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Encyclopedia > Julius Caesar (play)
Facsimile of the first page of Julius Caesar from the First Folio, published in 1623
Facsimile of the first page of Julius Caesar from the First Folio, published in 1623

Julius Caesar is a tragedy by William Shakespeare, believed written in 1599. It portrays the conspiracy against the Roman dictator Julius Caesar, his assassination and its aftermath. It is one of several Roman plays that he wrote, based on true events from Roman history, which also include Coriolanus and Antony and Cleopatra. The title page of the First Folio with the famous engraved portrait of Shakespeare by Martin Droeshout The First Folio is the name given by modern scholars to the first published collection of William Shakespeares plays; its actual title is Mr. ... For other uses, see Tragedy (disambiguation). ... Wikipedia does not yet have an article with this exact name. ... The conspiracy to assassinate Julius Caesar involved a number of high ranking Romans who did assassinate Julius Caesar on March 15, 44 B.C. History The following passage is part of an eyewitness account of this conspiracy written by Nicolaus of Damascus, a few years after the assassination: The conspirators... This article is about the state which existed from the 6th century BC to the 1st century BC. For the state which existed in the 18th century, see Roman Republic (18th century). ... A dictator is an authoritarian, often totalitarian ruler (e. ... For other uses, see Julius Caesar (disambiguation). ... For other uses, see History of Rome (disambiguation). ... Venturia at the Feet of Coriolanus by Gaspare Landi Photo courtesy of The VRoma Project. ... Anthony and Cleopatra, by Lawrence Alma-Tadema. ...


Although the title of the play is Julius Caesar, Caesar is not the central character in its action; he appears in only three scenes, and is killed at the beginning of the third act. The protagonist of the play is Marcus Brutus, and the central psychological drama is his struggle between the conflicting demands of honour, patriotism, and friendship. A protagonist is the main figure of a piece of literature or drama and has the main part or role. ... Marcus Junius Brutus (85–42 BC), or Quintus Servilius Caepio Brutus, was a Roman senator of the late Roman Republic. ... For other uses, see Honour (disambiguation). ... Defence of the fatherland is a commonplace of patriotism: The statue in the courtyard of École polytechnique, Paris, commemorating the students involvement in defending France against the 1814 invasion of the Coalition. ... Friendship is a term used to denote co-operative and supportive behavior between two or more humans. ...


The play reflected the general anxiety of England over succession of leadership. At the time of its creation and first performance, Queen Elizabeth, a strong ruler, was elderly and had refused to name a successor, leading to worries that a civil war similar to that of Rome might break out after her death. For other uses, see England (disambiguation). ... Elizabeth I redirects here. ... This article is about the definition of the specific type of war. ...

Contents

Date and text

Julius Caesar was first published in the First Folio in 1623, but a performance was mentioned by Thomas Platter in his diary in September 1599. The play is not mentioned in the list of Shakespeare's plays published by Francis Meres in 1598. Based on these two points, as well as on a a number of contemporary allusions, and the fact that the play is similiar to Hamlet in vocabulary, and to Henry V and As You Like It in metre,[1] scholars have suggested 1599 as a probable date.[2] The title page of the First Folio with the famous engraved portrait of Shakespeare by Martin Droeshout The First Folio is the name given by modern scholars to the first published collection of William Shakespeares plays; its actual title is Mr. ... Thomas Platter (the Elder) (February 10, 1499 in Grächen, Valais - January 26, 1582 in Basel) was a humanist scholar and writer. ... Francis Meres (1565 - January 29, 1647), was an English churchman and author. ... For other uses, see Hamlet (disambiguation). ... Title page of the first quarto (1600) Henry V, also known as The Cronicle History of Henry the fift, is a play by William Shakespeare based on the life of King Henry V of England. ... Walter Deverell,The Mock Marriage of Orlando and Rosalind, 1853 William Shakespeares As You Like It is a pastoral comedy written in 1599 or early 1600. ...


The text of Julius Caesar in the First Folio is the only authoritative text for the play. The Folio text is notable for its quality and consistency; scholars judge it to have been set into type from a theatrical prompt-book.[3] The source used by Shakespeare was Sir Thomas North's translation of Plutarch's Life of Brutus and Life of Caesar. [4] The title page of the First Folio with the famous engraved portrait of Shakespeare by Martin Droeshout The First Folio is the name given by modern scholars to the first published collection of William Shakespeares plays; its actual title is Mr. ... There are very few or no other articles that link to this one. ... Sir Thomas North (1535? - 1601?), English translator of Plutarch, second son of the 1st Baron North, was born about 1535. ... Mestrius Plutarchus (Greek: Πλούταρχος; 46 - 127), better known in English as Plutarch, was a Greek historian, biographer, essayist, and Middle Platonist. ...


The play contains many anachronistic elements from the Elizabethan period. The characters mention objects such as hats and doublets (large, heavy jackets) - neither of which existed in ancient Rome. Caesar is mentioned to be wearing an Elizabethan doublet instead of a Roman toga. At one point a clock is heard to strike and Caesar notes it with "Count the clock". An anachronism (from Greek ana, back, and chronos, time) is an artifact that belongs to another time, a person who seems to be displaced in time (i. ... The Elizabethan Era is the period associated with the reign of Queen Elizabeth I (1558 - 1603) and is often considered to be a golden age in English history. ...


Deviations from Plutarch

  • Shakespeare makes Caesar's triumph take place on the day of Lupercalia instead of six months earlier
  • For greater dramatic effect he has made the Capitol the venue of Caesar's death and not Curia Pomperiana (Theatre of Pompey).
  • Caesar's murder, the funeral, Antony's oration, the reading of the will and Octavius' arrival all take place on the same day in the play. However, historically, the assassination took place on March 15 (The ides of March), the will was published three days later on March 18, the funeral took place on March 20 and Octavius arrived only in May.
  • Shakespeare makes the Triumvirs meet in Rome instead of near Bolonia, so as to avoid a third locale.
  • He has combined the two Battles of Phillipi although there was a twenty day interval between them.
  • Shakespeare gives Caesar's last words as "Et tu, Brute? Then fall, Caesar!" ("And you, Brutus? Then fall, Caesar."). Plutarch says he said nothing, pulling his toga over his head when he saw Brutus among the conspirators.[5]. However, Suetonius reports his last words, spoken in Greek, as "καί σύ τέκνον" (transliterated as "Kai su, teknon?"; "You too, child?" in English).[6].

