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Encyclopedia > Jindyworobak Movement

The Jindyworobak Movement was a nationalistic Australian literary movement whose white members sought to promote indigenous Australian ideas and customs, particularly in poetry. They were active from the 1930s to around the 1950s. The movement intended to combat the influx of "alien" culture, which was threatening local art. Australian Aborigines are the indigenous peoples of Australia. ... This article or section does not cite its references or sources. ... The 1950s was the decade spanning from the 1st of January, 1950 to the 31st December, 1959. ...

Contents

Name

Encyclopedia Brittanica claims poet and novelist James Devaney coined the name in his 1929 book The Vanished Tribes. "Jindyworobak" is supposedly from the phrase jindi woroback, meaning "to join" or "to annex" in the Woiwurrung language formerly spoken round Melbourne. This is said to have been sourced by Devaney from a 19th century vocabulary. Sometimes this name was shortened to "Jindy" or "Jindys" to describe members of the group. 1913 advertisement for the 11th edition, with the slogan When in doubt - look it up in the Encyclopædia Britannica The Encyclopædia Britannica (properly spelt with æ, the ae-ligature) is the oldest English-language general encyclopedia. ... James Devaney (1890-1976) was an Australian poet and novelist sometimes credited with coining the name of the Jindyworobak Movement and being one of the big forces in it. ... Woiwurrung (sometimes spelt Woiwurrong, Woiworung, Wuywurung) is an Indigenous Australian language spoken by some of the Kulin Nation clans of Victoria, from Mount Baw Baw in the east to Mount Macedon, Sunbury and Gisborne in the west. ... Melbournes Yarra River is a popular area for walking, jogging, cycling, rowing and for relaxing on the banks with a picnic Melbourne (pronounced either or [1]) is the second most populous city in Australia, with a metropolitan area population of approximately 3. ...


Poet Rex Ingamells, who can be seen as the founder of the movement applied it to the group in 1937. Rex Ingamells (1913- was an Australian poet, generally credited with being the leading light of the Jindyworobak Movement. ...


Origins and aims

Starting off as a literary club in Adelaide, South Australia in 1938, the Jindyworobak movement was supported by many Australian artists, poets, and writers. Many were fascinated by indigenous Australian culture and the Outback, and desired to improve the white Australian's understanding and appreciation of them. Other features came into play, among them white Australia's increasing alienation from its European origins; the Depression of the 1930s which recalled the economic troubles of the end of the 19th century; an increasingly urban or suburban Australian population alienated from the wild Australia of the Outback etc; the First World War and the coming of World War II and also the coming of early mass market media in the form of the radio, recordings, newspapers and magazines. Sense of place was particularly important to the Jindyworobak movement. Adelaide is the capital and most populous city of the Australian state of South Australia, and is the fifth largest city in Australia, with a population of over 1. ... Emblems: Hairy Nosed Wombat (faunal); Leafy Seadragon (marine); Piping Shrike (bird: unofficial); Sturts Desert Pea (floral); Opal (gemstone) Motto: United for the Common Wealth Slogan or Nickname: Festival State Other Australian states and territories Capital Adelaide Government Const. ... 1938 (MCMXXXVIII) was a common year starting on Saturday (link will take you to calendar). ... For the restaurant chain, see Outback Steakhouse; for the station wagon, see Subaru Outback. ... The Great Depression was a global economic slump that began in 1929 and bottomed in 1933. ... Ypres, 1917, in the vicinity of the Battle of Passchendaele. ... Combatants Major Allied powers: United Kingdom Soviet Union United States Republic of China and others Major Axis powers: Nazi Germany Italy Japan and others Commanders Winston Churchill Joseph Stalin Franklin Roosevelt Harry Truman Chiang Kai-Shek Adolf Hitler Benito Mussolini Hideki Tojo Casualties Military dead: 17,000,000 Civilian dead... Sense of Place is a characteristic that some geographic places have and some do not. ...


Ingamells produced Colonial Culture as a prose manifesto of the movement, "in response to L.F. Giblin's urging that poets in Australia should portray Australian nature and people as they are in Australia, not with the 'European' gaze." and shortly after the first Jindyworobak Anthology came out.


In 1941, the poet and critic A. D. Hope ridiculed the Jindyworobaks as "the Boy Scout school of poetry", a comment for which he apologised in Native Companions in 1975 saying "some amends are due, I think, to these Jindyworobaks" [1]. Others such as R. H. Morrison derided "Jindyworobackwardness". Alec Derwent Hope (July 21, 1907 - July 13, 2000) was an Australian poet and essayist, known for his satirical slant, who was also a critic, teacher and academic. ...


