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:: Drishti :: Travelling Film South Asia 2004 :: (1191 words) |
 | Since no one had heard the song, he travelled up the mountains north of Kathmandu with members of a popular Nepali band and a friend, the filmmaker, in search of the source of this song. |
 | Itihaas Jitneharuka Laagi portrays the changes in the Nepali music scene, as represented by Kuber Rai and Dhiraj Rai. |
 | The two singers are a study in contrasts, with their diametrically opposing personalities and attitude towards music. |
| Fake Historians & Sold Media (1654 words) |
 | His perverted perception of “Itihaas” does not allow him to talk about Raja Harishchandra or Asoka or Kautilya’s love for justice (their obvious disqualification is that they were Hindus) but compels him to choose his example from the reign of Akbar, emperor of India from 1556-1605. |
 | Probably he is unaware that Akbar had a victory tower erected with the heads of the captured and surrendered army of Hemu after the second battle of Panipat. |
 | On the other hand it is Mithal himself who, through his jaundiced version of “Itihaas”, tries to create rifts in the society on the basis of religion and caste as is evident from his 23rd November 2003 column wherein he says that Navratri and Sankranti are caste Hindus festivals and mean nothing to Dalits. |