Shakespeare deviated from these historical facts in order to curtail time and compress the facts so that the play could be staged without any kind of difficulty. The tragic force is condensed into a few scenes for heightened effect. Shakespeare redirects here. ... The Lupercalia was a very ancient, possibly pre-Roman pastoral festival, observed on February 13 through February 15 to avert evil spirits and purify the city, releasing health and fertility. ... The Capitoline Hill (Capitolinus Mons), between the Forum and the Campus Martius, is one of the most famous and smallest of the seven hills of Rome. ... Bust of Mark Antony Marcus Antonius (Latin: M·ANTONIVS·M·F·M·N[1]) ( January 14 83 BC – August 1, 30 BC), known in English as Mark Antony, was a Roman politician and general. ... The famous statue of Octavian at the Prima Porta Caesar Augustus (Latin:IMP·CAESAR·DIVI·F·AVGVSTVS) ¹ (23 September 63 BC–19 August AD 14), known to modern historians as Octavian for the period of his life prior to 27 BC, is considered the first and one of the most... is the 74th day of the year (75th in leap years) in the Gregorian calendar. ... For other uses, see Ides of March (disambiguation). ... is the 77th day of the year (78th in leap years) in the Gregorian calendar. ... is the 79th day of the year (80th in leap years) in the Gregorian calendar. ... For other uses, see May (disambiguation). ... Wikipedia does not yet have an article with this exact name. ... For other uses, see Second Triumvirate (disambiguation). ... Bologna (IPA , from Latin Bononia, BulÃ¥ggna in Emiliano-Romagnolo) is the capital city of Emilia-Romagna in northern Italy, in the Pianura Padana, between the Po River and the Apennines, exactly between the Reno River and the Sàvena River. ... For the American Civil War battle, see Battle of Philippi Races. ... Et tu, Brute? were, according to legend, the last words of Julius Caesar. ... Mestrius Plutarchus (Greek: Πλούταρχος; 46 - 127), better known in English as Plutarch, was a Greek historian, biographer, essayist, and Middle Platonist. ... Gaius Suetonius Tranquillus ( 69/75 - after 130), also known as Suetonius, was a prominent Roman historian and biographer. ...


Characters

For other uses, see Julius Caesar (disambiguation). ... The famous statue of Octavian at the Prima Porta Caesar Augustus (Latin:IMP·CAESAR·DIVI·F·AVGVSTVS) ¹ (23 September 63 BC–19 August AD 14), known to modern historians as Octavian for the period of his life prior to 27 BC, is considered the first and one of the most... Bust of Mark Antony Marcus Antonius (Latin: M·ANTONIVS·M·F·M·N[1]) ( January 14 83 BC – August 1, 30 BC), known in English as Mark Antony, was a Roman politician and general. ... Marcus Aemilius Lepidus (Latin: M·AEMILIVS·M·F·Q·N·LEPIDVS),[1] d. ... For other uses, see Cicero (disambiguation). ... Marcus Junius Brutus (85–42 BC), or Quintus Servilius Caepio Brutus, was a Roman senator of the late Roman Republic. ... Gaius Cassius Longinus was the prime mover and Senator in the conspiracy against Julius Caesar. ... Publius Servilius Casca was one of the assassins of Julius Caesar. ... Gaius Trebonius (died 43 BC) was a military commander and politician of the late Roman Republic, a trusted associate of Julius Caesar who later participated in his assassination. ... Quintus Ligarius was a Roman soldier, circa 50 BC. He was accused of treason for having opposed Julius Caesar in a war in Africa, but was defended so eloquently by Cicero that he was pardoned and allowed to return to Rome. ... Decimus Junius Brutus Albinus (died 43 BC) was a Roman politician and general of the 1st century BC and one of Julius Caesars assassins. ... Lucius Tullius (or Tillius) Cimber was a Roman senator, one of the assassins of Julius Caesar and the one to give the signal for the attack on him. ... Cinna was a Roman patrician family of the gens Cornelia. ... The fear of Caesar becoming autocrat, thus ending the Roman Republic, grew stronger when someone placed a diadem on the statue of Caesar on the Rostra. ... Sophism was originally a term for the techniques taught by a highly respected group of philosophy and rhetoric teachers in ancient Greece. ... Knidos or Cnidus (modern-day Tekir in Turkey) is an ancient Greek city in Asia Minor, once part of the country of Caria. ... Gaius Helvius Cinna was a poet of the late Roman Republic. ... Titinius was a nomen of ancient Rome. ... Marcus Valerius Messalla Corvinus (64 BC - AD 8) was a Roman general, author and patron of literature and art. ... Marcus Porcius Catō Uticensis (95 BC–46 BC), known as Cato the Younger (Cato Minor) to distinguish him from his great-grandfather Cato the Elder), was a politician and statesman in the late Roman Republic, and a follower of the Stoic philosophy. ... Calpurnia Pisonis (1st century BC), daughter of Lucius Calpurnius Piso Frugi, was a Roman woman, third and last wife of Julius Caesar. ... It has been suggested that this article or section be merged into Porcia Catonis. ...

Synopsis

Marcus Brutus is Caesar's close friend; his ancestors were famed for driving the tyrannical King Tarquin from Rome (described in Shakespeare's earlier The Rape of Lucrece). Brutus allows himself to be cajoled into joining a group of conspiring senators because of a growing suspicion—implanted by Caius Cassius—that Caesar intends to turn republican Rome into a monarchy under his own rule. Traditional readings of the play maintain that Cassius and the other conspirators are motivated largely by envy and ambition, whereas Brutus is motivated by the demands of honour and patriotism; other commentators, such as Isaac Asimov, suggest that the text shows Brutus is no less moved by envy and flattery.[7] One of the central strengths of the play is that it resists categorizing its characters as either simple heroes or villains. The early scenes deal mainly with Brutus' arguments with Cassius and his struggle with his own conscience. The growing tide of public support soon turns Brutus against Caesar (This public support was actually faked. Cassius wrote letters to Brutus in different handwritings over the next month in order to get Brutus to join the conspiracy). A soothsayer warns Caesar to "beware the Ides of March," which he ignores, culminating in his assassination at the Capitol by the conspirators that day. Marcus Junius Brutus (85–42 BC), or Quintus Servilius Caepio Brutus, was a Roman senator of the late Roman Republic. ... Lucius Tarquinius Superbus (also called Tarquin the Proud or Tarquin II) was the last of the seven legendary kings of Rome, son of Lucius Tarquinius Priscus, and son-in-law of Servius Tullius. ... The Earl of Southampton, painted in 1594, aged 21, the year that Shakespeare dedicated The Rape of Lucrece to him The narrative poem The Rape of Lucrece is the graver work promised by English dramatist-poet William Shakespeare in his dedication to his patron, Henry Wriothesley, 3rd Earl of Southampton... The Roman Senate (Latin: Senatus) was the main governing council of both the Roman Republic, which started in 509 BC, and the Roman Empire. ... Caius Cassius Longinus featured on a denarius (42 BC). ... For the documentary series, see Monarchy (TV series). ... For other uses, see Envy (disambiguation). ... Ambition could refer to one of the following: Motivation, especially to improve a situation. ... For other uses, see Honour (disambiguation). ... Defence of the fatherland is a commonplace of patriotism: The statue in the courtyard of École polytechnique, Paris, commemorating the students involvement in defending France against the 1814 invasion of the Coalition. ... Isaac Asimov (January 2?, 1920?[1] – April 6, 1992), pronounced , originally Исаак Озимов but now transcribed into Russian as Айзек Азимов [1], was a Russian-born American author and professor of biochemistry, a highly successful writer, best known for his works of science fiction and for his popular science books. ... François Chifflart (1825-1901), The Conscience (after Victor Hugo) Conscience is an ability or faculty or sense that leads to feelings of remorse when we do things that go against our moral values, or which informs our moral judgment before performing such an action. ... For other uses, see Ides of March (disambiguation). ... The Capitoline Hill (Capitolinus Mons), between the Forum and the Campus Martius, is one of the most famous and smallest of the seven hills of Rome. ...