Anthologies of Jindyworobak material were produced until 1953.


Influence and aftermath

Arguably, the movement failed to make a lasting impression, and its erosion signalled the arrival of modernist painting in Australia, as well as jazz. No native Australians were members of the movement, but it did indirectly spur the contemporary burgeoning of indigenous Australian art in the commercial market. Modernism is a term which covers a variety of political, cultural and artistic movements rooted in the changes in Western society at the end of the 19th century and beginning of the 20th century. ... Jazz is an original American musical art form that originated around the start of the 20th century in New Orleans, rooted in African American musical styles blended with Western music technique and theory. ... Aboriginal hollow log tomb Australian Aboriginal art is art produced by Indigenous Australians, covering works that pre-date European colonisation as well as contemporary art by Aborigines based on traditional culture. ...


Judith Wright wrote in Because I was Invited in 1975 that the movement had succeeded in bringing poetry into the public arena: Judith Wright (1915 - 2000) is regarded as one of the best Australian poets of the 20th century. ...

"One thing the movement did achieve was to make verse a subject of debate and argument. Opposition movements sprang up, and brought into the quarrel most practising poets of any stature. The Jindyworobak's tenets were discussed, and their more extravagant aspects such as recourse to 'Aboriginality' was ridiculed, even in the daily newspapers (which at that time were scarcely arenas for literary debate)."

Also, many of Australian literature's elder statespeople, some still living today, got their breaks through the Jindyworobak movement.


Brian Matthews wrote during the 1980s that:

"When Ingamells looked over the poetry scene from the standpoint of, say, 1937 – which he delivered his address On Environmental Values to the English Association in Adelaide – he saw very little poetry which satisfied the requirement of Australian inspiration, Australian content and imagery, and when Max Harris surveyed the same scene at the start of the new decade, he saw the burgeoning Jindyworobaks and not much else – nothing that seemed to have much connection with or awareness of the cultural world beyond the antipodes. And by and large, they were both right." (excerpt from Literature and Conflict)

Max Harris, AO - Australian poet, critic, columnist, commentator, publisher and bookseller. ...

The Jindoworobaks and Aboriginality

The Australian literary historian, Brian Clunes Ross has written on one of the common criticisms of the Jindyworobaks, one that has persisted through the decades, through people of radically different political stripes, namely that of the Jindyworobaks' relationship with indigenous Australians:

"Another poet, Ian Mudie in The Australian Dream (1943), revealed the delusory quality of the nationalist perception of Australia through its refusal to take into account the destruction of the natural environment and of Aboriginal culture… the Jindyworobaks… [were] often misrepresented by critics who claimed that the movement aimed to base Australian culture on Aboriginal culture. The Jindyworobaks were interested in Aborigines, and if white Australians are now able to recognise the grim impact of their civilisation on the Aboriginal inhabitants of the country, the Jindyworobaks are partly responsible…the Jindyworobaks… wanted to achieve a harmonious relationship between cuture and the environment, and realised that Aboriginal culture embodied it. This was an example from which they could learn, not by imitation, but by coming to understand and accept the conditions which the environment imposes on them." (Australian Literature and Australian Culture)

Ivor Indyk has suggested that the Jindyworobaks were looking for a kind of pastoral poetry, harking back to an Arcadian idyll which was removed from the early pioneer period, back to the pre-colonisation era. He claims that "they overlooked the fact that Australian novelists have been there before them", but that unlike the Greek original this Australian "Arcadia" is not full of dryads. fauns and happy shepherds but is "haunted and usually overwhelmed by the spectres of death and dispossession", i.e the atrocities, betrayal and misunderstandings of white contact with the natives. He also says of Judith Wright that she is "oppressed by feelings of 'arrogant guilt'. Guilt, as a burden of white history, is felt again in the division between the settlers and the land itself, despoiled by greed and incomprehension," in spite of her trying to inaugurate a "white dreaming", while the landscapes of Ingamells are: Pastoral poetry is a literary work dealing with the lives of shepherds or rural life in general and typically drawing a contrast between the innocence and serenity of a simple life and the misery and corruption of city and especially court life // The characters in pastoral poetry are often used... Arcadia or Arkadía (Greek Αρκαδία; see also List of traditional Greek place names) is a region of Greece in the Peloponnesus. ... The Dryad by Evelyn De Morgan Dryads are female tree spirits in Greek mythology. ... A faun, as painted by Hungarian painter Pál Szinyei Merse In Roman mythology, fauns were place-spirits (genii) of untamed woodland. ... Please wikify (format) this article or section as suggested in the Guide to layout and the Manual of Style. ...

