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Encyclopedia > John Etheridge

John Etheridge (born January 12, 1948 in London) is a british jazz/fusion guitarist associated with the Canterbury Scene. January 12 is the 12th day of the year in the Gregorian calendar. ... To meet Wikipedias quality standards, this article or section may require cleanup. ... London (pronounced ) is the capital city of England and the United Kingdom. ... Jazz is an original American musical art form that originated around the start of the 20th century in New Orleans, rooted in African American musical styles blended with Western music technique and theory. ... Bitches Brew (1970) by Miles Davis is considered the most influential early fusion album. ... The Canterbury Scene (or Canterbury Sound) is a term used to loosely describe the group of progressive rock musicians that were based around the city of Canterbury, Kent, England during the late 1960s and early 1970s. ...


He began playing at 13 and although his father was a jazz pianist he was primarily self-taught. He was a member of Soft Machine from 1975 through 1978 and worked with Stéphane Grappelli and Andy Summers. The Soft Machine were a pioneering British psychedelic, progressive rock and jazz band from Canterbury, Kent, England, named after the book The Soft Machine by William S. Burroughs. ... Django (left) & Grappelli (right). ... Andy Summers, 1996 Andy Summers was born Andrew James Somers on December 31, 1942 in Poulton-le-Fylde, Lancashire, England. ...


In 1999, Etheridge founded the Frank Zappa tribute band Zappatistas [1] who released a live CD (recorded 1999) and have toured since, appearing e.g. at the German progressive rock / jazz festival "Zappanale" [2] 2006. In 2005, Etheridge and three other former Soft Machine members - Hugh Hopper, Elton Dean (†) and John Marshall - toured and recorded as Soft Machine Legacy, three albums of theirs have been released: Live in Zaandam (CD, rec. 2005/05/10), New Morning - The Paris Concert (DVD, rec. 2005/12/12) and the studio album Soft Machine Legacy (CD, 2006, rec. 2005). On their tour in summer 2006, reedsman Theo Travis (also of The Tangent, formerly of Gong), on whose 1996 album Secret Island Etheridge also appeared, has replaced Elton Dean who died in February 2006. The group performs pieces from the original Soft Machine repertoire as well as newer material. Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American composer, guitarist, singer, film director, and satirist. ... Hugh Hopper (born 1945, Canterbury, England) is a bass guitarist and composer. ... Elton Dean (born October 28, 1945, Nottingham, England; died February 7, 2006) was a jazz musician who performed on alto saxophone, saxello (a variant of the soprano saxophone) and occasionally piano. ... John Stanley Marshall, better known as John Marshall, born 28 August, 1941, is a british drummer. ... Theo Travis (born 1964 in Birmingham) is a british saxophonist. ... Gong are a progressive rock band formed by Australian musician Daevid Allen. ...


References

  1. ^ John Etheridge - The Zappatistas
  2. ^ Zappanale homepage

Sources and External links

  • Calyx Club
  • Discography on John Etheridge's website
Soft Machine
Daevid Allen | Kevin Ayers | Elton Dean | Hugh Hopper | Mike Ratledge | Robert Wyatt
Roy Babbington | John Etheridge | Karl Jenkins | John Marshall
Steve Cook | Marc Charig | Lyn Dobson | Nick Evans | Jimmy Hastings | Allan Holdsworth | Brian Hopper | Ric Sanders | Alan Skidmore | Rab Spall | Andy Summers | Alan Wakeman
Discography
Regular albums:
The Soft Machine (1968) | Volume Two (1969) | Third (1970) | Fourth (1971)
Five (1972) | Six (1973) | Seven (1973) | Bundles (1975) | Softs (1976) | Alive & Well: Recorded in Paris (1978)
Related articles
Canterbury Sound - Jazz fusion - Wilde Flowers

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New Georgia Encyclopedia: The Sacred Harp (1616 words)
Charles Wesley, William Cowper, Samuel Stennett, and John Newton.
Those who sing enter into a community where sophisticated musical skills, veneration for singers of previous generations, and constant immersion in the poetry of the songs make for a powerful experience.
John Beall, Public Worship, Private Faith: Sacred Harp and American Folksong (Athens: University of Georgia Press, 1997).
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