The ghost of Caesar appears to warn Brutus of his fate. From a painting by Richard Westall. London, 1802
The ghost of Caesar appears to warn Brutus of his fate. From a painting by Richard Westall. London, 1802

Caesar's assassination is perhaps the most famous part of the play, about halfway through. After ignoring the soothsayer as well as his wife's own premonitions, Caesar comes to the Senate. The conspirators create a superficial motive for the assassination by means of a petition brought by Metellus Cimber, pleading on behalf of his banished brother. As Caesar, predictably, rejects the petition, Casca grazes Caesar in the back of his neck, and the others follow in stabbing him; Brutus is last. At this point, Caesar utters the famous line "Et tu, Brute?" ("And you, Brutus?", i.e. "You too, Brutus?"). Shakespeare has him add, "Then fall, Caesar," suggesting that Caesar did not want to survive such treachery. The conspirators make clear that they did this act for Rome, not for their own purposes and do not attempt to flee the scene but act victorious. Image File history File links Metadata Size of this preview: 438 × 599 pixelsFull resolution (1182 × 1616 pixel, file size: 1. ... Image File history File links Metadata Size of this preview: 438 × 599 pixelsFull resolution (1182 × 1616 pixel, file size: 1. ... Richard Westall (2 January 1765 – 4 December 1836) was an English painter. ... Et tu, Brute? were, according to legend, the last words of Julius Caesar. ...


After Caesar's death, however, Mark Antony, with a subtle and eloquent speech over Caesar's corpse—the much-quoted Friends, Romans, countrymen, lend me your ears...—deftly turns public opinion against the assassins by manipulating the emotions of the common people, in contrast to the rational tone of Brutus's speech. Antony rouses the mob to drive the conspirators from Rome. Amid the violence, the innocent poet, Cinna, is confused with the conspirator Cinna and is murdered by the mob. Bust of Mark Antony Marcus Antonius (Latin: M·ANTONIVS·M·F·M·N[1]) ( January 14 83 BC – August 1, 30 BC), known in English as Mark Antony, was a Roman politician and general. ... Friends, Romans, countrymen, lend me your ears is the first line of a famous and often-quoted speech by Mark Antony in the play Julius Caesar, by William Shakespeare. ... Public Opinion is a book on media and democracy by Walter Lippmann. ... In Ancient Rome, the plebs was the general body of Roman citizens, distinct from the privileged class of the patricians. ... For other uses, see Rome (disambiguation). ... Gaius Helvius Cinna was a poet of the late Roman Republic. ...


The beginning of Act Four is marked by the quarrel scene, where Brutus attacks Cassius for soiling the noble act of regicide by accepting bribes ("Did not great Julius bleed for justice' sake? / What villain touch'd his body, that did stab, / And not for justice?", IV.iii,19-21). The two are reconciled, but as they prepare for war with Mark Antony and Caesar's adopted son, Octavian (Shakespeare's spelling: Octavius), Caesar's ghost appears to Brutus with a warning of defeat ("thou shalt see me at Philippi", IV.iii,283). Events go badly for the conspirators during the battle; both Brutus and Cassius choose to commit suicide rather than to be captured. The play ends with a tribute to Brutus by Antony, who has remained "the noblest Roman of them all" (V.v,68) and hints at the friction between Mark Antony and Octavius which will characterise another of Shakespeare's Roman plays, Antony and Cleopatra. For other uses, see Regicide (disambiguation). ... Augustus Caesar Caesar Augustus (Latin: IMP·CAESAR·DIVI·F·AVGVSTVS)¹ (23 September 63 BC – 19 August AD 14), known earlier in his life as Gaius Octavius or Gaius Julius Caesar Octavianus, was the first Roman Emperor and is traditionally considered the greatest. ... Anthony and Cleopatra, by Lawrence Alma-Tadema. ...

Analysis and criticism

Interpretations

Protagonist debate

Critics of Shakespeare’s play Julius Caesar differ greatly on their views of Caesar and Brutus. Many have debated whether Caesar or Brutus is the protagonist of the play. Intertwined in this debate is a smattering of philosophical and psychological ideologies on republicanism and monarchism. One author, Robert C. Reynolds, devotes attention to the names or epithets given to both Brutus and Caesar in his essay “Ironic Epithet in Julius Caesar”. This author points out that Casca praises Brutus at face value, but then inadvertently compares him to a disreputable joke of a man by calling him an alchemist, “Oh, he sits high in all the people’s hearts,/And that which would appear offense in us/ His countenance, like richest alchemy,/ Will change to virtue and to worthiness” (I.iii.158-60). Reynolds also talks about Caesar and his “Colossus” epithet, which he points out has its obvious connotations of power and manliness, but also lesser known connotations of an outward glorious front and inward chaos [8]. In that essay, the conclusion as to who is the hero or protagonist is ambiguous because of the conceit-like poetic quality of the epithets for Caesar and Brutus.


Myron Taylor, in his essay “Shakespeare’s Julius Caesar and the Irony of History”, compares the logic and philosophies of Caesar and Brutus. Caesar is deemed an intuitive philosopher who is always right when he goes with his gut, for instance when he says he fears Cassius as a threat to him before he is killed, his intuition is correct. Brutus is portrayed as a man similar to Caesar, but whose passions lead him to the wrong reasoning, which he realizes in the end when he says in V.v.50-51, “Caesar, now be still:/ I kill’d not thee with half so good a will” [9].


Joseph W. Houppert acknowledges that some critics have tried to cast Caesar as the protagonist, but that ultimately Brutus is the driving force in the play and is therefore the tragic hero. Brutus attempts to put the republic over his personal relationship with Caesar and kills him. Brutus makes the political mistakes that bring down the republic that his ancestors created. He acts on his passions, does not gather enough evidence to make reasonable decisions and is manipulated by Cassius and the other conspirators [10].


