasbourg by J.R.Grueninger. ... In typography, the x-height or corpus size refers to the height of the lowercase letter x in any font, which is usually the same for a, c, e, m, n, o, r, s, u, v, w, and z. ... The ascenders are the parts of the characters that lie above the midline, highlighted in red. ... The descenders are the parts of the characters that lie below the baseline. ... Example of a letter with a diacritic A diacritic or diacritical mark, also called an accent, is a small sign added to a letter to alter pronunciation or to distinguish between similar words. ... In typography, a counter is an area entirely or partially enclosed by a letter form or a symbol (the counter-space/ the hole of). ... This article is about the terms subscript and superscript as used in typography. ... This article is about the typesetters ornament. ... “Font” redirects here. ... In typography, serifs are non-structural details on the ends of some of the strokes that make up letters and symbols. ... In typography, serifs are the small features at the end of strokes within letters. ... Bold and Boldface redirect here. ... Oblique type is not the same of Italic type - Italic (Cursive) type is based of Aldus Manutius caligraphy, and Oblique (Slanted) is a mere distortion. ... “Font” redirects here. ... “Black letter” redirects here. ... Antiqua A facsimile of Nicholas Jensons roman type used in Venice circa 1470. ... In typography, serifs are non-structural details on the ends of some of the strokes that make up letters and symbols. ... Didone is a typeface classification recognized by the Association Typographique Internationale (AtypI). ... A sample of the typeface Egyptienne, a slab serif face based on the Clarendon model. ... In typography, serifs are the small features at the end of strokes within letters. ... The term punctuation has two different linguistic meanings: in general, the act and the effect of punctuating, i. ... In typography, hanging punctuation is a way of typesetting punctuation marks, most commonly quotation marks, so that they do not disrupt the ‘flow’ of a body of text. ... A hyphen ( - ) is a punctuation mark. ... Quotation marks or inverted commas (also called quotes and speech marks) are punctuation marks used in pairs to set off speech, a quotation, a phrase or a word. ... This article is not about the symbol for the set of prime numbers, ℙ. The prime (′, Unicode U+2032, &prime;) is a symbol with many mathematical uses: A complement in set theory: A′ is the complement of the set A A point related to another (e. ... For other uses, see Dash (disambiguation). ... For other uses, see Dash (disambiguation). ... This article or section is in need of attention from an expert on the subject. ... Type design is the art of designing typefaces. ... A type foundry is a company that designs and/or distributes typefaces. ... For the weblog software, see Movable Type. ... Contemporary Western Calligraphy. ... Phototypesetting is a method of setting type with light (photo). ... Letterpress printing is the oldest printing technique, in which a raised surface is inked and then pressed against a smooth substance to obtain an image in reverse. ... “Font” redirects here. ... A font can mean: A member of a typeface family; or digital font - file format that encapsulates a typeface family in a database. ... In typography, a typeface is a co-ordinated set of character designs, which usually comprises an alphabet of letters, a set of numerals and a set of punctuation marks. ... Point, in typography, may also refer to a dot grapheme (e. ... A pica (pronounced PIKE-ah, SAMPA /paIk@/) is a unit of measure traditionally used in document layout. ... A cicero (pronounced SIS-er-oh, IPA ) is a unit of measure traditionally used in document layout. ... An agate is a unit of typographical measure. ... An em is a unit of measurement in the field of typography, equal to the pt size of the current font. ... An en is a typographic unit, half of the width of an em. ... // ETAOIN SHRDLU (often pronounced et-ee-oin shurd-loo) is the approximate order of frequency of the twelve most commonly used letters in the English language, best known as a nonsense phrase that sometimes appeared in print in the days of hot type publishing due to a custom of Linotype... Using lorem ipsum to focus attention on graphic elements in a website design proposal. ... In type design and typography, the word Hamburgefonts (alternatively styled HAMBURGEFONTS or hamburgefonts) is a word used to sample a font. ... In traditional typography, punchcutting is the process by which matrices were made in hard metal for type founding in the early days. ... Look up pangram in Wiktionary, the free dictionary. ... A character encoding consists of a code that pairs a sequence of characters from a given character set (sometimes referred to as code page) with something else, such as a sequence of natural numbers, octets or electrical pulses, in order to facilitate the storage of text in computers and the... Font rasterization is the process of converting text from a vector description (as found in scalable fonts such as TrueType fonts) to a raster or bitmap description. ... A font test with hinting (lower rows) and without hinting (upper rows) at 100% (above) and 400% (below). ...

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Quantity symbols, which are always printed in italic (that is, sloping) type, are, with few exceptions, single letters of the Latin or Greek alphabets which may have subscripts or superscripts or other identifying signs.
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Spartanburg SC | GoUpstate.com | Spartanburg Herald-Journal (1138 words)
Italic type is often used for emphasis to distinguish or otherwise set off certain words within text.
Italic type was first produced by Aldus Manutius and the Aldine Press in 1501 as a condensed type for simple, compact volumes.
Unlike the italic type of today, the capital letters were upright roman capitals which were shorter than the ascending lower-case italic letters and used about sixty-five tied letters (ligatures) in the Aldine Dante and Virgil of 1501.
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