"aflame with energy, but they are also uninhabited, save for the ghostly remnants of Aboriginal tribes, and more frequently, the cockatoos and parakeets whose bright colours and raucous cries express both the power and the alien character of the land. There is little that is really social or cultural about this use of an Aboriginal perspective, and no real sense of history."

It is thus arguable in certain cases whether the poetry is aiming at an indigenous consciousness in whites or possession of the land, which the indigenous Australians are seen as being in close contact with.


The great native influence on the Jindyworobaks was literature which had been taken down by white folklorists and anthropologists. Written, as opposed to transcribed, indigenous literature did not appear in print until the 1920s when David Unaipon, a Christian from Point McLeay mission, South Australia, published a large body of work. Unaipon was publishing into the 1950s, by which time the Jindyworobaks were in decline. Unaipon was the sole published indigenous Australian writer during their heyday, and indeed it was not until the 1960s that a second was published - Oodgeroo Noonuccal (Kath Walker). This is because until the 50s and 60s, classroom education was mostly vocational, or directed towards Christian missionary work. Unaipon, despite coming from South Australia, is not mentioned in the works of the Jindyworobaks, so it is hard to say how much of an influence, Legendary Tales of the Australian Aborigines was. David Unaipon appears on the Australian $50 note David Unaipon (born 28th September 1872, Point Mcleay (Raukkan) Mission; died 7th February 1967) was an Australian Aboriginal preacher, inventor and writer. ... Oodgeroo Noonuccal (Kath Walker) (November 3, 1920 - September 16, 1993) was an Australian poet, actress, writer, teacher, artist and a campaigner for Aboriginal rights. ...


Members of the Jindyworobak Movement

Nancy Cato (1917–2000) was born in Glen Osmond in South Australia. ... James Devaney (1890-1976) was an Australian poet and novelist sometimes credited with coining the name of the Jindyworobak Movement and being one of the big forces in it. ... Rex Ingamells (1913- was an Australian poet, generally credited with being the leading light of the Jindyworobak Movement. ... Leslie Allan Murray (b. ... Roland Robinson, born in 1948, who died in Memphis, Tennessee, on November 8, 2004, was a longtime Memphis studio sessions bass player and songwriter originally from Detroit. ...

Major influences on the movement

  • Mary Gilmore
  • D.H. Lawrence, mainly through his novel Kangaroo
  • Brendan O' Dowd
  • P.R. Stephenson through The Foundations of Culture in Australia
  • Xavier Herbert - although not formally associated with the movement, his Capricornia of 1938, describes the early pioneer movement in the contemporary Northern Territory, Australian values, and white settler relationships positive and negative with the natives, as well as the native culture itself. In certain ways, it is very similar to some of the Jindys' manifesto.

Mary Gilmore on the Australian $10 note. ... D. H. Lawrence David Herbert Lawrence (11 September 1885 - 2 March 1930) was one of the most important, certainly one of the most controversial, English writers of the 20th century, who wrote novels, short stories, poems, plays, essays, travel books, and letters. ... Kangaroo is a novel by DH Lawrence, first published in 1923. ... Xavier Herbert (1901-1984) was an Australian writer best known for his Miles Franklin-winning book Poor Fellow My Country (1975), and could be considered one of the elder statesmen of Australian literature. ... Capricornia is an album by Midnight Oil that was released in 2001 under the Sony Music label in Australia, and the Liquid 8 record label internationally. ... Emblems: Sturts Desert Rose (floral) Motto: None Slogan or Nickname: The Territory, The NT, The Top End Other Australian states and territories Capital Darwin Government Const. ...

See also

The Scottish version of modernism, the Scottish literary renaissance was begun by Hugh MacDiarmid in the 1920s when he abandoned his English language poetry and began to write in Lallans. ... Harlem Renaissance was a flowering of African American art, literature, music and culture in the United States led primarily by the African American community based in Harlem, New York City. ...

External links

  • [2]
  • A Lusty Vigorous Life of its Own

Further reading (books)

  • The Jindyworobaks (1979), Brian Elliot (editor), (University of Queensland press)

  Results from FactBites:
 
Jindyworobak Movement - Wikipedia, the free encyclopedia (185 words)
The Jindyworobak Movement was a nationalistic Australian literary movement that sought to promote aboriginal ideas and customs, particularly in literature.
The movement intended to combat the influx of "alien" culture, which was threatening local art.
The founder of the movement, poet Rex Ingamells, applied the name in 1937, which means "to join" or "to annex" in aboriginal language.
  More results at FactBites »


 

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