The general conclusion among critics is that Brutus is in fact the protagonist of the play Julius Caesar, although some have tried to prove otherwise.


Gender studies approaches

Gender critics argue that the bonds between the men in Julius Ceasar appears to exceed mere friendship, or homosociality, and cross the line into homosexuality. Some critics, such as Barbara Parker even argue that unnatural love among Roman men is an implicit theme in the play. According to this argument, Brutus and the conspirators kill Caesar for the same reasons that Brutus and Cassius argue at the end of the play: admiration has turned to desire for sexual domination.[11] This is based on the idea that, in Shakespeare's day, in an England ruled by Protestantism, Catholic Rome was often viewed as the "Whore of Babylon". Many church leaders in Rome were rumored to have practiced sodomy, and the area was frequently alluded to in England as being full of homosexuals.[12] Thus, where Brutus says: "But, woe the while! our fathers' minds are dead / And we a govern'd by our mothers' spirits", Gender critics see Brutus expressing a homosexual femininity. Caesar, also said to be feminine, wishes only for the company of men, and the women around him are sidelined. Men engage in more loving conversations with the men in their lives than with their own wives.[13] Parker thus portrays the relationship between Brutus and the rest of the conspirators as more like a group marriage than simply a friendship.[14] The Whore of Babylon rides the seven-headed Beast. ...


Using phallic and yonic symbol theory, gender critics suggest that the funeral scene is both the climax of the action of the play as well as the sexual climax. Behind the rhetoric of Mark Antony, Parker sees a sexual rhetoric of seduction. Antony uses his funeral oration to seduce the crowd from Brutus back to Caesar. The wounds in Caesar's naked body, for Parker, represent vaginal orifices.[15] Antony also mentions Caesar's will several times. It signifies both his actual will as well as his sexual will (chastity) that kept him from coming at the conspirators' request.[16] In this view, the funeral represents all the stages of sex, ending with the burning of Rome representing orgasm. Antony thus re-energizes the Romans and Brutus and Cassius have to leave the city.[17] The phallus usually refers to the male penis, or sex organ. ...


Performance history

The play was likely one of Shakespeare's first to be performed at the Globe Theatre.[18] Thomas Patter, a Swiss traveller, saw a tragedy about Julius Caesar at a Bankside theatre on September 21, 1599 and this was most likely Shakespeare's play, as there is no obvious alternative candidate. (While the story of Julius Caesar was dramatized repeatedly in the Elizabethan/Jacobean period, none of the other plays known are as good a match with Patter's description as Shakespeare's play.)[19] This article is about the original Globe Theatre of Shakespeare and the modern reconstruction in London known as Shakespeares Globe Theatre. ... Swiss may be: Related to Switzerland: the Swiss Confederation Swiss people Swiss cheese Swiss corporations Switzerland-related topics Named Swiss: Swiss, Missouri Swiss, North Carolina Swiss, West Virginia Swiss, Wisconsin Swiss International Air Lines Swiss Re SWiSS is also used as a disparaging nickname for the Socialist Workers Student Society. ... For other uses, see Julius Caesar (disambiguation). ... Bankside is an area in Southwark, London, on the southern bank of the River Thames. ... is the 264th day of the year (265th in leap years) in the Gregorian calendar. ... Year 1599 was a common year starting on Friday (link will display the full calendar) of the Gregorian calendar (or a common year starting on Monday of the 10-day slower Julian calendar). ...


After the theatres re-opened at the start of the Restoration era, the play was revived by Thomas Killigrew's King's Company in 1672. Charles Hart initially played Brutus, as did Thomas Betterton in later productions. Julius Caesar was one of the very few Shakespearean plays that was not adapted during the Restoration period or the eighteenth century.[20] For other uses, see Restoration. ... Thomas Killigrew (1612 - March 19, 1683), was an English dramatist. ... The Kings Company was one of two enterprises granted the rights to mount theatrical productions in London at the start of the English Restoration. ... Events England, France, Munster and Cologne invade the United Provinces, therefore this name is know as ´het rampjaar´ (the disaster year) in the Netherlands. ... Charles Hart (1625 – August 18, 1683) was a British Restoration actor. ... Thomas Betterton (c. ...


Notable performances

Stage performances

John Wilkes Booth, Edwin Booth and Junius Brutus Booth, Jr. in Shakespeare’s Julius Caesar in 1864.
John Wilkes Booth, Edwin Booth and Junius Brutus Booth, Jr. in Shakespeare’s Julius Caesar in 1864.
  • 1864: Junius, Jr., Edwin and John Wilkes Booth made their only appearance onstage together in a benefit performance of Julius Caesar on November 25, 1864, at the Winter Garden Theatre. Junius, Jr. played Cassius, Edwin played Brutus and John Wilkes played Marc Antony. This landmark production raised funds to erect a statue of Shakespeare in Central Park, which remains to this day.
  • 1926: By far the most elaborate performance of the play was staged as a benefit for the Actors' Fund of America at the Hollywood Bowl. Caesar arrived for the Lupercal in a chariot drawn by four white horses. The stage was the size of a city block and dominated by a central tower eighty feet in height. The event was mainly aimed at creating work for unemployed actors. Three hundred gladiators appeared in an arena scene not featured in Shakespeare's play; a similar number of girls danced as Caesar's captives; a total of three thousand soldiers took part in the battle sequences.
  • 1937: Orson Welles' famous production at the Mercury Theatre drew fervoured comment as the director dressed his protagonists in uniforms reminiscent of those common at the time in Fascist Italy and Nazi Germany, as well as drawing a specific analogy between Caesar and Mussolini. Opinions vary on the artistic value of the resulting production: some see Welles' mercilessly pared-down script (the running time was around 90 minutes without an interval, several characters were eliminated, dialogue was moved around and borrowed from other plays, and the final two acts were reduced to a single scene) as a radical and innovative way of cutting away the unnecessary elements of Shakespeare's tale; others thought Welles' version was a mangled and lobotomized version of Shakespeare's tragedy which lacked the psychological depth of the original. Most agreed that the production owed more to Welles than it did to Shakespeare. However, Welles's innovations have been echoed in many subsequent modern productions, which have seen parallels between Caesar's fall and the downfalls of various governments in the twentieth century. The production was most noted for its portrayal of the slaughter of Cinna (Norman Lloyd). It is the longest-running Broadway production of this play at 157 performances. Welles's Julius Caesar opened at the Comedy Theater in the fall of 1937, and then was transferred to the National Theater on West 41st Street, later renamed the Neiderlander Theater. This famous production also toured the country in 1938.
  • 1950: John Gielgud played Cassius at the Shakespeare Memorial Theatre under the direction of Michael Langham and Anthony Quayle. The production was considered one of the highlights of a remarkable Stratford season, and led to Gielgud (who had done little film work to that time) playing Cassius in Joseph L. Mankiewicz's 1953 film version.
  • 1977: John Gielgud made his final appearance in a Shakespearean role on stage as Julius Caesar in John Schlesinger's production at the Royal National Theatre.
  • 2005: Denzel Washington played Brutus in the first Broadway production of the play in over fifty years. The production received universally terrible reviews, but was a sell-out because of Washington's popularity at the box office.[21]

