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Encyclopedia > James Blood Ulmer

James "Blood" Ulmer (born 2 February 1942 in St Matthews, South Carolina) is an American jazz and blues guitarist and singer. Ulmer's guitar sound is very distinctive, and has been described as jagged and stinging. His singing has been called "raggedly soulful." [1] (http://trouserpress.com/entry_90s.php?a=james_blood_ulmer)


Ulmer began his career playing with various soul jazz ensembles, and first recorded with organist John Patton in 1969.


After moving to New York in 1971, Ulmer played with Art Blakey's Jazz Messengers, Joe Henderson, Paul Bley, Rashied Ali and Larry Young.


In the early 1970s, Ulmer joined Ornette Coleman; he was the first electric guitarist to record and tour extensively with Coleman. He has credited Coleman as a major influence, and Coleman's strong reliance on electric guitar in his fusion-oriented recordings owe a distinct debt to Ulmer.


He formed a group called the Music Revelation Ensemble with David Murray and Ronald Shannon Jackson, with whom he was to record throughout the 1980s and 1990s. Different incarnations of the group also featured Julius Hemphill, Arthur Blythe, Sam Rivers, and Hamiet Bluiett on saxophones and flutes.


1983's Odyssey was described as "avant-gutbucket," leading writer Bill Milkowski to describe the music as "conjuring images of Skip James and Albert Ayler jamming on the Mississippi Delta."


Ulmer has recorded many albums as a leader, including two recent acclaimed blues-oriented records produced by Vernon Reid.


References

Philippe Carles, André Clergeat, and Jean-Louis Comolli, Dictionnaire du jazz, Paris, 1994


External links


  Results from FactBites:
 
James Blood Ulmer - Biography - AOL Music (708 words)
James "Blood" Ulmer is one of the few exceptions -- an outside guitarist who has forged a style based largely on the traditions of African-American vernacular music.
Ulmer is an adherent of saxophonist/composer Ornette Coleman's vaguely defined Harmolodic theory, which essentially subverts jazz's harmonic component in favor of freely improvised, non-tonal, or quasi-modal counterpoint.
Ulmer plays with a stuttering, vocalic attack; his lines are frequently texturally and chordally based, inflected with the accent of a soul-jazz tenor saxophonist.
James Ulmer - Wikipedia, the free encyclopedia (292 words)
Ulmer began his career playing with various soul jazz ensembles, and first recorded with organist John Patton in 1969.
In the early 1970s, Ulmer joined Ornette Coleman; he was the first electric guitarist to record and tour extensively with Coleman.
Ulmer has recorded many albums as a leader, including three recent acclaimed blues-oriented records produced by Vernon Reid.
  More results at FactBites »


 

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