Image File history File linksMetadata Booths_Caesar. ... Image File history File linksMetadata Booths_Caesar. ... Shakespeare redirects here. ... 1864 (MDCCCLXIV) was a leap year starting on Friday (see link for calendar) of the Gregorian calendar or a leap year starting on Sunday of the 12-day-slower Julian calendar. ... Junius Brutus Booth, Jr. ... Edwin Booth as Hamlet. ... John Wilkes Booth (May 10, 1838 – April 26, 1865) assassinated Abraham Lincoln, the 16th President of the United States, at Fords Theatre in Washington, D.C. on April 14, 1865. ... The Booth family was a British-American theatrical family of the 19th century. ... is the 329th day of the year (330th in leap years) in the Gregorian calendar. ... 1864 (MDCCCLXIV) was a leap year starting on Friday (see link for calendar) of the Gregorian calendar or a leap year starting on Sunday of the 12-day-slower Julian calendar. ... Junius Brutus Booth, Jr. ... Edwin Booth as Hamlet. ... John Wilkes Booth (May 10, 1838 – April 26, 1865) assassinated Abraham Lincoln, the 16th President of the United States, at Fords Theatre in Washington, D.C. on April 14, 1865. ... Year 1926 (MCMXXVI) was a common year starting on Friday (link will display the full calendar) of the Gregorian calendar. ... The Actors Fund of America is a nonprofit organization that assists entertainment and performing arts professionals through a broad spectrum of programs, including comprehensive social services, health services, supportive and affordable housing, employment and training services, and skilled nursing and assisted living care. ... Hollywood Bowl in 2005. ... The photo released of the recently excavated cave beneath the Domus Livia on the Palatine Hill. ... Unemployment rates in the United States. ... For other uses, see Gladiator (disambiguation). ... Year 1937 (MCMXXXVII) was a common year starting on Friday (link will display the full calendar) of the Gregorian calendar. ... This article includes a list of works cited or a list of external links, but its sources remain unclear because it lacks in-text citations. ... The Mercury Theatre was a theatre company founded in New York City by Orson Welles and John Houseman. ... Fascism (in Italian, fascismo), capitalized, was the authoritarian political movement which ruled Italy from 1922 to 1943 under the leadership of Benito Mussolini. ... Nazism in history Nazi ideology Nazism and race Outside Germany Related subjects Lists Politics Portal         Nazism or National Socialism (German: Nationalsozialismus), refers primarily to the ideology and practices of the Nazi Party (National Socialist German Workers Party, German: Nationalsozialistische Deutsche Arbeiterpartei or NSDAP) under Adolf Hitler. ... Benito Mussolini created a fascist state through the use of propaganda, total control of the media and disassembly of the working democratic government. ... Norman Lloyd (born November 8, 1914) is an American veteran actor, producer and director with a career in entertainment spanning more than six decades. ... For other uses of Broadway, see Broadway. ... Year 1950 (MCML) was a common year starting on Sunday (link will display the full calendar) of the Gregorian calendar. ... Sir Arthur John Gielgud, OM, CH (14 April 1904 – 21 May 2000), known as Sir John Gielgud, was an English theatre and film actor. ... The Royal Shakespeare Theatre is a large theatre dedicated to British playwright William Shakespeare in his birthplace of Stratford-upon-Avon. ... Anthony Quayle Sir John Anthony Quayle (7 September 1913 – 20 October 1989) was an English actor and director. ... The Royal Shakespeare Theatre is a large theatre dedicated to British playwright William Shakespeare in his birthplace of Stratford-upon-Avon. ... Sir Arthur John Gielgud, OM, CH (14 April 1904 – 21 May 2000), known as Sir John Gielgud, was an English theatre and film actor. ... Joseph Leo Mankiewicz (February 11, 1909 – February 5, 1993) was an American screenwriter, director and producer. ... January 7 - President Harry S. Truman announces the United States has developed a hydrogen bomb. ... Julius Caesar is a 1953 film based upon the William Shakespeare play Julius Caesar. ... Also: 1977 (album) by Ash. ... Sir Arthur John Gielgud, OM, CH (14 April 1904 – 21 May 2000), known as Sir John Gielgud, was an English theatre and film actor. ... William Shakespeare—born April 1564; baptised April 26, 1564; died April 23, 1616 (O.S.), May 3, 1616 (N.S.)—has a reputation as the greatest of all writers in English. ... For other uses, see Julius Caesar (disambiguation). ... John Richard Schlesinger CBE (February 16, 1926 – July 25, 2003) was an English film director. ... The Royal National Theatre from Waterloo Bridge The Royal National Theatre is a building complex and theatre company located on the South Bank in London, England immediately east of the southern end of Waterloo Bridge. ... Year 2005 (MMV) was a common year starting on Saturday (link displays full calendar) of the Gregorian calendar. ... Denzel Hayes Washington, Jr. ... For other uses of Broadway, see Broadway. ... Denzel Hayes Washington, Jr. ...

Screen performances

See also Shakespeare on screen (Julius Caesar)

It has been suggested that this article be split into multiple articles. ... Julius Caesar (1950) was a film adaptation of the Shakespeare play Julius Caesar. ... Charlton Heston (born October 4, 1924) is an US-american film actor, known for playing larger-than-life heroic roles such as Moses in The Ten Commandments, Colonel George Taylor in Planet of the Apes, and Judah Ben-Hur in Ben-Hur. ... Julius Caesar is a 1953 film based upon the William Shakespeare play Julius Caesar. ... Marlon Brando, Jr. ... Louis Calhern (February 19, 1895 - May 12, 1956) was an American stage and screen actor. ... Julius Caesar is a 1970 independent (Commonwealth United Entertainment) film of William Shakespeares play. ... Charlton Heston (born October 4, 1924) is an US-american film actor, known for playing larger-than-life heroic roles such as Moses in The Ten Commandments, Colonel George Taylor in Planet of the Apes, and Judah Ben-Hur in Ben-Hur. ... Sir Arthur John Gielgud, OM, CH (14 April 1904 – 21 May 2000), known as Sir John Gielgud, was an English theatre and film actor. ...

Adaptations and cultural references

The Canadian comedy duo Wayne and Shuster parodied Julius Caesar in their 1958 sketch Rinse the Blood off My Toga. Flavius Maximus, Private Roman I, is hired by Brutus to investigate the death of Caesar. The police procedural combines Shakespeare, Dragnet, and vaudeville jokes and was first broadcast on the Ed Sullivan Show. [22] Wayne and Shuster were a Canadian comedy duo formed by Johnny Wayne and Frank Shuster. ... Jan. ... Dragnet was a long-running radio and television police procedural drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. ... The Ed Sullivan Show was an American television variety show that ran from June 20, 1948, to June 6, 1971, and was hosted by Ed Sullivan. ...


In 1973 the BBC made a television play Heil Caesar, written by John Griffith Bowen, an adaptation of the play put into a modern setting. [23] For other uses, see BBC (disambiguation). ...


In 1984 the Riverside Shakespeare Company of New York City produced a modern dress Julius Caesar set in contemporary Washington, called simply CAESAR!, starring Harold Scott as Brutus, Herman Petras as Caesar, Marya Lowry as Portia, Robert Walsh as Antony, and Michael Cook as Cassius, directed by W. Stuart McDowell at The Shakespeare Center.[24] // The Riverside Shakespeare Company of New York City was founded in 1977 as an Equity theatre company on the Upper West Side of New York City, by W. Stuart McDowell and Gloria Skurski. ...


In 2006, Chris Taylor from the Australian comedy team "The Chaser" wrote a comedy musical called "Dead Caesar" which was shown in at the Sydney Theatre Company in Sydney. Chris Taylor on CNNNN Christopher Thornton Taylor (born 1974) is an Australian television and radio comedian. ... This article is about the Australian comedy team. ...


See also

// This is a list of fictional stories in which assassinations feature as an important plot element. ... Friends, Romans, countrymen, lend me your ears is the first line of a famous and often-quoted speech by Mark Antony in the play Julius Caesar, by William Shakespeare. ...

External links

Wikisource has original text related to this article:
Wikiquote has a collection of quotations related to:

Image File history File links Wikisource-logo. ... The original Wikisource logo. ... Image File history File links This is a lossless scalable vector image. ... Wikiquote is one of a family of wiki-based projects run by the Wikimedia Foundation, running on MediaWiki software. ... Project Gutenberg, abbreviated as PG, is a volunteer effort to digitize, archive and distribute cultural works. ...

References

Footnotes

  1. ^ Wells and Dobson (2001, 229).
  2. ^ Spevack (1988, 6), Dorsch (1955, vii-viii), Boyce (2000, 328), Wells and Dobson (2001, 229)
  3. ^ Wells and Dobson, ibid.
  4. ^ North's Plutarch Parallel Lives
  5. ^ Plutarch, Caesar 66.9
  6. ^ Suetonius, Julius 82.2
  7. ^ Asimov's Guide to Shakespeare, Vols. I and II (1970), ISBN 0-517-26825-6, 1970
  8. ^ Reynolds 329-333
  9. ^ Taylor 301-308
  10. ^ Houppert 3-9
  11. ^ Kahn 274-277
  12. ^ Parker 251-252
  13. ^ Parker 254-255
  14. ^ Parker 261-262
  15. ^ Parker 258-259
  16. ^ Parker 257
  17. ^ Parker 262
  18. ^ Evans, G. Blakemore: "The Riverside Shakespeare", page 1100 Houghton Mifflin Company, 1974
  19. ^ Richard Edes's Latin play Caesar Interfectus (1582?) would not qualify. The Admiral's Men had an anonymous Caesar and Pompey in their repertory in 1594–5, and another play, Caesar's Fall, or the Two Shapes, written by Thomas Dekker, Michael Drayton, Thomas Middleton, Anthony Munday, and John Webster, in 1601-2, too late for Patter's reference. Neither play has survived. The anonymous Caesar's Revenge dates to 1606, while George Chapman's Caesar and Pompey dates from ca. 1613. E. K. Chambers, Elizabethan Stage, Vol. 2, p. 179; Vol. 3, pp. 259, 309; Vol. 4, p. 4.
  20. ^ Halliday, p. 261.
  21. ^ "A Big-Name Brutus in a Caldron of Chaos", by Ben Brantley, The New York Times, April 4, 2005
  22. ^ Rinse the Blood Off My Toga
  23. ^ http://www.screenonline.org.uk/tv/id/566329/index.html
  24. ^ Herbert Mitgang of The New York Times, March 14, 1984, wrote: "The famous Mercury Theater production of Julius Caesar in modern dress staged by Orson Welles in 1937 was designed to make audiences think of Mussolini's Blackshirts - and it did. The Riverside Shakespeare Company's lively production makes you think of timeless ambition and antilibertarians anywhere."

Asimovs Guide to Shakespeare, by Isaac Asimov, vols I and II (1970), ISBN 0-517-26825-6 Asimov gives a short guide to every Shakespeare play, and also the two epic poems. ... This Elizabethan theatrical company was first known as the Lord Howards Men, named after their patron Charles Howard. ... Thomas Dekker, (c. ... Drayton, 1628 Michael Drayton (1563 – December 23, 1631) was an English poet who came to prominence in the Elizabethan era. ... Thomas Middleton (1580 – 1627) was an English Jacobean playwright and poet. ... Anthony Munday (or Monday) (1560?–August 10, 1633), was an English dramatist and miscellaneous writer. ... John Webster (c. ... This article is about George Chapman the English literary figure; see George Chapman (murderer) for the Victorian poisoner of the same name. ... This article includes a list of works cited or a list of external links, but its sources remain unclear because it lacks in-text citations. ...

Editions of Julius Caesar

  • Dorsch, T. S., ed. 1955. Julius Caesar. By William Shakespeare. The Arden Shakespeare, second series. London: Methuen. ISBN 0416474004.
  • Spevack, Marvin, ed. 1988. Julius Caesar. By William Shakespeare. New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 0521222206.
  • Wells, Stanley, and Gary Taylor, eds. 1988. The Complete Works. By William Shakespeare. The Oxford Shakespeare. Compact ed. Oxford: Clarendon Press; New York: Oxford University Press. ISBN 0198711905.

Secondary sources

  • Boyce, Charles. 1990. Encyclopaedia of Shakespeare, New York, Roundtable Press.
  • Chambers, Edmund Kerchever. 1923. The Elizabethan Stage. 4 volumes, Oxford: Oxford University Press. ISBN 0198115113.
  • Halliday, F. E. 1964. A Shakespeare Companion 1564–1964. Shakespeare Library ser. Baltimore, Penguin, 1969. ISBN 0140530118.
  • Houppert, Joseph W. “Fatal Logic in ‘Julius Caesar’ ”. South Atlantic Bulletin. Vol. 39, No.4. Nov. 1974. 3-9.
  • Kahn, Coppelia. "Passions of some difference": Friendship and Emulation in Julius Caesear. Julius Caesar: New Critical Essays. Horst Zander, ed. New York: Routledge, 2005. 271-283.
  • Parker, Barbara L. "The Whore of Babylon and Shakespeares's Julius Caesar." Studies in English Literature (Rice); Spring95, Vol. 35 Issue 2, p251, 19p.
  • Reynolds, Robert C. “Ironic Epithet in Julius Caesar”. Shakespeare Quarterly. Vol. 24. No.3. 1973. 329-333.
  • Taylor, Myron. "Shakespeare’s Julius Caesar and the Irony of History". Shakespeare Quarterly. Vol. 24, No. 3. 1973. 301-308.

Wells, Stanley and Michael Dobson, eds. 2001. The Oxford Companion to Shakespeare Oxford University Press Stanley Wells is a Shakespeare scholar, who was Professor of Shakespeare Studies and Director of the Shakespeare Institute, University of Birmingham from 1988-1997, and is now emeritus Professor of Shakespeare Studies. ... Oxford University Press (OUP) is a highly-respected publishing house and a department of the University of Oxford in England. ...

William Shakespeare and his works
General information Biography | Style | Influence | Reputation | Religion | Sexuality | Shakespeare authorship question
Tragedies Antony and Cleopatra | Coriolanus | Hamlet | Julius Caesar | King Lear | Macbeth | Othello | Romeo and Juliet | Timon of Athens | Titus Andronicus | Troilus and Cressida
Comedies All's Well That Ends Well | As You Like It | The Comedy of Errors | Cymbeline | Love's Labour's Lost | Measure for Measure | The Merchant of Venice | The Merry Wives of Windsor | A Midsummer Night's Dream | Much Ado About Nothing | Pericles, Prince of Tyre | The Taming of the Shrew | The Tempest | Twelfth Night | The Two Gentlemen of Verona | The Two Noble Kinsmen | The Winter's Tale
Histories King John | Richard II | Henry IV, Part 1 | Henry IV, Part 2 | Henry V | Henry VI, part 1 | Henry VI, part 2 | Henry VI, part 3 | Richard III | Henry VIII
Poems Sonnets | Venus and Adonis | The Rape of Lucrece | The Passionate Pilgrim | The Phoenix and the Turtle | A Lover's Complaint
Apocrypha and Lost Plays Edward III | Sir Thomas More | Cardenio (lost) | Love's Labour's Won (lost) | The Birth of Merlin | Locrine | The London Prodigal | The Puritan | The Second Maiden's Tragedy | Richard II, Part I: Thomas of Woodstock | Sir John Oldcastle | Thomas Lord Cromwell | A Yorkshire Tragedy | Fair Em | Mucedorus | The Merry Devil of Edmonton | Arden of Faversham | Edmund Ironside | Vortigern and Rowena
Other play information Shakespeare's plays | Shakespeare in performance | Chronology of Shakespeare plays | Oxfordian chronology | Shakespeare on screen | BBC Television Shakespeare | Titles based on Shakespeare | Lists of characters A-K · L-Z | Problem plays | List of historical characters | Ghost characters

Image File history File links Shakespeare2. ... Wikipedia does not yet have an article with this exact name. ... William Shakespeare (1564 – 1616)[1] was an English poet and playwright. ... William Shakespeare (National Portrait Gallery), in the famous Chandos portrait, artist and authenticity unconfirmed. ... Detail from statue of Shakespeare in Leicester Square, London. ... William Shakespeares influence extends from theatre to literature to the English language itself. ... This article or section includes a list of works cited or a list of external links, but its sources remain unclear because it lacks in-text citations. ... William Shakespeare (National Portrait Gallery), in the famous Chandos portrait, artist and authenticity unconfirmed. ... The frontispiece of the First Folio (1623), the first collected edition of Shakespeares plays. ... Shakespeare wrote tragedies from the beginning of his career. ... Anthony and Cleopatra, by Lawrence Alma-Tadema. ... Venturia at the Feet of Coriolanus by Gaspare Landi Photo courtesy of The VRoma Project. ... For other uses, see Hamlet (disambiguation). ... King Lear and the Fool in the Storm by William Dyce (1806-1864) King Lear is a play by William Shakespeare, considered one of his greatest tragedies, based on the legend of King Lear of Britain. ... This article is about Shakespeares play. ... For other uses, see Othello (disambiguation). ... Romeo and Juliet in the famous balcony scene by Ford Madox Brown For other uses, see Romeo and Juliet (disambiguation). ... For other uses, see Timon (disambiguation). ... Title page of the first quarto edition (1594) The Tragedy of Titus Andronicus may be Shakespeares earliest tragedy. ... For the Chaucer poem, see Troilus and Criseyde. ... This article or section does not adequately cite its references or sources. ... For the Chiodos album, see Alls Well That Ends Well (album). ... Walter Deverell,The Mock Marriage of Orlando and Rosalind, 1853 William Shakespeares As You Like It is a pastoral comedy written in 1599 or early 1600. ... Poster for a performance The Comedy of Errors is one of William Shakespeares early plays, written between 1592 and 1594. ... Dame Ellen Terry as Imogen This article is about Shakespeares play. ... For the film, see Loves Labours Lost (2000 film). ... Claudio and Isabella (1850) by William Holman Hunt Measure for Measure is a play by William Shakespeare, written in 1603. ... Shylock and Portia (1835) by Thomas Sully The Merchant of Venice is one of William Shakespeares best-known plays, written sometime between 1596 and 1598. ... Title page of the 1602 quarto The Merry Wives of Windsor is a comedy by William Shakespeare featuring the fat knight Sir John Falstaff and is Shakespeares only play to deal exclusively with contemporary English life. ... For other uses, see A Midsummer Nights Dream (disambiguation). ... Title page of the first quarto (1600) Much Ado About Nothing is a comedy by William Shakespeare. ... Title page of the 1611 quarto edition of the play Pericles, Prince of Tyre is a play written (at least in part) by William Shakespeare and included in modern editions of his collected plays despite some questions over its authorship. ... Taming of the Shrew by Augustus Egg The Taming of the Shrew is a comedy by William Shakespeare. ... For other uses, see The Tempest (disambiguation). ... Twelfth Night has at least three meanings: Twelfth Night (holiday), celebrated by some Christians Twelfth Night, or What You Will, a comedic play by William Shakespeare Twelfth Night (band), a progressive rock band This is a disambiguation page — a navigational aid which lists other pages that might otherwise share the... The Two Gentlemen of Verona is a comedy by William Shakespeare from early in his career. ... The Two Noble Kinsmen is a play written in 1613 by John Fletcher and William Shakespeare in collaboration. ... Florizel and Perdita by Charles Robert Leslie. ... Traditionally, the plays of William Shakespeare have been grouped into three categories: tragedies, comedies, and histories. ... The Life and Death of King John is one of the Shakespearean histories, plays written by William Shakespeare and based on the history of England. ... Title page of Richard II, from the fifth quarto, published in 1615. ... Title page of the first quarto (1598) Henry IV, Part 1 is a history play by William Shakespeare. ... Henry IV part 2 is a history play by William Shakespeare, first published as part of Shakespeares First Folio. ... Title page of the first quarto (1600) Henry V, also known as The Cronicle History of Henry the fift, is a play by William Shakespeare based on the life of King Henry V of England. ... The First Part of King Henry the Sixth is one of Shakespeares history plays. ... This article or section does not cite its references or sources. ... Henry VI Part III is the third of William Shakespeares plays set during the lifetime of King Henry VI of England, and prepares the ground for one of his best-known and most controversial plays: the tragedy of King Richard III (Richard III of England). ... Frontispage of the First Quarto Richard The Third. ... Dame Ellen Terry as Katherine of Aragon The Famous History of the Life of King Henry the Eighth was one of the last plays written by the English playwright William Shakespeare, based on the life of Henry VIII of England. ... Title page from 1609 edition of Shake-Speares Sonnets Dedication page from The Sonnets Shakespeares sonnets, or simply The Sonnets, is a collection of poems in sonnet form written by William Shakespeare that deal with such themes as love, beauty, politics, and mortality. ... Title page of the first quarto (1593) Venus and Adonis is one of Shakespeares three longer poems. ... The Earl of Southampton, painted in 1594, aged 21, the year that Shakespeare dedicated The Rape of Lucrece to him The narrative poem The Rape of Lucrece is the graver work promised by English dramatist-poet William Shakespeare in his dedication to his patron, Henry Wriothesley, 3rd Earl of Southampton... The Passionate Pilgrim is a collection of poems, first published in 1599, attributed on the title-page to William Shakespeare. ... The Phoenix and the Turtle is a poem by William Shakespeare. ... A Lovers Complaint is a narrative poem usually attributed to William Shakespeare, although the poems authorship is a matter of critical debate. ... The Shakespeare Apocrypha is the name given to a group of plays that have sometimes been attributed to William Shakespeare, but whose attribution is questionable for various reasons. ... The Reign of King Edward III is a play attributed to William Shakespeare. ... Playtext from the 2005 Royal Shakespeare Company production. ... Publicity poster for the 2002 Los Angeles production of The Second Maidens Tragedy as The History of Cardenio is a lost play, known to have been performed by the Kings Men, a London theatre company, in 1613. ... Loves Labours Won, alternatively written Loves labours wonne, is the name of a play written by William Shakespeare before 1598. ... The Birth of Merlin, or, The Child Hath Found his Father is a Jacobean play, written in 1622. ... Locrine is an Elizabethan play depicting the legendary Trojan founders of the nation of England and of Troynovant (London). ... The London Prodigal is a city comedy set in London in which a prodigal son learns the error of his ways. ... Title page of the 1607 quarto The Puritan is a Jacobean comedy, published in 1607, generally considered to be written by Thomas Middleton. ... The Second Maidens Tragedy is a Jacobean play that survives only in manuscript. ... To meet Wikipedias quality standards, this article or section may require cleanup. ... Sir John Oldcastle is an Elizabethan play about John Oldcastle, a controversial 14th-15th century rebel and Lollard who was seen by some of Shakespeares contemporaries as a proto-Protestant martyr. ... Thomas Lord Cromwell is an Elizabethan play, published in 1602. ... A Yorkshire Tragedy is an early Jacobean era stage play, a domestic tragedy printed in 1608. ... Fair Em, the Millers Daughter of Manchester, is an Elizabethan comedy written ca. ... Mucedorus is a play at one time claimed to be one of Shakespeares. ... The Merry Devil of Edmonton is an Elizabethan comedy about a magician, Peter Fabel, nicknamed the Merry Devil. ... This article or section does not cite its references or sources. ... Edmund Ironside is an anonymous Elizabethan play that depicts the life of Edmund II of England; however, at least two critics have suggested it is an early work by Shakespeare. ... Vortigern and Rowena, or Vortigern, an Historical Play is a play that was touted as a newly discovered work by William Shakespeare when it first appeared in 1796. ... Sir John Gilberts 1849 painting: The Plays of William Shakespeare, containing scenes and characters from several of William Shakespeares plays. ... Sir John Gilberts 1849 painting: The Plays of William Shakespeare, containing scenes and characters from several of William Shakespeares plays. ... The precise chronology of Shakespeares plays as they were first written and performed is impossible to determine, as there is no authoritative record and many of the plays were performed many years before they were published. ... The precise chronology of Shakespeares plays as they were first written is impossible to determine, as there is no authoritative record and many of the plays were performed many years before they were published. ... It has been suggested that this article be split into multiple articles. ... The BBC Television Shakespeare was a set of television adaptations of the plays of Shakespeare, produced by the BBC between 1978 and 1985. ... The following is a partially complete list of titles of works based on Shakespearean phrases. ... In Shakespeare studies, the term problem plays normally refers to three comedies that William Shakespeare wrote between the late 1590s and the first years of the seventeenth century: Alls Well That Ends Well, Measure for Measure and The Merchant of Venice, although some critics would extend the term to... This list contains the biographies of historical figures who appear in the plays of William Shakespeare. ... In playwriting, a ghost character is a character that is mentioned as appearing on stage but neither says nor does anything but enter, and possibly exit. ...


  Results from FactBites:
 
Julius Caesar (play) - MSN Encarta (773 words)
The play is based on translations of Plutarch’s Parallel Lives (1579), specifically from the passages on the lives of Marcus Antonius (Mark Antony), Marcus Brutus (Brutus), and Julius Caesar, whose military and political exploits and subsequent assassination were subjects of considerable interest during the Renaissance.
Although Caesar himself is not the hero of the play, he is the catalyst of the action and the person around whom the plot revolves.
Mark Antony, Octavius Caesar (Caesar’s nephew and adopted son), and Lepidus are selected as the new leaders, known as a triumvirate.
Julius Caesar (play) - Encyclopedia, History, Geography and Biography (1529 words)
Caesar is not the central character in the action of the play, appearing in only three scenes and dying at the beginning of the third Act.
The central protagonist of the play is Brutus and the central psychological drama is his struggle between the conflicting demands of honour, patriotism, and friendship.
Julius Caesar was first published in the First Folio in 1623, that text being the sole authority for the play.
  More results at FactBites »


 

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